Miami University - Recensio Yearbook (Oxford, OH)

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nder the eye of the former Director of Athletics, Ara U Parseghian, Hayes and Pont all gained their experience starts here at Miami. Mr. Brickels was well loved. Without his incentive and administrative ability the MAC might not enjoy its berth in the NCAA Basketball Champion- ships, as it does now. Undoubtedly his assistance was partially responsible for the proposed multi-million dollar athletic center to be located east of Tallawanda Creek. This new facility will contain a new auditorium, a new stadium initially seating 16,000 fans, a new nine hole golf course and a gigantic new parking lot twhatis thatPl. While Brickels lived, the grossly underrated Miami teams ravaged highly touted Big Ten teams and earned UPI and AP ratings until, finally in the sixties, she became the national power that John Brickels hoped she would be Miami basketball revived in 1963-64. The 1964 squad started all juniors and threw a scare into the MAC. Every- one knew that Miami would be tough in 165. They were. Near the end of January, the Skins were 13-1 on the season, and predictions were coming true. Under young, ambitious Coach Dick Shrider this exceptional team seemed to be racing to a MAC triumph. Coach Shrider had molded this squad since they were sophomores. Per- haps this yearls Miami Redskins would be the standout team for which the campus hoped. At least they managed to reverse the psychological effect of arehrival Ohio Uni- versity. Using the height of Charlie Dinkins and Jim Pat- terson, the defensive ability of Jerry Peirson and Walt Williams, along with the shooting genius of JeFf Gehring, Charlie Coles, and Johnny Swarm, the Skins trampled most MAC foes. Miamians also remember the ups and downs of football glory. In his second season, Bo Schembechler coached the team to a 6-3-1 record. The highlight of the fall must have been Ernie Kellermann,s personal triumph over North- western, 28-27. This marked his second Big Ten win as he and Bob Jencks combined to stun ninth-ranked Purdue 10-7 in 1962. With Joe Kozar and Don Peddie, Bo strengthened his running game while pass receiving was ably handled by Frank Dwyer, Jack Himebauch, and John Erisman. Defensive Captain Mike Cohn and third Tri- Captain, Bill Williams, were the other coordinators of the defensive and offensive efforts. The Wrestling Redskins brought home the MAC crown and under first-year coach, Joe Galat, had high prospects of repeating their fortunes again this year. Galatls most successful grapplers last fall were Dave Range, John Schael, Jay Black, Wally Hale, and Paul Sammis. They headed into the MAC Championships with only two losses in the whole dual meet build-up to the MAC finals. Coach Raymond Ray, always conservative in his estima- tions of what to expect, yet always training his team to new records, had reason to be encouraged about the 164-65 season. All-American Terry Barnett, a record relay team, superb diver Brad Smart, Todd Grant and the rest of the strong squad made winter the most promising of seasons for University athletic success. The hockey team, newly formed-by Jay Holcomb and self-linanced from members pockets, began their first sea- son with stars Steve MaCInnes, Bob Hartman and Howie Simms on the ice. Miamils skillful, internationally-manned soccer team continued its fighting emergence with Deme- trius Paximadis a star in the spirited array. Last spring Bob Epskampls track team, with a record- holding mile relay team, pulled to second in MAC honors. Woody Wills, baseball hit the doldrums of rebuilding simul- taneously, but venerable Coach Al Moore,s tennis team finished tied for first in MAC competition. We came back in the fall to football fortunes and cross country records. Andy Schrammls defeat by mono being partly offset by John Bachelerls harrier leadership and seventh place finish in the NCAA competition. Miami ran the gamut of conference competition and forged ever-Closer to the Tribe Miami goal of bringing home 2to its rightful place,, the coveted MAC All-Sports Trophy. Besides this spirited goal, the Mike Dane-led Tribe filled the calendar with sponsorship of the annual Miami High School Track Relays, with selling programs and cokes at sports events and with ogling sponsor Judy Sorg. They encouraged the start of a new tradition- wearing red on F ridays to show student support for mem- bers spirited efforts. Another new event this year was the Faculty-Varsity basketball game. The faculty showed their stuff, pulling down a stunning two point victory. Phi Epsilon Kappa, physical education majorls honorary, sponsored this novel game, with Dean Robert Etheridge mentoring the varsity and John Swann and Jerry Peirson coaching the faculty point-piling. Such a combination of intraschool, conference and in- ternational sports progress has spelled out Miami,s linesf athletic year in the past seven seasons.

