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Page 27 text:
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Cut Along Dotted Line - - - KW M WL ■«««■■■«■■ This time Special Events lived up to their name. It was jecial. It was an event. eiioN
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Page 26 text:
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. ban. otherwise known as the Oaks, entered the stage amid a fog of dry ice. They opened with their hit song, You ' re the One. Sterban, the bass singer, managed to excite the crowd every time he even opened his mouth. Bonsall, the spokesman for the group, expressed the Oaks ' nervousness about singing for home folks. It was not visible, however, as they performed hits like Dream On, Fancy Free, Tryin ' to Love Two Women, Love Song, Sail Away, Cryin ' Again, Come On In, Ozark Mountain Jubilee, and Everyday. The long- bearded William Lee Golden gave an emotional rendition of Thank God for Kids. Of course, no Oak Ridge Boys performance would be complete without superhits Bobbie Sue and Elvira. — And complete the show was. Lee Greenwood and the Oak Ridge Boys had promised to deliver. They definitely did. — Michael R. Turner
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Page 28 text:
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Watching A Legend By 8 p.m. the floor was beginning to fili. The crowd was slow in arriving, but in the space of 15 minutes, Murphy Center rap- idly filled, though not to capacity. The age range represented was surpris- ingly broad, from eight years or so up to 70. Dress was largely conservative, but not entirely. I had no idea the music of Elton John appealed to such a wide vari- ety of people. Rumors ran through the crowd: This is his last tour. He always opens with ' Funeral for a Friend. ' Ber- nie Taupin is going to come out onstage in a space suit during ' Rocket Man. ' At 8:20 p.m., the lights were still up. Recorded music was playing. Each time a . song ended, the crowd got a little louder. The excitement, the tension, was build- ing. I took a look at the stage: rectangular, with three round risers. One held Elton ' s white grand piano; another, the drum kit. The third held an electronic keyboard. The platforms were unlit, but there were lights on them. M
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