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THE OAK, EIliY AfJD IVY Vol. XXXVIII. MILFORD, MASS., JUNE, 1922 NO. 1. Published by the Pupils of the Milford High School. BOARD OF EDITORS. Editor-in-Chief, Leslie M. Calkin, ’22. Business Manager, Henry D. Barbadoro, ’22. Assistant Business Managers, Della B. Kurlansky, ’22, Clifton A. Jeffery, 22. ASSOCIATE EDITORS. Clara E. Cade , ’22, Nicholas A. Mastroianni, 22, Walter T. Wall, ’22. Subscription Rates: For the year, $1.00. Single copies, 15 cents. Address all communications to Oak, Lily and Ivy, Milford, Mass. TRUE HAPPINESS. The biggest thing in the life of every human individual is happiness. It is the goal of all ambitions, the object of all endeavor. Complete happiness is that desirable something for which each one of us, rich or poor, powerful or insigni¬ ficant, proud or humble, seeks in an endless quest, and which, because of its in¬ tangibleness and our own stupidity, few of us find. Seldom do we seek it con¬ sciously, never as a definite object, yet, in the final analysis, it is for happiness that we live and die. In endless toil we pursue it, ardently yet blindly, earnestly yet despairingly. Material success comes; wealth, position, power, homage, yet it leaves us unsatisfied, with a conviction that something is lacking. And the conviction is not unfounded. Something is lacking. But it is in, ourselves that the defect lies, not in fate or the “divinity that shapes our ends.” For true happiness is merely contentment with whatever we possess of material comforts and spiritual blessings, great or small. The capacity for happiness lies within each one of us and even as we pursue it in blind haste, it is waiting to be enjoyed. Happiness is a state of mind, the accompaniment of a courageous spirit— the spirit of optimism—and the natural consequence of an intelligent outlook on life. The person keen enough to see and appreciate the good things of life, and strong enough to forget or ignore the unpleasant things, thus deriving the full measure of happiness intended for all of us, is called an optimist. In this world we meet too few real optimists, too few people with courage enough to smile when others frown, and fight on with dauntless spirit) when others surrender in despair. By an optimist I do not mean the offensive individual who rises with the songsters and rouses the household with boisterous melody. He is merely a healthy lunatic. Nor do I mean the man who predicts fair weather when the weather man’s report and every visible natural sign indicates approaching rain. He is a fool. Nor yet do I mean the type of person who displays a perpetual simper to friend and enemy alike in affluence or affliction. He is either too small or too timid to assert himself. Your real optimist is the man who, knowing that trouble is coming, has the courage to face it with a smile and faith in the ultimate triumph of Right. Your true optimsit is religious. He may not be demonstrative about it, but he believes
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CLASS OF 1922
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14 THE OAK, LILY AND IVY. and trusts in a Supreme Being, all powerful, just, and generous or he could not have such faith. He is generous and kindly as his conscience and his intelligence direct him to be. For not only would he lose the happiness which he has if he failed to be, but he realizes that through unselfish service he is able to increase not only the pleasure of his friends but of himself. By his attentions he makes himself at¬ tractive, by his loving thoughtfulness he makes himself lovable. He holds the key to the secret of success, since true success is, after all, merely complete hap¬ piness. Perhaps the most notable example of the optimist in current literature is Mark Sabre, the leading character in A. S. M. Hutchinson’s successful novel “If Winter Comes.” The keynote of his philosophy of life, his deathless faith, his unquenchable optimism, may be found in those lines wherein he studies the in¬ finite workings of Nature and finds in them the reflection of his own courageous ideals. By these lines optimism is pictured in its truest sense, as it manifests itself in joyous spirits and courageous deeds. ‘‘Nature was to him in October, and not in Spring, poignantly suggestive, deeply mysterious in her intense and visible occupation.-She spoke to him of preparation for winter, and beyond winter with ineffable assurance for Spring, bring winter what it might.-She packed down. She did not pack up, which is confusion, flight, abandonment. She packed down, which is resolve, resistance, husbandry of power to build and burst again.-Mankind, frail parasite of doubt seeking ever for a sign, conceives no certainty but the enormous certitude of un¬ certainty. A sign!-October spoke to Sabre of Nature’s sublime impervious¬ ness to doubt; of her enormous certainty, old as creation, based in the sure foundation of the world.” That is the philosophy of the true optimist, the person who in the face of every conceivable misfortune is able to ask, in the words of Shelley: “-O Wind, If Winter comes, can Spring be far behind?” L. M. Calkin, ’22. SALUTATORY. As a representative of the Class of 1922, I wish to extend to you all a most cordial and hearty welcome. To you, dear teachers, parents, and friends, we owe a large measure of the success which we have attained during our four years in the Milford High School, and during that time labor and pleasure have been blended together most happily. I feel confident that it is with a pang of sincere regret that we bid farewell to our Alma Mater and to those surroundings to which we have become so endeared during the past four years. THE BEGINNINGS OF THE ENGLISH DRAMA. To-day more than ever before, the universal appeal of the drama is mani¬ fested by the vast throngs of theatre-goers. Never before in the history of drama has there been such a demand for good plays. Despite the efforts of so-called reformers and purifiers of the theatre” the general outlook is exceedingly favorable. Instead of corrupting the morals” of the public, the modern drama has ef¬ fected many reforms through its influence on public opinion. For example, it is inevitable that after thousands of people have seen a drama depicting deplorable
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