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Page 22 text:
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n registered as Freshmen, all four classes have been busily readjusting curriculum, schedules and officers to meet the situation. With more students registered in more subjects, postwar Millsaps is ofF to a good start. The change from the hurried three semesters a year tc the ireqsured steps of two sixfaen-week terms KMBf the tempo cf student life and we think if to be J W est. Yes, the 1945-46 school year is an important step in The Greater Millsaps Movement as a foundation for further building. u
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Page 21 text:
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THEODORE C. RUSSELL Professor of Violin and Theory Conductor of the SywphonyOrchesfra B.S., Northeast Missouri State Teachers College; M.M., Northwestern University; Private study with Enesco and Szigeti in Europe. ISABELLE POTEAT TURNER Teacher of Voice A.B., Meredith College; Certificate in voice, Mere- dith College; graduate work in voice, Randolph- Macon College. N.J.GOLDING Vice-President and Field Representative A.B., Millsaps College. KARL WOLFE Professor of Art B.F.A., Chicago Art Institute, William M. R. French Fellcwship; study abroad for one year; study and teaching Pa. School of Art Summer School. HELEN NEWELL BARNES Director of Women ' s Athletics B.A., Millsaps College. J. L. ROBERTS Instructor of Mathematics B.A., and M.A., Mississippi College. NANCY PLUMMER FAXON Assistant Professor of Piano and Theory A.B., Millsaps College; M.M., Chicago Musical College. DOROTHEA MITCHELL QUEEN Instructor of Piano B.A., Millsaps College; B.M. and B. M. Ed., Chi- cago Musical College; M.Snc. Mus., Union Theo- logical Seminary. FRANK REA TAYLOR College Accompanist A.B., Millsaps College; Dipolma in Piano, Millsaps College. CLARA WRIGHT FORREST Instructor of Piano B.M., H. Sophie Newcomb; graduate work, Uni versity of California. ALVIN JON KING Director of Millsaps Singers Studied at Oberlin Conservatory of Music; North- western School of Music; Christiansen Choral School; private study with W. S. B. Matthews, Fanny Bloomfield Zeisler and Prower Symonds. Page
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