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ATHLETICS C, ampus athletics have for generations served as a unify- ing factor at Miami. Although at times opposing arguments have been raised, intercollegiate sports have re- mained an important Miami image-factor. A winning Miami team did not mean a liner school, but a winning team did mean that its success would be equated with the name of Miami University. Sports were a mode of self- expression incorporating the qualities of desire, endurance and determination, prerequisites for success anywhere. This past year saw the 0Miami imagei, carried through- out the world. As Doug Shepherd, Sports Editor of the Miami S tudent mentioned, llThis year should return Miami to the level of superiority they occupied before 1958. A11 sports indicate that Miami should garner the coveted MAC All-Sports trophy held for so long by lyou-know-whoi? A repeated top showing by the wrestling squad looked promising. Basketball surprised the national sports writers. The llMermenW, season proved to be the biggest shock with a wet Hip to the IVIAC top and then what? Defeat notwithstanding, prestige had returned. 9.6 This year saw the death of John Brickels, Bob Schulls victory in the Tokyo Olympics, the completion of plans for proposed, new athletic facilities, a Miami basketball team that hnally whipped O.U. and a real Big Ten killer in football. All these accomplishments seemed to indicate that Miamiis place in national recognition could only go up. Bob Schul, a twenty-seven year old part-time student, brought a satisfying tlinternationalll victory to Miami and the country in the 1964 Olympiad. He llkickedl, his way to world acclaim with a searing 200 yard finishing burst that brought Miami to the minds of track enthusiasts around the world. His victory represented the first time an American had ever won the 5,000 meters. Bob returned to campus in December and was honored at a special Uni- versity convocation. Students avidly listened to his minute by minute recount of the tense moments of the historic race. Twenty-five years ago the Mid-American Conference was an unknown entity. Today it has a valid and highly respected reputation in sports circles. Miami,s standouts of the past and present would never have received the recognition due them if the MAC had remained in its state of lethargy. Athletes like Bob Jencks and Wayne Embry would undoubtedly still have played professionally, but their acceptance might not have been as swift had it not been for the efforts of one of the most influential men in the creation of the MAC itself. John Brickels was the man. His stature stood behind much of the growth of the MAC. The death of John Brickels in the spring of 1964 was a shock to Miami, the MAC and the sports world in general. His funeral saw such greats as Woody Hayes and Johnny Pont among the host of others that came to mourn.

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student humming a few measures of cScotch and Soda? or another whistling a Bach fugue were not uncommon sounds on Miamils campus. lWost types of music were represented in some form, from the most re- mote Classical works to the rock-and-roll favorites. The school offered an abundance of organizations in the musi- cal sphere. To become a member, one had only to prove that he had the required talent and a desire to participate. There were the orchestra, band, numerous Choral groups and even a newly-organized jazz quartet. The Music Department was under the direction of Dr. Everett N elson, who emphasized that clThe Universityls suc- cess in any musical endeavor depended upon all students, not only those majoring in music? This opinion was in- deed relevant to the Artists Series, which offered students a unique opportunity to explore the creations of musicians of many modes and to see how various people have con- tributed to our musical heritage. The guest artists in ,64365 included F errante and Teicher, pianist Jacques Klein and the Roger Wagner Chorale. Performers were Chosen by the Artists Series committee, headed by Dean Barron and faculty members David Bean, Dr. Homer Abegglen, Helen Young and Harold Puff. Four students also served on the committee. Just as the Artists Series answered the demands of a rapidly expanding student body by diversifying the talent brought to the University, so too did the Music Depart- ment meet increasing demands by adding Music Education to its Fine Arts major. Students could Visualize teaching sixth-graders the basic concepts of music or becoming dedi- cated pianists like Judy Gels and John Welsh. A soloist with the University Symphony Orchestra in 1964, Miss Gels also formed a piano quartet. Walking by Clokey Hall, Miami students often heard the rehearsal cacophony of musical instruments and voices that wailed and warbled from the second-Hoor windows where earnest musiC-makers practiced far into the night. 2.8 MUSIC While Judy was closeted in a practice room preparing for a future concert, one might have found Dave Bryniak convincing some students that progressive jazz had a richer, fuller beat and offered more self-expression than any rock-and-roll tune. Dave formed his own jazz quartet including Bruce Johnson on alto saxophone, Dave Peter- son on drums, Edward Pharr on the piano and Dave himself on string bass. They were featured at the Jazz Festival and played for various Greek and University func- tions. He felt that the typical Miamianls attitude about jazz was one of unconcern, yet he was convinced that the subtle beat, easily varied according to the musicianls capabilities, made this form of music one of limitless prospects. Bach, Beatles, Brubeck or Baez? The choice was the studentls own. Surprisingly, many followed the current national trend toward folk music and the Joan Baez Clan. Miami sported its own folk singers-Todd Montgomery, the Merrie Young Singers, the VVayfarers, Nick and Sue Bocher. On Wednesday afternoons, members of Program Boardls Fine Arts Committee worked to create intellectual debates, concerts of many kinds, cultural bistros of folk and Classi- Cal art at the University Center. They sponsored the Music Listening Room, where a student could hear a jazz inter- pretation of classical work or a Scottish ballad by Ian and Sylvia. Cooperation and responsibility are two pre-requisites for any organization hoping to fulfill its objectives. These qualities were lacking at hrst in 1964is Red Cap Revue, and it was feared that the show would not become a reali- ty. This traditional display of freshman talent finally got under way, having survived a shortage of practice space and a shortage of cast members in the hrst week. Directors Bob Frankel and Jim Starner rewrote the script for iiOh Hell Dollyii and managed to whip up enthusiasm for the production-proving that freshmen do not give up easily!