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Page 22 text:
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Page 21 text:
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f' ,J if nl-nv ll Ulv gn si 3,4-Q-' .,,,, Facing Page: ltopj Tomorrow's secretaries busily peck away to new speeds. lbelowl jackie Gregor proves that concentration is the key to success. This Page: Itop left and rightl Typing classes get down to business. lleftl Regarding her work with a look of uncertainty, Kathy Kowalski plunges on to new chal- lenges. ,. L HH, ' 4 ' 1 '5 :+I - IZ! .Z 'Till 3 Lf I M ll. ,-,FJ r 'sq
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Page 23 text:
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Ngo What's so colorful about English? From the out- lines of black and white printing, words are trans- formed into images that come alive. A picture of Chaucer's Canterbury Tales was modernized as seniors put the story of their class trip to the beat of iambic pentameter. Films also aided in learn- ing Shakespeare, as well as providing a break from the normal routine. For juniors, American Literature class read many a novel and then graphically displayed the relationships between characters in sociograms, or, the circle pictures with the lines in be- tween. ln the never ending search for the influ- ence of art and architecture on literature and his- tory, Culture class made a weekend trip to Chicago. Turning books into living color, the sophomore reading machine was a useful way to increase comprehension, speed and ability to judge a book by its cover. Freshman saw red from time to time as their red grammar books aided them in deciphering the English language. Read- ing the classics was of major importance to the class, and their not-so-traditional interpretations took the form of mobiles and collages. Thus, English is colorful because even though it comes in black and white, these colors are the basics for vivid imagination. .ia l
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