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Page 89 text:
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CHERYL SMITH TWIRLERS: Linda Conlon, Jere Reinhart, Jonne Reinhart Drum Majorette DAMSTLS' D N075 DASH BANDERETTES: Kathy Kelly, Cindee Harrsen, Pam Kandazzo, Sandy Rowin, Jan McGuffin, Barb Paine, Glory Jampetero, Rosalind Landers, Jan Traughber, Sue Benschneider, Cindy Turner. 85 if
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Page 88 text:
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Annette Lux, Bea Gai Herrick, and Alice Kienzle utilize limber thigh muscles and exhibit flowing tresses as they strike a delicate pose. The girls' trim forms are aided byconscientious practicing. A startling array of precisely balanced arms and legs belong to Michelle Meckel, Elena Simmons, Reginia Bryan, Debbie Chapman, and Robin Lee. To remain in this pose for any length of time requires insensitive or well-padded knees. GRA 05' GIRLS' GAIH R The Honors in Dance group was organized to allow interested students to continue dancing outside of class. Tryouts are held each spring to yield a small and select group of quick to learn and talented girls. This method for choosing the girls was em- ployed by Mrs. Finney, the sponsor, specifically for that purpose and has worked very well. The girls meet weekly to work on routines in vari- ous types of dance. They present a few of the best in the occasional programs during the year in which modern dance appears. They did a number in the Christmas program before parents and students. They performed in the Kerry Reel for the World Dance Festival. The girls were also granted time in the spring modern dance pro- gram. A mysterious cat-like sitting is achieved by immobile Pat Calahan, Denise Vos, Kay Bennington, Mary Lou Jones, Pat Baecht, Pat Bush, and Ammy Trauscht. The expressionless faces, white hands against black leotards, and the crouched posture of every other girl contribute to this startling effect. The modern dance group enjoyed still effects as Well as active dancing.
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Page 90 text:
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