Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA)

Text from Pages 1 - 492 of the 1973 volume:

• • Jfr- 1 i ■1 MASSACHUSETTS COLLEGE OF ART CEIVrENNIAL YEAR 1873-1973 Jack Nolan DEDICATION Anne Eskrigge, College Librarian 1952-1972 Time present and time past Are both perhaps present in time future And time future contained in time past. George Elliot We too often judge people by past achievements. Past accomplishments. The past. Anne Eskrigge never concerned herself with the past. We must now concern ourselves with our future. Our growth. Our vitality. Anne Eskrigge resembles us in that spirit. I 4 f t S i if i Yearbook Questionnaire Brief Descriptionj This year, instead of a yearbook for liass. Art students, that is desugned and produced by a few students, the concept is such that each student (senior) be responsible for the design of his or her cnim page. Also there is the option of producing one ' s own page (i,e, actually printing an edition of 1000 copies). We understand that this is no small feat, however we also feel that -within the concept such an undertalcLng would be more than acceptable, and might possibly even be included in a semester work. These pages will be combined into a portfolio yearbook, which truly represents each senior, the senior class as v ell as the spirit of the entire year at Mass. Art, Although we have called it a portfolio yearbook, it will still have some of -the same characteristics of a standard book, that is, it viill be bound in the same fashion as color-aid svratch books are, in this sense the pages as indi-vidual units are removable. Questionnaire j In order to get reasonably accurate estimates from printers, to organize the logistics of compiling such a volume, and to ga-ther some infoimation at this time which I ' lill be printed in -the near future we ask that each senior and faculty member fill out this form 1, Print your name as you vrish it to appear in the yearbook. If yopu don ' t acknowledge this section by the deadline your name T-iill appear as it is on the registrar ' s list(as it appears on your mailboxes) 2, Do you plan on printing your own page? 3 Do you pain on using a halftone or line art or color? Example I A photograph is a halftone, so is a wash drawing or anything that has shades of grey. Line art is an ink drat-iing, and can be pencil if the line is dark enough. U, If you plan on using color please specify which one(or tt- o maximum) 5, What knld of paper do you plan to use? (See samples on bulletin board outside of room C-9) We must ask that this questionnaire be filled out immediately and placed in the marked box oiji side of room C-9, Technical information has been posted on the bulletin board by C-9, however if there are any questions whi.ch t ' id information doesn ' t answer, please don t hesitate to ask any rnf-mber of the s-taff, who can be located in room C-7, or the D.R.U, offices, which are off of room C-9 DEADLINE WEDNESDAY NOTOIBER 22 DEADLLWE IWEBMESDAY WOVffiBER 22 Dear Faculty, Dear Seniors, Dec. 11,1972 I7e are sure you uill be delighted to hear that this is your LAST l IOTICE BEFORE lETERCESSIOH to infom you of our work schedule on the yearbook DEC, l5 — the questionaire deadline. If your questionaire has not been turned in, your name VTill be typeset as it is written in Hr. Stavros records, DEC, 22 — we must have all other written material in order for it to be typeset over intercession. If you are doing a poem, proverb, or whatever, be sure you give it to us S YOU WAi ' lT IT REPRODUCED! That means lines, spacing, punctuation, EVERYTBI.JG I And vie must have it by DECHIBER 22! 1st RETURi ' Hl ' IG EEK IE JAl ' IUARY— all finished art work and photography is due, iiake sure it is properly mounted or as close to a mechanical layout as possible (see wall outside C-9 ) • If yo ' U are using two colors, we need color separations. The page size is 8 inches by 9inches, but you are only concerned T ' jith an 8 by 8 inch surface. If you need any help in doing any mechanical work (cropping, reducing, photostating, etc, ), someone will be available during the intercession in the DRU room in C-9 THAi YOU FOR YOUR ATTEnITION, AilD GET ON V7ITH IT SO ? E CAi ' I GET OFF YOUR BACK AMD OM YOUR YEARBOOK! THE YEARBOOK COi ' EETEE NOTE: pages are printed on one side only, so your work x-n.ll be seen on the right-hand side as the book is opened. rcfov i t Rldf I ' JUC? ft vttrt erx s Xi0i ‘r ' - ri � J r ■-.■ laxi ■ I ‘ n tJ m r ti « iisffled aW 5 i r 2f • ' 1 • £. ii xfad i ’- ji itJ ££jt- aru?a ,rj; IrniTim nct‘ ' ;i, . el toptr ’i� r. ttv+S lOi •Ti.yJb ' i .1 J irraJi’ ; (K-tjr Jt0 ,jwm SS ' 317 - Hnjnh :,iz ijo TI ,i j!a sr ms rf t ISW 1� � tfrt.r ( � ♦ 4 . i ;i ' ;;.� ’{ tx 1 t. vtig .isv wtw •I ' j - nijlf .rVu tS i4ll? ■ ' IV. iBK-.fllXaH ! toqiodf i :,. ; f4 � ' .,— ' 5UniUu U 1. rj rjTs • • $ 7 MfA tr r- Tv l i ©« M yu- la(« .rtur- «W 7 «tl:44|l «.•� : : Ift‘ ♦ . r t ' ;_ ,?X Tur Qca) 9X Ut n ji : ;I . T ih- t � � Mi «V . ftf ' Sfct ' iass. ' c-T-fio iia -lflCT| ,ia rf ' r‘ •• .nn f ' nl� • ' � . ' vt -(fl ' a v njc i «ii|‘jMia( 7 ' . iUa� l i -(r o rtM df i-3 . ' i B iOT 1 Hi . . t ij , 1 y. ' 7 ' pf. ' . ' : .