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Page 10 text:
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i r' u 4.. 1 i ' l . t , a; V; ' i, w; 1y: w . i W a ,. , , AM. - u. 3 E z ' Imunmmmumunummmumu H mm iii . pH: IIEH g if ;1;iii t : 1 ,, MINUWJ i'ji J i321; -..;.'Q!I.Lugh;lal!bm; w J ust a Word S we look around us and behold scraps of proof, piles of copy, heaps of halftone cuts, we are seized with that peculiar sinking feeling in the region of our diaphragm. It would be so easy to let the whole thing slide, yet the job must be done somehow, and seemingly, we are the goat. What this book will be like, no one knows. We can see it with our inner eye, but how different is oneis brain child when it assumes material form and is subjected to a critical inspection in the unsympathetic light of day. We had Visions of a wonderful book; we had ambitions of making this the best Recensio ever turned out tof course every Editor in the past has had, and each of our successors will have, the same illusionsi, but, we see our hopes fall far short of their aim. Recensio signifies a looking backward. We have attempted to work into this volume the spirit of student life here at Miami; to seize and make per- manent in printers ink that elusive and indefinable atmosphere which permeates and makes idyllic our undergraduate career. In so doing, we have used pictures and snapshots in every available space, and we hope that in future years infinite pleasures may be derived from these pages, the record of a year of work, love, play, and worship, spent at the feet of our Indian Mother, Miami, on the classic summits of Oxford Town. . -EDWARD PEYTON CURL , .ns H13 3 3, $2 . ' , Wnsvw4wmwmwmmwm1mwmwmmn3 Ur 39: 1 Q . i 1 . t K i i t . i i I I ' i i i 1 , : .t i r r AA 1 g ; i ' I 1 , ; i i ' x i am
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Page 9 text:
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i W W A W, A :wm-W. Aw htwpwnw i A W. WM .. A A l i A 1 . A A A A 3 i . A 9 J 1 I i A' A 1 A A .' A. . .A A. .. . V,r ' .4 11x. - . a i t .AEA: 1 NH 3 i i. 1 ' 1 MA , A m; .4 minnmLa. L 1.1-. 41 :AzA-WA WW A WA A A w: 11w -tW m, wan, A A . A A A AA A A A A A A A A 1 2 A A I 1 H A A1 A i w i A A i ii AA AAM; A; AAAAAAA AA AAA A 1 AAA AA AA A A 1A A AAA A A :A A 1 A; .A A A A J A . A A A .A AA 1 AAAA.: i 1A: . ' IN A A. A t .1. AA .1. A - . awA;A:,A.A-A .' A 11.1! 2.4, :-n ' - v- Law. WWWWWwWWW WW 7 WWW .g-mm A A 1 A A A A . A A A AA A A ; A i A I A A 1 I i ' 1 1 i A A A A A A A , 1 i ' A A A A A A A A A A A 1 A A A - A t 1 A A Y A I A A A t ' t . - t i i -. . A .A1 ' 5. V J. V V'..HI .. i. i i ' i i i ,AA .,.A.A 1., va .,r.-.,... q . Percy MaCKaye Fellow in Dramatic Literature Percy MacKaye came to Miami in the fall of 1920, from New Hampshire, where he had been a member of the Cornish Colony, to reside here as Fellow in Poetry and Dramatic Literature, the first to hold such a position in any American college. Since that time two universities have conferred similar fellowships, in poetry and music; respectively, in the interest of furthering creatiire art in this country. Among the works which have placed Mr. MacKaye among the foremost of American dramatists are the tragedies HJeanne DiArefiand 1iSappho and Phaon, written for Sothern and Marlowe and played by them in New York; 9T he Seare- crow hrst played in New York in 1908; the gigantic masque ttst. Louis written for the anniversary of the founding of that city, and presented in 1914; HCaliban, presented at the stadiums of City College, New York, and of Harvard, in 1916 and 1917 ; the ballad-play11Washington, a form of drama presented at Washington, ' before Congress, in 1919, and later in New York; and ttRip Van Winkle, the folk opera presented at Chicago and New York in 1919, with De Keven as muscial composer. 1 a The quaint studio, huddled among great trees on the lower campus, where Mr. MacKaye does much of his work, has pleasant associations for those who have found their way along the little foot path, singly, or who have, on occasion, gathered in intimate groups around its hreplace. m9 5.: AAA. . 1.41 . .mAaah-xu..; $21th gauzbi Am jiuxi waive g; A; $3. ,J; 7.1 9? EA, 1 Wimwa .4v:wtrsw A . iv r1
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Page 11 text:
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W'- mamantunnumliummmmmtiii, unuinmummulmunnmmItmmaammuu tmumumuuumt wtuulutuun u T ? . W -;ragwryqmwmwnymrrxzwxviwtwwvmr-vm-wvvrwm-vr-ym-wmmmwmr-m . Fa-rqn :vph T. Imumunmuuummmlmuu tm-m-s mtunmumrnummmmufnmmmnumniimlmumlmmuummmmuumu-mnmmumnImummmnmnmmummosnIlmmnumumnsumsmummummmmnmmlmnummfmuummuumlmunumunmlmli. M .Jgu': uumunmbluiImunuumtmluunitimmumumunuitlinui1.1. mmmmnnm Imnummnm munmmnumutualmmniumuilmlnmiuluumuumtumuluimitg? 5 my mtmlmmmummmum mmmrimm ,xflllllllmmlllliiml mutnuvmlmmummnuumummmmmummmnuumumummmmum!Imnmummummmmuuumm;nuIImmmunummmmm WWI HBHEQ? u :1. . u, Awrl':
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