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Page 30 text:
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Of duty Class CIAIUZQ We, the superiority of the most superior group of Seniors ever to leave the emporium of book learning in Meyersdale, being of sound mind and bodies, but brainless, unfortunate victims of fare, do hereby set down our last will and testament. We hope, with whatever is left of us after four years of pencil chewing, that what we leave be- hind will be thought of with the most sincerity possible, and cared for as the most precious trait that humanity can spare before it becomes inhuman. In case Clet nature take its course herej our possessions and worldly goods can not be rendered as such, pray, leave them alone Chands off, in other wordsb but forget not ye, to relinquish them to oncoming generations. I, Doretha Arnold, will my ability to hold steadies to Ruth Gerhart. I, Robert Baer, bequeath my carefree school days to Bonita Boyer. I, Henry Bittner, give my quiet and unassuming disposition to Emma Meyer. I, Nellie Bowman, will my Alabama accent to Thelma Miller. I, Wilbur Brown, bequeath my executive position as chief milk carrier for Gnagey's Dairy to Don Bolden. I, Darlene Buterbaugh, bequeath my powers behind the wheel to Jean Imhoff. I, Blaine Byers, leave many happy hours of stenciling with Miss Bird and Miss Bowmaster to Terry Thomas. I, Vince Campbell, leave my rhythmic beats to Ronald Fritz. I, Donald Briskey, bequeath my friendly grin to'Alysann Bradburn. I, Alma Caron, give my frankness to Joe Ebaugh. I, Anne Corvin, bequeath my musical talent to Lewie Bell. I, Douglas Corvin, leave my hunting skills to Harry Maust. I, Ada Dietle, bequeath my blonde hair to Zetta Baer. I, Roy Dietle, leave my bass horn to Paul McMillan. I, Betty Donges, grant my faithful typewriter to my brother, Stewart. I, Bill Englehart, will my dance band to Louie Carouse. I, Barbara Frain, bequeath my originality to Janie Robertson. I, Shirley Ford, give Mary DiFebo the exclusive right to my trombone. I, Roy Gnagey, bequeath my cigarettes to Don Pollock. I, Homer Gnagey, bequeath my Pontiac to Robert Cook. I, Frances Habel, bequeath my theme writing technique to Albert Dively. I, Ruth Hahn, leave my job at McKenzie's to Loretta Horning. I, Herbert Hemmings, bequeath my F. F. A. position to Donald Witt. I, Charles Hersch, will my muscles to Dick Kelly. I, Margaret Hetrick, leave my well-chewed gum for the waste basket never to be chewed again. I, Agnes Hornbrook, bequeath my vocal talent to my sister, Patty. I, Shirley Hostetler, give my knowledge of music to Patty Conn. I, Grace Knepper, bequeath my Somerset connections to anyone fortunate enough to snatch them. I, Glenn Knepper, bequeath my brothers to Esther Niner. I, Edward Kerchensteiner, bequeath my cute, boyish manners to Carl Phalin. I, Harry Leckemby, give my way with Women to Dick Vitale. l, Helen Lehr, grant my nimble flngers for sewing to Mary Beal. CCominued on page 605 26
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Page 29 text:
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steering a straight course Beginning top, left to rigbt: Homer Lenhart, Nancy Mankamyer, Harry Maust, Paul McMillan Patty Miller, Teddy Miller, Rita Murray. Row 2: Betty Nightingale, Billy Nightingale, Carl Nun- nari, Fred O'Baker, Robert O'Baker, Rita Peck, Eunice Pritts. Row 3: Robert Pyle, Angie Quattro John Ross, Leoda Sarver, Kathleen Saylor, Don Scharclt, Eva Steinly. Row 4: Erma Lee Sturtz Lorraine Sturtz, Patricia Sturtz, Grace Vought, Lois Wahl, Lawanda Weimer, Mary Weimer. Rau 5: Bill Welch, Alverta Witt, john Woullard, Joan Wright, Doris Yaste, Kevin Yaste, Carole Yutzy Rou' 6: Helen Yutzy. 25
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Page 31 text:
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