� ;■. . t ' j av. J� T1 W0l • .a ,. AM m� .. ' J ' Y MUA ' -n ' • • . (« ■ .jy ril ' Kti J. IStXtHS? «G«il«UA9 M Ili •ura ( C.X Mt “ JbpmiQo «i MU ' «. •« . i ttikr ' f ' i i ri� oejMBiQ :2? rw • i � r n � • ' ’� IE: lO TO; The Senior Class FKO !: Yecrbook Staff S : 1973 rbook .. e are happy to inforra you that the .iT’SS . ' :.rt 1973 Yearbook Proposal ’.ms so fantastic that it has uon all prizes for the Printins Coinpajiy ’ ' headache of the Year A-jard. • ' Truthfully, our budget and their estiiiiate didn t iimke it le have had to naive design adjustments : , 1 i! ' .. GLACSIS OVISKLAYS- i;a.ines ’.riJl be printed on the left hand margin outside the image area Ho-.j’ever, don ' t consider it a glacene loss-for it is a, paper gain You Jill get an extra inch in your raargin pause for screaaiis and jumps of joy ' Ihe Yearbook size irill be 10 by 0 hCTE: The iiaa.ge area does not change , 2 aAll 3 ?nd U-Color pages have been eliminated spindled, folded, and iiiutilated. If yoxir page falls into this category, please see us soon idi:.L SoO 3� Tlie t ’o color combinations are dependent on cost and deriiand There is a possibility that the t’.ro colors you selected viill not be available So if you are concerned, inspired, turned off or turned on- plea.se see us Houever, you may leave the color selection up to the discri)Tiination of the Yearbook Staff (rjho have excellent taste). You can come and congratulate us personally during our Office Hours; 9i00 am - 12:00 pm in vioom 0-9% 99St£) loixasE Qdi t r rust jloti MmX t.JQJj ' v Btt V «� cli SAM IA X r.ov f it oa I nkjOni mis to x? viqpo ' LxUajtri y«tJ « . e x tX« TUCft ' rtit £i-- .ttt ' bfjd ' TOO Y,lis hiStfll £ a t«sit% 3JUij 9 .3i :9S(tdslSt-.niPi no buiairui c o Itht rviu -€CaJS S Vo X ' £}. JE0 XU jiavervo? ' •‘.aric add Uiviti rui wy • ai t.t ' fst-saoi finstc. a il oH kXafl O • rto U i tJ5oy rj t«� a XvxxJt adf ■“? £. ' lni Wl:. ' eafcg ,’� : H mi «a1h • ' � iU(i iu 501 eo .() ‘ rcM i mk tZX-M � b9S%MsttX9 mmi o$oq[ ' tclo -. ! ha C eIX« i a unx � j r . tiltfix. :4a 0 (}i tfsaslq a OP Sfipbf qe o .nm-iSmiJximj r leo u . mtd’ o£U aiorfy «J r.«|fci «o aox tt ofe 09XsSxtU ' 5 4u amn 11 ' bd aafwJ f x « X w -ffo bB Tti oio YUl bix xij- ' hmr: 0r«txif 9 o RDa: OBX 9Z ' toloo 94S WV«€ r WQV i“ISWJ nl = ws e j. 5il«5 � VAxi oflVji Jlgod t iifT � ftt 19 « . j,dnfu£iriir dnJtft ! 0S “-I. qw- f i ii«) joliub ’Ofl •� «% : ifv? tfoTf . -i .«j 00. sr - -- 00; Dave Armstrong Joe Locantore Tom Austin Bill McEntee Any Cotton Mark Drobnis Thomas Paine Andy Polivy Peggy Voski Gerry Gropp Debbie Pratt Debbie Blackwell Merrill Aldigheri Bruce Bowen Wayne Christiansen Denis Knowles Chuck Lew Dave McGavern Tom Stratis Geoffrey Hall Jan Furrer Denise Koelsch Don Juan Kathy Karwat Fran Gardino Marc Frigon Walt Disney Amos Karen Gray Heather Knudson Don Meuse Dave Moore Joe Upham Eric Kimball Tom Canty Harris Barron Mike Grochowski Marge Chmiel Laurie Reiser Enrico Rizzo Jim Rock Kathy Nelson Paul Silva Paul White t fr- f t- ■■ .. ' s. % i S r. 1 . J ( • ' A ' - ■ ■ Design Research Unit U -V e- o- c -i. -S - 1 - ' t ■ - X,ee« CoV etf a _ ' :°o 8. ,ss .Aoec , K ® ’■ s ' 0®n as® ® , Jtf ' ■ ' t® «’ ' ® r. ' it®® ' ® , 4 e 6 ® “ ' of ®fS ®t:v , oa.- _+. Xvfe _•v - o -KnO-O . M _e t® V de® . --rC • is ‘ ‘ 1 -«« , a� , ' ' ' , JL «o ' • : ' 2 “ • 3 ‘ ” ' ' A ,. - , V ' ’ ’ js«. ’’• • ' Jm- - f. ■ .- , ’ ,. ■ . ' • A, J s 1 - Oq 7 e. . • i |5 ' . «? ■ 1 ■ «r , • ?4 . - r -... ' - ® iJ.,. -« r . 4 ; ' ' - T ,,: ■ s V - ' ' ' . rp - ' ’� THE NEW YORK TIMES. FRIDAY. DECEMBER 29. 1912 ‘We Must Tell the President’ 1968. Beginning the Sunday morning after Christmas, Dec. 26, and continu- ing until Dec. 31 — as we met — 1,000 bombing sorties were flown over North Vietnam. We know now that bombing has continued ever since; and now as we meet again in another Christmas season, it is being enormously in- tensified. Is our science to serve life, or death? This planet that is in our care — this environment that concerns us so seriously — can we talk of ways to foster and preserve it here while wan- tonly destroying it there? We must speak out, as Americans, as scientists, against this outrageous misuse of the fruits of science for death and destruction. We must tell the President where we stand. Let us insist on an imme- diate end to the bombing. Let us insist that the cease-fire, we were told he was virtually ready to sign last Oct. 26 be signed now. This statement was prepared for the American Association for the Advance- ment of Science, and signed by these members: Dr. George Wald, Nobel Laureate, Harvard University: Dr. Salvador Luria, Nobel Laureate. M.I.T.; Dr. Albert Szent-Gyorgyi, Nobel Lau- reate, Marine Biology Laboratory, Wood’s Hole; Dr. Everett Mendelsohn, vice president A.A.A.S.; Dr. John Edsalle, Professor of Biochemistry, Harvard; Dr. E. W. Pfeiffer, Professor of Zoology, University of Montana: Dr. Arthur Galston, Professor of Biol- ogy, Yale University: Dr. Arthur Westing, Director of the Herbicide Assessment Commission, A.A.A.S.; Dr. Richard Lewontin, Professor of Biol- ogy, University of Chicago. WASHINGTON — Can we scientists meet in Washington and ignore the fact that our national Administration is launching from this city the most massive air attacks in history? It is launching those attacks against con- centrated centers of civilian popula- tion, while blandly announcing lists of military targets that under these cir- cumstances insult the