Mitchell College - Thames Log Yearbook (New London, CT)

 - Class of 1974

Page 64 of 152

 

Mitchell College - Thames Log Yearbook (New London, CT) online collection, 1974 Edition, Page 64 of 152
Page 64 of 152



Mitchell College - Thames Log Yearbook (New London, CT) online collection, 1974 Edition, Page 63
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Mitchell College - Thames Log Yearbook (New London, CT) online collection, 1974 Edition, Page 65
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Page 64 text:

Last Night's Ride by Thomas H. Finnegan june bugs, rabbits, and chuckholes. Not to mention rocks, railroad tracks, and drunken drivers. In spite of all that, I like riding at night much more than in the daytime. Fewer cars. Cooler. The very comfortable black of night amplifies all these sensations and feelings a millionfold. Nosier, crisper, stark vision and non-vision. Following the quartz-iod- ine eye as it bounces and trembles and shows the roadsigns to come. I'm not a padiddle, l'm a bike. Bikey? Hell, they're all bikeys! Shit. Taillight's out again. Where's that connector? Ah, forget it. It comes on once in a while. Tell The Man I never saw it. Been watching where I'm going. Thunder. From the blur of tappets and ticks and the fiery throb, the frenzied pulsebeat racing faster, faster. Sensual. Mellow and strong and it's half the thrill of riding. The eye skitters around ahead, and bigger bumps blip the throttle. A burst of rumbly, throaty noise. A clamoring request to get on with it. Try fifty-five hundred, six grand. Pure gut sensation. What could be aesthetic about something so crude? We're not so suave after all, I guess. Ninety. And I feel so free. God damn taillight!! Look at that - I can even see the little blue flash where the connector touches the frame. Will that do, officer? A blue taillight? No? All right, I'll fix it. On the run. On the fly. I'm Flyyying. Hi. Well, where do I stick the damn thing? 1,11 tape it up. You're kidding! Right now?! Yeah, man, I'm very talented. What's that noise? Hom. CAR!! lkllflklkik As the car passes, Amy and I wave animatedly at its gawking occupants. She is sunbathing in her bright green- yellow bra. They probably saw it from miles away and careened all the way across town and up into the park just to catch a glimpse of some skin. Cretins. Can a semi-nude girl lying on a blanket possibly look elegant? Amy is like that. Many of our friends have confided that they think her the most attractive young woman they've known. She has all the prerequisites - very handsome features, soft and thick mahogany hair which all but smothers her throat and her shoulders, an unmistakable, fetching look of demureness. And she's mine. She will look devastating when she's carrying a baby someday. Amy? Hm? Look. Incandescent orange. I would never have believed a sunset could be so boldly colored. She gazed at the receding light for a moment. How can we treat them as cliches? How can we be so insensitive? It's all your fault, lovely lady. We'll have to make every person on earth line up and pass by here, to see these sunsets while lying on a hilltop with you. Then they'll seef, Theylll see how alluring her smile is. Theylll see how completely irresistible she is. They'll also see those two grey squirrels who just romped up over the grassy crest of our hilltop, and, like curious but timid children, hesitated, star- ing at us and listening to us, before they finally winked and chirped at each other and scampered off to play their own loving little games. Or at least I hope they play loving little gamesg I'd like that for them. All living creatures should play frisky, sexy games. Amy? Hm? You're all right.

Page 63 text:

