Matawan High School - Pillar Yearbook (Matawan, NJ)

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We the class of 1953 being of sound? ming do hereby make the following bequests: The class of 53—to the faculty—cur sincere thanks for all they have done for us during our four wonderful years at Matawan High School. Rosemario Abbaxia—to Janet Boldt—hor ovoriasting friendship. Annio Andorson—to Anna Jackson—her ambition. Rosemarie Auriemma—to Joan Campbell—hor insepa'able friendship with Irene Cupsio. Dorothy Baldwin—to Agnes Marshall—a pack of bobby pins. Rae Ann Bowne—to tho next year's Majorottc Captain—hor aim In conking the majorettes on the head. Lois Bright—to Shirloy Foti—her flair for flirting with a the now boys. Anath Buntin—to Botoal Hughes—hor position at the piano. Emma Burlew—to somo worthy freshman—who will do a batter job of it. hor oaso in annoying Mr. Lloyd. Regina Calamari—to Bux Sauer—the twirling skill she never hod nerve to use. Mario Cerrato and Joyco Croovy—to Rose Groenman and Ella Huff—rhoir rollor skates. Aaronine Clayton—to Frances Jean Cashill—hor basobo1 skill. Gloria Clayton—to Mary Lou Blahota—hor smile. Carol Craig—to the now J.V.V—ner ability to remembor choors? Carolyn Daniels—to Mary Lou Siano—stenciling skill. Virginio Diotrich—to Betty Lou Pitnoy—nor pon and ink so she can spend tho summor designing tho Pillar of 1954 . Mary Farroll—to anyone who can use it—hor clovornoss in giving Mr. Bennett excuses to get out of school. Fannio Fodelo—to next yoar's Varsity Co-Captain—hor letter. Sarah Foloy—to Bobby Van Bracklo—her quietness. Arlene Gold—to any Junior who wi! use them to outwit Mr. Langstaff hor giggle and corny remarks. Marilyn Grace—to Edith Olmstead—her pony tail . Barbara Greone—to Marva Green—hor voca' talont. Patricia Hanley—to Arlene Jackson—her dim pi os. Joan Hughes—to Mauvlino Bilarcxyk—whoso hair goos straight at rainy football gamos—hor curly heir. Anno Horno—to Miss White—so she can say terrific in a southern draw1!—nor Georgia drawl. Anne Kelly—to Ronald Orr—hor ability to play football. Marilyn Knooll—to Poggy Road—her acrobatic tricks. Iris Kramer—to tho High School—her pug nose for o nat rack in the he I. Joan Kudrick—to noxt yoar's J.V. Captain—her uniform and all her olacos in tho cheering formations. Jo Ann Laxow—to any futuro girl football playor—hor black eye. Mario Lester—to Barbara Tullis—her stenography pen. Linda Lybock—to Charles Kock—Hor oxportnoss in driving a tractor. Joan Mac Donald—to Joan Lawton—hor height. Dorothy Majkowski—to Ann Molnar—hor long hair. Janot Nicol—to Louis Falco—hor long hiko to schoo . Marilyn Nicol—to Joan Woetka—her strutting talent. i

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FLORENCE ROSEANNA WATTS When it comes to sowing. Flo's at tho hood; She can do wonders with noodlo and throad. Collego Preparatory Courso Activities: Mixed Chorus. Home Eco- nomics Club. Latin Club. Glee Club. Senior Play. Pians: Nurse CRAIG TEAGUE Manager Craig takes care of our team. Tho fellows all think of him with high esteem. Gonoral Course Activities: Block M“. Football. Basoball manager. Plans: Servico CONNIE VENA Connie is adept at tho clarinet and mimeograph. She is happy-go-lucky and can always make us iaugh. Commercial Course Activities: G.A.A.. Band. Dramatics. Sonior Play. Student Reviow. School Paper, Pillar Typist. Plans: U.S. Wavos SUSANNE TROUT Here comes Susie with her smile so SwOOt She has a personality that can t be beat. Activities: Honor Society, Glee Club. Color Guard. G.A.A.. Pillar Typist. Plans: Commercial Work JULIA IRENE WHITE Basketball. Ju ia surely can play. She's fair and square ail tho way. Commercial Course Activities: G.A.A., Pillar Typist. Glee Club. School Poper. Plans: U.S. Waves AGNES TOMASELLO Aggie ployed a froshman. in No Moro Homework. She's a conscientious girl, who from duty will never shirk. Commercial Course Activities: Senior Play. Glee Club. Dra- matics. Home Economics Club. G.A.A.. Mixed Chorus. Plans: Court Stenographer

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Jane Pnngel—to a coldblooded cheerleader—her power for leading tho cheerleaders outside to practice in cold weathor. Suzanne Pitney—to Betty Lou Pitney, who asks too many—her ability not to ask questions. Edna Powlson—to Carlos Concepcion—her quiotnoss. Carolyn Rushing—to Betty Lou Pitney—her book entit:od How to Got o Man. Gloria Schulmeister—to Sandy Trout—her talents for getting along with people. Sarah Sebor—to Gloria Preston—her artistic talents. Mary Ann Starnes—to Mrs. Keatng—her voice to use in the operetta in 1953. Agnos Tomasello—to Larry Tomasello—her dog-cared history book and history notes. Susie Trout—to Carol Ann Schnuck—her color guard uniform. Connie Vena—to Cuz Vena—the typing efficiency she never had. Floronce Watts—to Carol Lambortson—her sowing skill. Julia White—to Shirley Vena—her skill in getting good marks. Walter Becker—to Kenneth Bennett—his homowork assignments which he has saved since he vas a froshman. Peter Bonton—to those who can use it—Jots of luck during the rest of their school career. Frank Borowsky—to anyone who needs it for graduation—his extra point. Emil Boyce—to Dick Frost—a bright rod tricycle. William Clifton—to Tippy Larkin—10 cents if he finishes high school. Thomas Curry—to Richard Milligan—his 'nterest in girls. Eugene Di Santo—to Mr. Mauro—his battle scarred water pistol. Francis Edmond—to Stanloy Parrish—lockor number 7 . Robert Emerson—to James Milligan—an automatic pencil so he can work harder. Frank Fariello—to Mrs. Bell—his handsomo face. Joel Friedland—to Mr. Lloyd—his Philosophy and arguing mind. John Gorman—to Danny Vanderbilt—his baritone voice. Robert Gray—to Fred De Nardo—his good behavior. Robert Haussmann—to Peter Bol—his scientific mind ond his job as Mr. C's aid in the chem lob. Wiley Hill—to James Armour—his baton, white shoko. and snappy strut. Carl Laursen—to John McKenna—his pencil ond notebook. Robert Mac Argel—to Jack Kuhns—the track hurdles. Donald Me Quarrio—to Tommy Sullivan—his safety razor. Charles Pirozxi—to Dick Bader—his Commercial Law checkbook. James Redmond, Vera McKenney and Thomas Cook—to Bob Van Brackle. Zelma Guttidge and Marie Pixxi. respectively— —their height. Anthony Rosato—to Mrs. Bell—a quart thermos bottlo. Hoyt Scharff—to Mr. Pernes and his biology class—his body for oxporimental purposes. John Shafto—to Robert Carlson—his big mouth . Thaddeus Szymanski—to Walter Jones—in hopes that he will reach six feet toll—his large appetite. Craig Teague—to Sonny Serdella—his seat in tho diner. Danny Matthews—to Mri C —the silence Mr. C was always telling him to keep. Jim Redmond leaves his father's razor to Mr. Levine.