intelligence of every thinking person. North Vietnam hardly contains military targets; and a B-52 bombing pattern one and one- half miles long by one-half mile broad, dropped from an altitude of 30,000 feet, cannot pick out targets. Yet such bombings are now crisscrossing some of the most densely populated cities in the world, in an unprecedented orgy of killing and destruction that hor- rifies people everywhere — as Guer- nica, Coventry and Dresden once hor- rified them. And all in our name. As scientists we bear a special re- sponsibility. Explain as we will — that science is not technology: that most of us do not make proximity fuses, B-52 bomb sights and all the sophisticated super-weaponry of electronic battle- fields — we have also too often claimed that our science is the ultimate source of all such advance technology. Indeed in World War II, which we could re- gard with some justice as a war of defense, we were ready to help design the prototypes of much of the tech- nological arsenal being used now against one of the smallest and poor- est of nations — a nation that offers so little in the way of military targets. This arsenal is now destroying nature itself in Indochina, the land, the trees, the stock animals, depriving a poor people of their homes, fields, means of livelihood and very lives. Can we meet to talk of nature as our Government is destroying nature? As though that were not going on, directed from this very place? Just a year ago, as we met in Philadelphia — the city of brotherly love— our President ordered the re- sumption of mass bombing of North Vietnam, which had been halted in 1873 1973 talk on plays about me and write about me - Black and beautiful - about me! I reckon it ' ll be me myself yes, it ' ll be me. Langston Hughes Through the visual arts the BAU makes that someday a today and yes, that somebody ourselves. The beauty of Blackness is growing every day within the souls of those living the Black Experience. Black Artists ' Union 4 k; I V. I Art School Associates i , r . I 1 ?. � .11 I, .. ,1’ • I ' I •UN- ' .■ ' 4 ■ , • T . I ' l - «• ■ ' ■ ‘v ' ' ' 4 ’ ' ■ ■ ' ■■ . ' ' .. . 4 ' i h Vt 4 4 U ' ,■ W K Vu. ' ' V . ; V -V ' .Vny.j • J •; ' V-:� , 1 ' ••. • ■ k ' -r ., ■■ v� ’■i ' V, . V November 7, 1972 Vol. VII No. 45 Three Sections 116 Pages Complimentary McGovern Wins: Youth Vote Was Crucial By Jeff Rosen- Ed. note: The following is excerpted from How McGovern Won the Presidency and Why the Polls Were Wrong by Arthur Tobier, published Oct. 6 by Outerbridge Lazard Ballantine Books, $.95. NEW YORK- Nov. 8. After a night which few political analysts are likely to forget. Senator George McGovern, the South Dakota liberal who eight months ago seemed impossibly far from the presidency, appeared to have won the election as the thirty-eighth President of the United States. For hours the results in a dozen key states were too close to call and Mr. McGovern ' s fortunes were constant- ly shifting, but by 5:00 a.m. the Democratic candidate had built up safe leads in sixteen stales and appeared close to victory in two others — California and Illinois — for a total of 276 electoral votes, six more than necessary. McGovern supporters were jubilant. Some of them who had been behind the Senator since the bleak days last January when the polls gave him less than 10 percent of the vote and the nomination seemed remote were in tears. As the Pennsylvania and New York vote came in and the McGovern lead solidified there were cheers from the crowd. The excitement reached a peak when the victories in Califor- nia and Illinois finally appeared sure. Ironically, although McGovern was the apparent winner, he was trailing in popular votes. At 5:00 a.m. President Nixon had 36.041,- 381 votes to Mr. McGovern’s .36.018,947 votes. President Nixon seemed certain to win 191 electoral votes from 27 states. He was leading in six others including Michigan and Texas which would bring his total to 262. In no other Presidential election [Continued on page 23] Nixon-Four, America-Zero By William Kowinski Crucial to the conventional wisdom about this year ' s presiden- tial campaign is the belief that the moral energy fueling the McCarthy and Kennedy peace candidacies in 1968 is missing this fall. If this drought of enthusiasm is real, it is certainly one of many bizarre aspects of this campaign. In the four years since the McCarthy campaign. President Nixon has given orders resulting in the deaths of forty per cent of the Americans killed in Vietnam. His administra- tion has aided and abetted the persecution of the Chicago 7, numerous Black Panthers, the Berrigans. Angela Davis. Daniel Ellsberg and others. In the period that began with Free Huey and ended with Free .Angela, Nixon freed Lt. Calley and Jimmy Hoffa. Nixon ordered the invasion of Cambodia that set the nation’s campuses aflame in 1970; when four Kent State students were shot and killed by National Guardsmen, Nixon blamed the students. The corrup- tion in his administration neither began nor is likely to end with Watergate. Yet, the press has been saying. college students have been deflected from calling Nixon to account on these issues. Mike Royko. the Chicago columnist, noted that this year many young people formerly in the vanguard of the anti-war movement “...have even taken an interest in other aspects of the campaign, such as wondering if McGovern would be a competent administrator. In 1968, none of them cared if Senator McCarthy had enough administrative skill to pick out a necktie i n the morning” [Continued on page 6[ SENIOR PORTFOLIO Frank Ozereko Williani MacAulay Jr. 1 Paula A. Todisco Calvin Burnett Joanae Rich 3h oi� n� � v� onv 1 t Cydney Spadaro ly O I 1 ' V •■ : s . - o George Nick Lyz Festner Coakley Ellen Terban Cohen � Paula DeSimone tJ ' +. ?Ki, ' « i - «• ' ' � ' ■ V--- «S ' ' -ti t • ‘i ■V,. ’ ' ‘ r . ' ( ■ I .