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Page 29 text:
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EL RODEO for 1937 I, Adrienne Waltamath, leave my dancing ability to one best suited for it, Loretta Butler. Carry on, Loretta. I, Ruth Weaver leave my loud voice and noisy manner to Karmel Maher knowing she'll make good use of them. I, Amy Whitaker, leave my unused art plans to Morris Strong. I, Dottie Wiet, leave my collection of '4slaughtered heroes to Martha MeClung. Can you handle it Mai-th? I, Gail Wigley, leave my curly blond hair to Vernon Weinrieh. I, Gerry Winters, leave my very graceful form of leading yells to Baker HBake Conrad. I, Bert Woodruff, leave my cherished hopes and dreams of being a great orchestra leader to Billy Howell. I John Zenter, leave my massive build to Fred '4I'ee Weel' Turner. I Ilenr Zierenberff. leave III winning smile and sr naw fever to Bruce 7 D' D Graham. I, Richard Zirker, leave my angelic expressions to Jack McAuley. Q Q Q We, the Senior class, being of unsound mind, do hereby leave this, our last will and testament, as a lasting depression, plotted and propogated by the undersigned, to the members so included. JANE AND MABEL BUBBLE BETTY ANN BURNER PEGGY RIOT Witnessed by: HAMLET 'S GHOST ACKERIS DOG HHEINZH I'OPEYE'S POP.
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Page 28 text:
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EL RODEO for 1937 I, Mabel R-ubell, leave my big blue eyes to Phyllis Roduner. I know they 'll get good exercise. I, Nova Rudd, leave my boisterous ways to Dorothy Jackson. Live up to it Dot. I, Peggy Ryan, leave all my marriage rumors to the mongrel who pub- lishes no names. l, Miriam Schottky, bequeath my quiet, dignified manner to Harriet Mcliellips, knowing she will need them at future basketball games. I, Dwight Shepherd, leave all my bus equipmen to Dan Fagundes. I, William Silveira, will my worn out bus license to Dixie Shaffer. I, Helen Smith, leave my speaking voice to Janie Kilgore. You're wel- come Janie. 7 I, Ernest Soria, leave all my extra art craft work to Herbert Cole. CCan he use them?J I, Anna Lou Stafford, bequeath my ability to sleep through Shorthand to Betty Brady. I, Gene Stanfield, leave some of my height to Charles Naunian. I, Verlan Stapp, leave my love of the fairer sex to Willie Sanchez. I, Dorothy Stockton leave my much eonnnented on dimples to the future Drummer of Merced. High. I, Edwin Stretch, leave my 4'Harness to some one else that is in love. I, Cecil Tennis. will my worn out radio parts to the phonograph party mentioned by the mongrel. I, Andrew Testa, leave my Rendezvous in the Cafeteria to Garth Cheno- weth. I know hc will keep it well occupied. I, Fred Tetzlaff, leave my superior brow to Edwood Walters. I. Douglas Thomas, leave my way of handling women UU to Bill Clarke. I, Hubert Trindade, leave my inexhaustible supply of new cars to Jack Rahilly knowing he'll drive carefully as I do. I, Betty Turner, leave my cherished position of school taxi to some other big hearted person. I, Genevieve Varni, leave my quiet manner to Betty Brady. I, Curtis Wallace leave my ability of keeping tab on my sister Louise to anybody that wants the job. Line up, boys. I, Marvin Wallace leave my appeal and ability of breaking girls' hearts to Walter Crawford.
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Page 30 text:
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