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Page 28 text:
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Ninth annual production enioys three successful The Guys , Ted Shaw, Terry Creeden, and Dan lnderrieden, climax their fino'l Wonderful Time with A Smile and a Song. ORCHESTRA MEMBERS: Un rows from rear 'ro fron'd Row 1: Ron Siemerfng, Tom Johnson, Tom Earhart. Row 2: Tom Molhersole, Jean Prince, Row 3: Walter Boyle, Diane Gass, KiHy Peveler, Linda David. Center: Director Mr, Schanz. Row 4: Judy Oligee, Bev Helm, Linda Hocking, Becky Wright. Row 5: Glen Seffy, Charles Topie, Connie Toole, Row 6: Ted Shaw, Dan Inderrieden, Randy Voellz. A. -4 .. -, 2mm.
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Page 27 text:
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Mary Reynolds, Janet Wilbur, and Linda Porter dance to HPuf on Your SundayCloihes, oneofmunydcnce groups in the show. 'k V A bit of Ireland highlighfs the Cubare? sequence 05 dancers form a pinwheel in typical Irish sfyle. ldentifiable are Judy Walsh and Paula Smithson.
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Page 29 text:
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performances The MHS chorus was featured in the third sequence, Come to the Cabaret. The chorus presented songs from various countries around the world, some accompanied ay appropriate dances,such usttCan-Con and America. I The second act was opened by a down-home feud, lecturing solos by Marilyn Burch und Rhonda Dean, and duets by Stephanie Bitlman with Tina Burroughs and Dale Carr with Michele Gadd. The final sequence, Look at That Face starred Gary Komlos and Pam Souder who introduced several solos and dances, including Linda Heslarts Hurry, it's Lovely Up here, and Stan Poe's memorable Come Back to Me. After three successful performances, presents were given by the cast to the directors Yentes and Wonder, make-up was removed, and costumes were packed away. But the satisfaction, the rewards, and the memories lin- gered long after the curtains were drawn, UPPER RIGHT: Dale Carr and Michele Gudd ioin in song during the Hillbilly sequence. BELOW: Director Gerald Yentes quickly applies the finishing touches to Cheryl Dubbs' make-up prior to opening. RIGHT: Gary Komlos opens Wondertul Time I967 with his interpretation of Before the Parade Passes By.
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