“ 25 ' ' r- -• •} i jmn. ' ' S?. ' ii •« ' . ' f ' .i ' •«►■■ ' i ' . ? i Paul Stranieri ' F ■ � � - • m r r - A i -S-.--T • -vii ' ■’ ;_ . . •F -■ .s Michelle Ann Marie LeBlanc OA w V‘ ' � ' • Steve Greenblatt m.f tikkJnMiO m«i2 Jeanne Fountain o n D “D C C o £ c Francia Seipel i c Mariie Chmiel Robert Pestell Richard and Ginny Hariow . . — rrirr 1 1 - ■ 1 1 1 1 1 li P 1 -A - -K 1 a I TH0U6H ive SeARCKeD TH£ EtJT C6SS REflCHes OF SPACE, X HAVE V6T TO FIMD ANY WHO LOOK. SO DEVILISH IN A GroocHo mf ex nft kc AS CODY. OOCD. KI ABAU.. or L ' AHeiM) mysecf? Wendy Champion Laurie Nobel Tafesse Tsegaye Jack Pattison William L. Cranford TWIN BRIDGES ONE CROOKED MILE WESTPORT, CONN. January the 27th, 1972 Dear Kir. Cranford: I adore my poster photo ' s, it is a most unique process. Thank you so very much and the happiest of New Years. Sincerely, Robin R. Storesund c John Gillis Sister Katherine Stempkowska Nancy Wehrly 6L a ujL eAAciZon ' jUiu 64.t ' t LC ' y( . fjxz zyi ZAynz . xX .. OtlyOO-t . lyfotxAj tiAJj 0 .Mzj vb . r ' yUL ' itulUa s L A£o A 0,mA. li. tM- SJ (XdZuj-L .z -JLo ,ZZ3 t2L CU-CZ .. OLklUp Ciffie Fitzgerald Tr r Donna Vaccaro m M Gary D ' Ercole George Augliera James Armstrong Liz Hardy M FUNK’S 1 HYBRID ■ 4 Helene Theriault • ' 1 Sheila Binney E GARTER’S INK CO. 59 First St., Cambridge OortunUy Emvlovtr BKKPG ACCTG FE PAID iNSUR. AUDITOR $10-12,000 Deg., 3 yrs. exp. (agency or co. ) OEN’L ACC7 $12-14,000 2-3 yrs. cxper. req’d. F.C. BKKPR $175 Mfg. or retail exp. helpful F.C. INSUR. $150-160 Exper. nec. P.O. Sa. area ASS’T. BKKPR $120 Will train — A P or A R exp. TRAINEES $95-115 H.S.G.— Ute exp. or fig. apt. JORDAN ANDERSON ASSOC. PARK SQ. BLDG. RM. 838 MANAGEMENT CONSULTANTS 482-8333 AGGTS. PAYABLE GLERK With a little Itnowledge ef pay- roll, to assist in our pleasant three girl office. New building bandy to MBTA bus line or free off-street parking. Hours 8:00 to 4:30. Call Miss Nash at 269- 5200. H. E. HARRIS CO.. 645 Sumnier st. (opp. Army Base), Boston. Minnie Services Oivlilon ot Coniinenttl Parsennet. Ine. STS BOTLSTON ST.. BOSTON AIRPORT SERVIGE REPS Exciting entry-level trainee posi- tions at Logan International Airport, the 8th busiest airport in the world. Will accept H.S. grads. 2 and 4 year college grads with ability to advance. Will assist in ground services and customer relations. ntiri PEOPLE SAY THAT THERE ARE NO JOBS. I HAVE THEM. COME IN AND SEE FOR YOURSELF. CLERKS WITHOUT TYPING, RECEPTIONISTS. TYP- ISTS. KEYPUNCH, SECRETAR- IES, BOOKKEEPERS MANY OTHERS. ALL FEE PAID COME IN OR CALL HANK GREENE 261-3600 CALL HAL KING, 262-8244 “Your non-stop to success GLERK-INTERNAL AUDIT DEPT. We are seeking a responsible person with knowledge ef light typing. Will be doing Bank Re- conciliations. Please call Lucy Pearson 491-3000, Ext. 346 STAR MARKET CO. ' SXilRl 625 Mt. Auburn St. Cambridge, Mass. An Equal Opportunity Employer TRAINEE h 10- it led iy- nt. Dl- ind s- a iiU ble ull Tor SALES OR MGMT. START $8800 PLUS Great opportunity to start your Important future. Excellent train- ing and benefits. Act NOW! CALL ADVANCE, 357-5660 Advance Careers ee Placements 120 Boylston St.. Boston Open Tues. Thurs. ’til 8 P.M. 2 UHIVERSITT TTPISTS UMBRIDGE PLEASANT 2 wk. assign. In Cambridge University for 2 in- dividuals with good dicta 4c typing skills. Boston, 8 Winter 8t.. 428-8760 EXPORT GLERK $150 WEEK FEE PAID VERY. Interesting position deal- ing with U. S. Custom Dept. Put your thinking cap on and solve many problems. Substantial dis- count on gift items from all over the world. Call Jane Kerzner ELIZABETH YORK PERSONNEL 3 Center Plaza. Sulto 226 SEGRETARY TRAINEE $120 WEEK, FEE PAD Put your typing skills to work in a plush downtown office. Excel- lent benefits and promotional opportunity. Call Donna Hager- ty. ELIZABETH YORK PERSONNEL 8 Center Plaza, Suite 220 723-,5050. Employment Agency FOBD A FORD 881 Boylston St. fith Fir. At Copley Square ■mployment Specialists Advtg, Prod. Assistant Our t� am of advertising pros needs a Friday-Type who will thrive on pressure detail. You ' ll be doing 100 different chores including expediting copy, art and production traffic, some fil- ing and typing end some direct telephone contact with clients. Advertising production know-how helpful but will settle for poten- tial and pitch in spirit instead. Call Miss McKeon at 482-7300 for an appointment. THE DR. GROUP FNC. 140 Federal Street Boston, Mass. SECYS.-STEN0 to $150 Excellent growth potential SECYS.