Tonya rubbed her motheris massive, black arm affectionately while she told her about sheets with flowers poppin' from 'em and a gold dish filled with little soap dolls and bottles of perfume - musta been fifty in all. You didn't pick up somethin, that don't belong to ya, did ya, baby ? Mildred remembered an incident at school. No, Ma, lid never take nothin' from Mrs. Bailey, anyways she gave me this here. Tonya held up a tiny basket stuffed with sweet smelling flowers. For what ? her mother asked. Not for nothin', Tonya answered, as if it were something secret. Mildred's mind joumeyed to the present as she slipped her swollen, aching feet out of her scuffs and walked to the bedroom, a doorless cavem where Tonya slept peacefully in spite of pink rubber curlers in her hair. She sat on the edge of the cot and its legs moaned and spread as her mountainous body settled deep in the mattress. Slowly, she caressed the worn blanket with its frayed binding that skimmed the edges here and there and then, suddenly, she squeezed it tightly with both fists. Oh, Tonya, she sighed softly, touching the small back turned to her. Her head bowed low and then lower, weary from monotonous days and years, as she sat motionless for several minutes thinking of empty yesterdays. Somehow the prospect of tomorrow, bright or dismal, never came to mind. Twinges and thoughts darted in and out of her body and mind - a hodgepodge of envy, hate and fear swimming through and consuming wisps of yellow hair, sparkling bottles of perfume and Tonya's smiles and excitement telling about two days of living out of nine years of life. Her drowsy eyes lifted and welded themselves to the bare window. It seemed to toy with her senses, drawing her into an unending blackness that concealed any illumination from the street below. Slowly, she lifted herself with a tired push of both arms and walked to the dresser. Tonya's picture stood out among the clutter, and as she looked at it a tainted mellowness enveloped her and tears saved for a lifetime unexpect- edly filled and then spilled from her eyes. Her hand furrowed aimlessly through a drawer and she buried the photo deep in a corner. Mildred shook her head slowly from side to side. It'll do that child no good goin' back again, no good at all, she whispered.



Page 65 text:

Oh? Yeah You're all right. And also beautiful. I'm glad. When do the lights come on? They're on. See? Over the low rock wall, a long way down and below and beyond, the city was turning on its night lights, keeping the evening sky as bright as it could, while dense purple clouds brought on the fog of darkness. With the breeze came the crickets who sat all around, out of sight, talking about us. Amy? Hm? Let's go back to your place. Nwhyr' Q'I'm hungry. !For tea and oranges that come all the way from China? She giggled. She sat up, the long, dark curve of her spine crisscrossed from the blanket's folds. She fished a twig from her hair. I-Iow about the brown shreds of leaves? You're really beautiful. I want to smoke. And it's going to get cold now. You're much too lovely to have a runny nose. All right. Tea and oranges and smokes and a long relaxed evening. Can I drive back? Nope I can't trust myself sitting behind you! Bastardo. You win. Maybe next week? Sure. Next week. We have all the time in the world. 1111414111211 All the time in the world. There must be. I can see - what - five hundred stars right now, and they're perfectly motionless. And the man in the moon with his howling expression of . . . anguish. Anguish because neither of us is really sure what's going to happen to time right now. Will it stop? Probably, since I can't move. How do I know I can't move? I can't move because I don't dare move. Something is liable to hurt. So I'm okay. Nothing hurts. Except my right leg tingles. Itches. Like to drive me crazy, as they say. Look. I don't care. If time wants to stop, let it stop. But not now. Please, don't let it stop right now. Who's that? Are you the man in the moon? You look middle-aged. Balding. Big jowls. And you look scared. Don't cryg it's no big thing, man. But I'd like to ask you a question, sir, if I may. Where did you put my bike? It's over there? Where you keep looking when you're not looking down at me: Okay, thank you very much, sir. I'd better look. See if it got bent up. See if moon-man remembered to shut it off. Okay, I'll look. I'm looking. Come on. Let's look. Come ON! God damn head, TURN!! Oh, jesus. I'm really hurt, I can't move my head. And I've gotta itch. Like a sonofabitch. Ha. Ha ha!!Great. A sense of humor, with me to the last. Ha ha. Please, head, please turn. just sort of fall over that way. That's it. Come on. Oh, wow. Hey, moon-man. Your car is eating my bike. Look. Seriously, look! It's almost done eating my bike already! See? My bike is . . . oh, God, my bike. Hey, moon-man. My bike is almost all the way up into your windsh- ield. Lump in my throat. I'm frightened to death, man. I'm frightened to die. And now I know for sure that I'm going to die. Because look where my bike is. It's inside your car. !!!

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Mitchell College - Thames Log Yearbook (New London, CT) online collection, 1974 Edition, Page 120

1974, pg 120


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