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Page 28 text:
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“And when I am formulated, sprawling on a pin. When I am pinned and wriggling on the wall. Then how should I begin?” . . . By beginning, they say. It’s only one word after the other . . . from out of nowhere must come the idea—without that the formulae of grammar and theme construction are useless. The theme determines all, and this is called the idea—for this we wriggle and squirm and begin again. Sure, it’s good, but where did all the words go? By beginning they say . . . But thematic formulae and syntactical rules don’t put the words down on that pitifully white square of paper; somehow inspiration must come, and wriggling on a wall sometimes helps. Mrs. Johnson (above, left) gives direction to English comp students Calisia Boniface. Gerry Brown. Pal Carnall and Charles Farrand on research paper composition; while English lit students Norman Peters. Orley Holtan and Georg Snell eye Dr. Brown (above right) symbolically sitting on the dictionary (warming his metaphors). Eastern’s Film Society (below, right) under direction of Dr. Brown shows past and present in movie entertainment—silently reels time back to the classics of two decades ago and projects contemporary sound and fury.
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Page 27 text:
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Page 29 text:
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Autobiographies, research papers, business letters, feature stories . . . from first quarter through the third, freshman year of English composition abounds in opportunities (and traps). This Mr. L. Cooper points out to Delbert Peterson as Floraiean Blackard, Pat Fisher. Marlene Flanagan. Anne Hassett. Jack Heeb-ner. Margaret Kirch. Erna Meinhart. Darlene Moon. Sally Ost-walt. Joyce Peterson. Clifford Rylander. George P f a f f and James Shaw profit by his criticism. Eastern English classes call for ink-stains, mental sprains and eventual mastery of our native tongue. Speeches and debates are oral compositions built with w'ords —and building poise, self-confidence, personality. Speech students Lorraine Ness and Tim Mullowney verbally compose for Mr. Lyon, instructor. Alice Higginson. Frank Clarady and James Todd. Finer points of debate are cogitated by Dick Knoche. Neil Keefer. Mr. Harshfield. instructor, Tom Kilpatrick. Hugh Morton. Orly Holton and Rosetta Rush. Ctt eye ... tHat lex you cl l imulatect feAtici e
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