-N0 STENO to $135 Top co B. Extra benefits GLERK TYPISTS to $120 Insurance, banking. Ind. etc. KEYPUNCH (Many) to $130 Top Jobs with major companies POLICY TYPIST to $120 Major co. Light experience. DICTA-TYPIST $125 Financial district special SWITCHBOARD $125 3 Position PBX experience FIGURE CLERKS $100 Any aptitude for figures ACCTNG. CLERKS to $125 Auditlng-payroll-taxes etc. RATERS to $135 Auto-flre-Ufe-comm lines TELLERS $125 Any expr For major bank TRANSCRIPTIONS $125 Dictaohone expr needed OPEN WED EVE. ' TIL 7:30 P.M. SPEC)) 123-BOTO PERSONNEL SPECIALISTS iscouarsQ. tOSTON, MASS. LCUAL i3Cbni:iAmt:;$ TEMPORARY PERMANENT All nositions fee paid Rita C. Anderson One State Street. Boston 523-5668 LEGAL SEGRETARY To work with one at- torney In our buay Chestnut Hill Legal Department . Shorthand , typing and the abil- ity to follow through on details necessary. Please call 542-3793. Equal Opportunity Sinrtoyer.MrF ; ANDERSON SECRETARIAL AGENCY 300C O OO POOO ’PETERS EMPLOYMENT Established 1924 ' 59 TEMPLE PUCE • BOSTON FEE PAID POSITIONS BUYER: Jewelry 17,000 MGR: ladies shoes to 10,000 mgr TUNE; TBA exp 9,000 ASST BJYra: shoes 9,000 BUYER; children to 7800 DEFT ,MGR: lingerie ARR ASST MGR: women to 8000 to ’ 800 5JL S LS; silver, gold ARR RTL SLS TRNE!: gifts ARR OFF MGR: So. Shore to 12.000 F C BKKPR; ’ So. Shore 8-9000 BKKPR-TYPIST to 9000 ADM TECH SECY to 8000 KEYPUNCH: exp A CLERK TYPISTS 5-65 OTHER POSITIONS OPEN EKEGUTIVE SEGRETARY In modern private office for hos- admlnlstrator. THINKING SECRETtRY BOSTON RESEARCH (ECONOMICS) (MEDICAL) LOOKING for an alternative? For an escape from routine sec- retarial skills? We have it! Call Beth Maguire at 54 5000. Ca- reer Builders. Inc.. 50 Franklin Street. Boston, Mass. FEE PAID. PERSONNEL CONSULTANTS. 1 wk. plus assign in a congenial downtown firm. Good shorthand typing a must. Rate 83,50. AdpIv to pltal administrator. Must have good office skills and shorthand. Excellent fringe benefits, salary commensurate with ' experience. Near MBTA line. Free ample parking. Call personnel 522-4300, or apply at 222 So. Huntington Avenue. Boston. An Equal Opportunity Employer Boston. 8 Winter St. 426-5760 I ORDER TAKER Inventory Control Clerk HEAVY on figures and detail. Take telephone orders. Compile daily, and to-date records and monthly comparative inventory statements. Salary arranged. Experience preferred. COTT CO., 321 Washington St., Somer- ville, or call 666-4000. GENERAL CLERK MANUFA TTURER needs clerk to perform assigned duties, should have aptitude for figures and be able to type. Medium size office, excel, benefits, salary commen- surate with experience. A. RIVETZ GO., INC. GENERAL OFFICE interesting oppty. for some- one with experience in a print- ing CO. to assist with varied du- related to small shop pro- duction. Should have typing organizational abilities a de- sire to work hard. Call Katy COPY SPOT ■ISO Boylston St.. Boston Copley S quare 261-8200 ORDER PROCESSING CLERK t ustomer contact. Work distribution center In ii.SSF ' ’ ' High pressure position involving processing of manual orders. Immediate _ interview. Techtiicon Instrument Corp. .1 ' ■ ' ' W ■‘ ' ■ ■ HT V ? t � UJ - ■- - U • ■■ ' ■• ' ■■ y, ' ' • ' «!« ft ♦ V .-it ■ ' ' ■ ' { ' ■ K Tii %-:v%.iV- ' ■ ■ -.WErT ' Vx’liV ,, . w, K: -ril U ' % � : , . «• ' . , „”l ' V . W‘ ll . o .yr ' iS •- .- r “ f 4 . f.ii .A : ' 1 •’vXlfi- f5T ' ' ■ ' V-Z. ,f ,. ' . ' « •— ? ■ _ � ' ' � - • • U-lri� cV.Hyi ' � , . - ., -Wf rj| ' it� lM - - j% «tf ' � ‘ - KV ' ,.,- •tl.jL ' . H � - � . ■ 4 !• 1 5fo !•■ ' - O . -. t., ' “ k ;; ' .V5 1 � i J •■•■ ' ■ i- .1 ' - ;; r r - ►?ir iS! - r. . . ■ � � . • S% i i _fci r ' ■ - t£5 f« Jk- « li . � ■ ® � -jf . « J f!fe«rr4r 5 ■ ' � :• ' • rt U ' y’ 4;.! , 0 L -Vr.-Ajifl ' , ' . J • t tr V Paul Ott V edoJ4Lj6 n|ip etmon urers “ SECTION OP PfT6ftSOW PlP€ REGJSTEf 0 VI CTC R S A L I V DUN A CO. C ReeisTet .-• v% Alfred (D.A. Cupcake) DeAngelo o Qjf n ' on is b -H£ r ■VK ' h w . (y-iVxie AS Lt [ ' ae rultf.. . red h a ’edi b cBTie ■(■wc? fa if? of , As... ...Y 5u’r f€6|| A (r M()( i . COM Id or is it Co idK ' t ' •.. c o5- ' 0 io jee checks + h€ QAS ' iA er 1 -f Uov) Oi ]y . . • .. . 1 0{[t t)uV for- to ioo ' ts. .. ■•• ' T ?SV S OU iS ■ -c on y po nVeOi feriC) ... alfreol -. i)o } eo i i enf ' 0 Ujher i|,i)ure or) -(■)i€ • ‘ • a .s .cu caX 4e® f ' 2 )o Susan Ryan -4, Odin Fitzvold O.U 1 ' Chris Lucey Barbara Kay Toohil ■ ' u j } . I t: •- • Caren Rubin Kolpan i Susan S. Peterson John Raimondi To the following people with great appreciation, I thank you and... David Davison: Who took me from cages to castles . Russell Doucette: For being my father. George Greenamyer: For introducing me to steel John McLaughlin: Who believed in me! Harris Barron: Who always listened. Michele: I needed the affection, and love you gave me so willingly. Julie: Beautiful, But you never gave me time to love you. Marsha Karlson: My sister. Christine Kathy: Thanks for letting me use the phones. Susan Mezger: An artist and a woman who knows me. Mary, Pauline Hannah: My good friends. Ginny Voipe: My only girlfriend at Mass Art Diane: If you only knew how much I loved you - even on Nantucket Island! Marcia: Who helped by caring Wendy: For being so kind. Michael Norton: Shit - We had it all together at one time, and you DID love me that night at Calhoons Hollow Beach. Ginny Gunter: For teaching me about shows. Mitch: For his time with nod . Denise: I know I ' ll be seeing you ! Paul the Cop: Who always has a nice word and a parking space for me. Hillman: For your help and madness. Jim Tracy: Who made it all possible for