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Page 23 text:
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Kicks off The New Season! The Theatre department kicked off its 198 season with its production of Eudora Welty ' s play The Robber Bridegroom. The performance, directed by Ken Zimmerman and choreographed by Su- san Chrietzberg, not only allowed the ac- tors a chance to obtain a measure of the all-important, hands on experience; but also, it allowed the audience the oppor- tunity for countless smiles and laughs. A single set was used throughout the entire course of the action; scene changes were accomplished by means of the manipulation of barrels, boxes, boards, and quilts by a chorus of towns- people, whose costumes, along with the costumes of the other cast members, were made by Dr. Douglass Koertge. Donna Kimble stuns the audience by personifying Rosamund. Photos by T. Lillard Jamie, Barton Breen, contemplates his next meeting with Rosamund. Rosamund is dismayed upon learning of her father ' s plan to marry her off to Jamie. THE ROBBER BRIDEGROOM 19
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Page 22 text:
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w The Robber Bridegroom Marie Hall portrays Rosamund ' s sly stepmother who is not likely to win any popularity contests. 18 THE ROBBER BRIDEGROOM
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Page 24 text:
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w The Marriage of Figero In the fall, the Memphis State Opera performed Beaumarchais ' s The Mar- riage of Figero . The circa 1776 play was centered upon the trails and tribulations within the rela- tionship between Figero, servant of Count Almaviva, and his fiance Su- zanna, lady-in-waiting to the countess. The drama, starring Hal Otey and Nancy Collins and directed by Mr. Thomas Ma- chen, was written as a sequel to The Barber of Seville . The opera expounds upon aristocratic hypocrisy, smugness and women ' s rights. Angela Hand gives a very convincing per- formance as Cherubino. Suzanna and Figero, portrayed by Nancy Collins and Hal Otey, exchange their love vows. Photo by T. Liliard 20 MARRIAGE OF FIGERO
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