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Page 30 text:
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Red Cap Revue VIVACIOUS Melinda Menke, one of the leads in bbWherebs Marty?,,, talks on the phone. kattrigue and love interest combined in this yeafs Red Cap production to tell the exciting story of a teen-age girl and her escapades when She was kidnapped by a group of gang- sters. An original musical written by C huck Pettis, Judy C ravens, Dave Holmes and Carole Lipshay, hbWherebS M arty? included songs from several hit broadway shows cleverly woven, into the intriguing story line. Directed by Chuck Pettis, the Show was very well done by the ambitious cast and enthusiastically received by the audiences. MARTY,S KIDNAPPERS congregate in a gambleWS den to plan more evil. MARTY,S AUNTS attempt to explain the niceties of being a young girl.
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Page 29 text:
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The Sea Gull Q NINA expresses her happiness as she Jall activities included greets Constantinis uncle. MUT,S experimental production, iiThe Sea Gulf: a, play in four acts by Anton Chekhov. The production gained great depth through its unique staging. Interior scenes were done in proscenium and outdoor scenes in three quarter arena. This staging enabled the production to convey C hekhmfs very perceptive realism more effectively to the audience. The play itself con- cerned people and their purposeless lives. F filed with dialogue that captured the conversatimml idiom, their corwermtions followed the pattern of their lives and thus lacked continuity. IN THE last act Constantin tells Nina that he still loves her. CONSTANTIN, melancholy after learning that Nina has returned and is living nearby. stands behind his mother playing Lotto in the final act of iiThe Sea Gull?
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Page 31 text:
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LONG HOURS OF REHEARSAL and many hours of learning lines, songs and actions were rewarded by an ex- cellent performance of eWherejs Martyw; the 1959 Red Cap production. MARTY, played by Patty Murphy, sings a love song in one of her quieter moments. THESE THREE SOLDIERS seem to have found something of interest in the daily newspaper. 29
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