lighting the light of TM. Larry Laurie: Who have been wonderful Mike Eva: Who have made me very happy • and for making my last year better. And last but not least my PARENTS who put up with all my shit for 24 years. Good bye Mass Art !! Betty Shugrue Eric Liberty Kimball A Mm -FORCE EXUVmAb PUR£ cNERGy Bl6!NS TO MANIFEST trSELf ANb EN- 6RAFE T6 PERSONALITY UPON THE POmLESS FACE ' . TO EXIST INTHE PHYSICAL INORLD. THE MtNO- FORCE uses PHYSICAL FORIAS UMICH IT NEARS LIKE CLOTHE ANO DISCARDS WHEN NO LONOeX UNL SrUNE, THE PERSONAinr EMERGES- GAINING CONTOUR. AND DISTINCTIVENESS OF feature!! THE TIME HAS COMB TO UmN HoN FoeXH CODY, CANTY AND GOULD! TOGETHER., iN THE GUISE OF BOSTON COMICNORKS, iVE SHALL MAKE ALL OF HUMANKIND dirty - BOOGIE TIL THE ODUUS COMB 1 ; III w i ' i| 0 ’ 9 iiw - - •- ■ ■� •� - - - M « • ‘ - 4 ' • • ’ - o:- -i ' if. ' i { [r ’. . wV ‘• t T X ■« ; s. :..-l ' :■?� - • ' iTS ■ c - s U • . « V - : • V £ jm lia aaKiBij r ' • fi! � (wesm - ' V 1 ' . ' Aic iilH. ' . vt .v ' . SWif.V‘ ' - - •‘■. 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V V ft. vN Mic- . “ij . . , ' ' � 4 :vMweo .A -fVk y. ‘Jk 4 ' j4v V v Okj f ■■ v v:j t 3 (• ' V!x. , vT ..■ -C ' � yv, 4 • ' -- ■� i-. .. 7 � Vf ' ' M jr . ' , , - It ; V,. ‘t- MT%vy;Mk 5 7,; _ v I ' - ' ivV V« 3 ?iv v. I ■M 4 0 f X ' Ellen Cahill Jan Silverstetn i Thom Gillis I T • - - I Ruth Whitney DeWilde 4 ■O o E w o E Q. i 1 Carol Paul Judith Elizabeth Byron T c c Kathleen Ridge Janet Lee Wright Love is a canvas furnished by Nature and embroidered with imagination. Voltaire ■ t t I pr I e Alison Toby Karsh lJU j.of� A Susan McMahon V i- A h -A 3 iK.h iHon- i ' ■ V. It.CffAr O Philip Mancuso . r ft ' i Charles Lew 1 Bruce Wood w ' i ' y«y «« « li t Paul A- Silva I ( c r Richard B. Newton © Shawn Balser O Lee Jacobs Nancy Burden k Pamela Geer Ginny Gregory Watclw ancCuxutu forafvienoCtopOmwttfi 1J fuive J deiaiawmsoCor WaitfiiMTandwattui forsGfn0me:ioufui standt SfiopeituvTL ' Be ' t Co Patricia Orfao U� L rt Stephanie Aylward “••i j H’. ' t t 1 Richard Wright Ruth Ann Manley remember me softly if we ever loved each other think of it now. and all that is precious and passion and forever, and for knowing you thank you remember me. John Ronald Nogueira Evelyn Fodale Andeen _J Dave Armstrong YOU MUST BE CAREFUL OF WHAT YOU PRETEND TO BE, BECAUSE SOMEDAY YOU MAY BECOME JUST THAT. BOKONON George Nichols Martha and Richard Heath , C. r-O 1 Thomas Michael Schier Sidney Willins w The inner feelinqs of iA ' RT loriog a real- ism to life and its cballencjGG, Is not i t . . , or dmj to mij onanges (juitb reolitij? Hoiu- G Q ' deep tlYis inkn) feeling, a creoti ve thrust forces it life- ' -to see, to feel, to bear or to ex- press an emotion fulfiHinp a void in life LUhicb otheruuise might not have been there . sd UJiHias ' 73 6 ■h • ••� •. y. n t- v-� _- 0r !! ■ r, QP iqgi ' pior. j 9r! 1 t ' ' tyi Wt -r--- rt :|� ,D y ' l! • ' .♦ Hi2 ' I n S T - l.T f ' h I I V ■ moU : ►- 1 i •I ' .T ' 5-. ' !4_ ' ■ - nJ V � • . « ♦ + L)r! -.] ,o9pri9iiD(! ,9V J ‘:)l : . ? ,)p ' iDq:j J!- ' p -MjV.;] f; ' Til 00 ' ) dti ' .i; O- ' pi i ! c ' !i • ' ■ - ' ‘- ' Ci ' - ji aeyjc l .icuidt Ol ,il ' 0 : ' s rs j) J ' ©J 110 0 J T t 0 I w- ' f ' hiov.c pD ' ilrtW ' cicitoiTis or ' ' ' ■- • 3 r. t US H 0 ' Jirt ai 0 ' ii upad A I - ■ 1 Alison Smith Andrea Sciarappa II c y c Jonathan and Jeanne Stangroom V Jli. H ♦ Beverly Smith Coughlin •’ f 51 . • I ‘‘i 3 im - - c I • Anna Coniaris Comolli Pat Wozniak ( Francine Trearchis Karen Evangeline Mortenson Sunny Johansson !i:n djUica c pfxo nliorryi LoWiA JatO nrydtj!C rm J pay dj thiJ:fi J ftlUnlcfi OAio mcL AfuncuC anoidmcj ' (mcl u w c t Adi nCdiO . (L t ad u QAOffi tfwX mudhiAjij Cf !a)(u k oio JatikU to di Bonnie Lerner } f • V %r ' ' •j ' ' ' % t -c ' • ■ j - K-- ' V. . ' V m • alfti fir I Diane Weston Lauren Fushi Matt Doughty ) ) - s-M ■it, Louise Aghazarian Leslie Gail Ferrin Mary Mega Coughlan Linda Susan Onishi John Stephen Conway fcm t f c o ( ) c CO c (O 3 CO Vera Korsh TTi Alice Wehter King Linda Marie Abrams I . � Bill Cook o - s iW ' Maryellen Conway i, « 4 34%r. • ? I C 0 Ov Sharon E. Quigley, Lucille S. Cortese, Stephen Douglas Rose, Debra Ann 1 0 } o -2 3 TO Q- Ling Yum Yeh c c . L. Doliber r ( Anne Consoletti c c I e ' Ft ' r OP T r : OCO ' R.eoo o 1N K -C9eJt01IK1 I GO« 4oitcoir o poi o GX- WVfG or 0 PHIV214I I K OIS?4 1IHN r . OlIV T04 HO t 04 OXDOKK- 1 C90 r 41 0 4 reor c?0Ry ro5r4 o t mry € X4 OOR GO r 4C7B.HOC4 OGO POi i pt4c?roorv ' r 4W4GG r ' OIS ' 0044 O ' , y I B ■ ■ I t « ' - I Pat Dionne Initial Simply give away your beauty without talk and reckoning. You are still. She says for you: I Am And comes in meaning thousand fold, at last comes over everyone. Rainer Maria Rilke Muffy Voutas Pat Clark Stephen Douglas Rose, Lucille S. Cortese. Sharon E. Quigley, Debra Ann Hamilton c nnell c i A c ■ A ' . f j jt Chris Ruggelo a; c 5 00 “O c o oc You can go any place and to any time that you wih to go, the Elder said. I ' ve gone everywhere and everytdien I can think of......It ' s strange. The gulls who scorn perfection for the sake of travel go nowhere, slowly. Those who put aside travel for the sake of perfection go anyvrtiere, instant- ly • o • • • Richard Bach Jonathan Livingston Seagull a story Dennis Daly 1 1 Jyni Voipe ) Well I ' ve been told and it ' s been said Everything is in your head The total man by living free Creates his own Reality. Release the mind inside of you, First to be Then to do. The Master ' s work is everyone And truth is all that can be done. The starry sky contains our dreams. Life ' s exactly what it seems. The truth is nearly nothing more Than shadows through the hidden door. Well I ' ve been told and it ' s been said Everything is in your head The total man by living free Creates his own Reality. Peter Kelly ' B f ' ' V J ‘- ... ■;’v !. ,1 V r ' f ' V-’W? s rJ. t‘ vs- FACULTY PORTFOLIO r- Dean Nimmer C ' � c OJ 0 O o a O lb ft Lew Fifield c« c Edward McCluney Jr. Edward McCluney Jr. A-S V. M. Allen IDIIA David O. McGavern W-lwA-T— J Amy Briggs Gus Kayafas Edward D. Movitz 0 David Dobereiner tt 5ecJ .s. oompUt ' e ' dc vc la me r) oj- .... irviiy idw lit — C 0 r� lbihtcl wiiVi tke. [i( ke dwcio tnonk . . . 5 ocidti£?n .... in ctll ih si v l p 3 t)e- deJr”ce 5 , irw( 3 uiintfLblfe ttiws c(uu in , CVC-t rM( 7 cl(-( lcd a 550 C l lC?n; � r[icl ( irrU in flie«i9e4i e5 . elcw fs 4 ttieir d( r U| i m cuirvd consti lij , ct sunac I • I ' - ■ j wnpri 0 ir $weif fet 16 1Kc mylTiple ?i6pi raJi ) o-f (v(l3 cu 5 ?c idy. tb iA f)i ' 6p pjnijS?, drc irc uay]i r (u ever d loofe 4ov - in r erer l u itwc ecj uilibriyno : 0 IT 6 CS O tA influeno€6 q£ eA ' eru kind |ollowin j tncir own ddurst.... Kroj?i t’l in m a John Grepp Tom O ' Hara Roz Gerstein CHARLES DEMETROPOLOUS Boston, Massachusetts Born in Lowell, he received his BFA at the Massachusetts College of Art, has taught at the Vesper George School of Art, Boston Center for Adult Education, Cohasset Art Center; has heen an instructor at the Massa- chusetts College of Art since 1946. His watercolors are familiar to the Boston art world through his num- erous one-man shows at the Guild of Boston Artists and elsewhere, includ- ing Boston Watercolor Society Ex- hibitions, the Boston Arts Festival, and the Lowell Arts Festival. He is truly the chronicler of Copley Square in many moods. In the sum- mer of 1969 his works were spot- lighted in the Boston Public Library show, Copley Square, Past and Pres- ent, and the opening art exhibit at the new Boston City Hall. Portraits and landscapes in many col- lections, including Whistler House in Lowell, the Fitchburg Art Associa- tion, Northeastern University, Brook- line Trust Company, Boston Public Library, and the United States Navy Combat Art Collection. He was featured in Ameiican Aitist, January, 1970. Warren Hill t -1 ' •r y ' c Dennis Kowal From a moral void - aub and super sonic invisible time free death - begin to creep on fours - ears folded in against eyes void - smell sind taste withered with touch - slime again for fear of thyself - man run wild. Jean A. Shohat FRIDAY. JANUARY 12. tyS73 xuaimx THe FFTAILtFS DAIL Y NBWSPAPef! 126 No 9 Pat’s inaugural NEW YORK — WWD has learned, as of this moment. Pal Nixon has chosen a slim princess dress that shows off her figure perfectly to wear to the Inaugural Ballon Jan. 20. A source close to the White House re- vealed the Adele Simpson dress has six gores and is In pastel blue georgette over blue crepe for a two-tone effect. It has long sleeves and the V-neckllne Pat loves so much. Because the dress will go to the Smithsonian along with all the other First Ladles ' Inaugu: al Ball dressp.s, Pat wanted it to be very spe- cial. Another source said she Is consid- ering having it embroidered before de- livery next week. With the dress, Pat has chosen a short natural white mink Jacket that Leo Ritter designed for Ritter Bros.- Ben Thylan. Phase Three gives business freer rein By MABTVN CHASE WASHINGTON (FNS) — The Nix- on Administration ' s wage and price control program, whose bark was of- ten tougher than its bite in Phase Two, may be somewhat toothless In Phase Three. Aside from the food and health areas, the move from Phase Two to Phase Three looks more like a phase- The Administration doesn ' t see it quite that way. but the top economic planners were extremely vague at briefings here Thursday on exactly what steps — if any — would be taken See NEW, Page 43 By RICHARD mCBTMAN WASHINGTON (FNS) — The Nix- on administration Thursday scrapped most of its mandatory wage-price controls, leaving the great bulk of the economy free to fol- low a scouts ' honor regimen of self-dlscipllne. Out from under In Phase Three, effective Thursday, Is the entire re- tail Industry, except food retailers, and all apparel and textile com- panies. In the future, each of these In- dustries wUI be expected to impose its own self-administered controls See PHASE, Page 6 Fashioo Industry and Wall Street reaction i page 43. Couture will draw names not numbers A WWD SURVEY The couture collections which open In Rome on Monday and in Paris (he following week will attract some powerful regulars, but In name rather than number. At least two prominent newspapers that usually cover the couture wilLnot be attend- ing, the New York Times and the Chicago Daily News. The Times ' Charlotte Curtis, ex- plaining the paper will have a reporter at the ready-to-wear collections the end of March said, It ' s a matter of Judgment, not econom- ics. We feel rtw Is more interesting at this point, but we may not always do It this way. Vogue editor Grace Mirabella said Thurs- See COUTURE, Page 11 Helen Stuck! THe pROpHei Of DUNe G o placidly amid the nowc and haste and remember what peace ' there may be in silence. As far as possible without surrender be on igood terms with all persons. Speak your truth quietly and clearly; and listen to others, even the dull and ignorant; they too hilvc their story. — Avoid loud and aggressive persons, they arc vexation to the spirit. If you compare yourself with others, you may become vain and bitter; for alwoys there will be greater and lesser persons than yourself. Gnjoy your achievements as well as your plans. — Keep interested in your career, however humble; it is a real possession in the changing fortunes of time. Gxercise caution in your business affairs; for the world is full of trickery. But let this not blind you to what virtue there is; many persons strive for high ideals; and everywhere life is full of heroism. — Be yourself. Gspccially do not feign affection. Neither be cynical about love; for in the face of all aridity and disenchantment it is perennial as the grass. — Take kindly the counsel of the years, gracefully surrendering the things of youth. Nurture strength of spirit to shield you in sudden misfortune. But do not distress yourself with imaginings. Many fears are born of fatigue and loneliness. Beyond a wholesome discipline, be gentle with yourself — You arc a child of the universe, no less than the trees and the stars; you have a right to be here. And whether or not it is clear to you, no doubt the universe is unfolding as it should. — Therefore be at peace with Qod, whatever you conceive Him to be, and whatever your labors and aspirations, in the noisy confusion of life keep peace with your soul. — With all its sham, drudgery and broken dreams, it is still a beautiful world. Strive to be happy . Found ' n old St. Paul ' s Church, Baltimore, dated 1692 juHS ' J f Jlir . ; . . j ?_ i(iai} biH lUkHt ' ! ' bim« nii.WTwn � fo ' :t t.i 0 . T‘i; ■jjftrtf 1 rf34.nj iwtv JJi� 9Wd$ f irf Ifl ■ .; jii: iiuivjflgJ t ]� tiA « Un, ,v:� fi:b ktit; iiA ' :iCJ ,XJ ; j .. . t yfc!r; r i, iV « ' tu i . it ?. .-f -n ' ' vti! am ' , ■ « •ft . •• ]l natoiuhi tnj� vd iW ' ' Uf ' r I« bfll. fiSlf lilMM ' ■ )4ui }m( 6 fiM iftftt (UTs ir � aaWtt luiy ‘J tiT Vip : i j 43 l yf U MNn i hsiiili mil Jjih Jt; ' iltljli rWlltlllf II :v1 f ... pn . T;bAiA sAim u4 ■ ' s|]iro 7 kwi irf vAjT — j. . i ' ruan- ! . iJWMa 4 l a 5i «-!l .iftWf ' V K OTi ' ,. J 4; - r ' Y 41 ' fe’’ -it. 5 4 7 i 4 ; ’ ' UI . r« ‘’.U U% .Wl iT.V lijnu} ' 1 Milji Sj llTjlUTIil - .1 . ■ial ’to t’a-i ' t ' -AiBKi - ) « .. t rfjn,. )IiA a «wWw a n r ' nol .a fsjn 4| Ua «3� « iMb ' flRil; «I£|I Ut AS:ildU i uu4. «� Jt7i i ' i cr ijOJ i?i jM-ib � ' 4 r3ftit m bu ’ u... ab u wa4 tm ' .)0 } I. ' j ‘4l0l . KT -� Mxifi4l ( niVIe W ji ' Mft .. . , ' U .y fS ' Ajftiiw p«d tJ Hurt v k- :� � «.- wcy ixrMbtj- idGn ■ ' D ' . • Tut,, .‘r. .. � � ; r :� i nt OOKk fim � riJ m fcipatj|villjap S3i� t ?4|..44 ;-i ii wifofb ittioici t«- ' li btnb .fwU k:; i Algalee P. Adams Lee L. Kane 1 Robert J. Benson robert j. benson Carl A. Gibson Jr. .. iK‘ .... 4 ' ' ■ ' ' ... ♦ : 1 - INDUSTRIAL DESIGN AND VISUAL COMMUNICATIONS The industrial designer uses visual com- munications to express his message with im- pact and precision. Usually we see what we can or want to understand. More often, what our bi as permits us to grasp. Only that which is understandable to him, can the designer clearly express in his work. Clarity of purpose makes one determine the media, presentation method, color, form and proper relationship in scale. I ' f Tom Kass I I Anita K. Fisk I V • 4 .• -A t Paul Shea X ? Dear Faculty, Dear Seniors, V e are sure you uill be d( LAST NOTICE BEFOaE IMTEHCISSIOli on the yearbook. Dec. 11,1972 1( lighted to hear that this is your to inform you of our vrork schedule DEC, 15 — the questionaire deadl : been turned in, your name vrill Stavros ' records. ine. If your questionaire has not oe typeset as it is written in ilr. DEC, 22 — we must have all other written material in order for it to be typeset over intercession , If you are doing a poem, proverb, ; to us AS YOU WAiJT IT REPRODUCED! Uation, EVERYTRI.;g ! And v e must or whatever, be sure you give That means lines, spacing, punc have it by DECE4BER 22! 1st RETURi ' HilG iflSEK IN JAiJUARX is due, ilake sure it is prope layout as possible (see wall o colors, x;e need color separatl in - ill finished art work and photography id: ly mounted or as close to a mechanical o tside C-9). If you are using two The page size is 8 inche viith an 8 by 8 inch surface, mechanical work (cropping, rec|u will be available during the THAi« YOU FOR YOUR ATTENTIOM, YOUR BACK AND ON YOUR YEARBOO by 9inches, but you are only concerned If you need any help in doing any ucing, photostating, etc, ), someone ; ntercession in the DRU room in C-9, AilD GET ON IJITH IT SO ;VE CAi GET OFF THE YEARBOOK COiUTEE side only, so your work xri.ll be NOTE: pages are printed on on i seen on the right-hand side as e book is opened. h C IS V A a V I c . ■ ,1 1 I V ' fliC f . f f V .. ri f e e if f ’ ■f ' ll- c C IJ ' f I ' l c t) Uj V cW( I . Hy -T r , pM d- ' 1 L C Vi V £) ’r . O ' - ' w Merritt Harrison You think you have problems! Harris Barron Endless Inventions for Multi-Part Heurmony and Single Engine Aircraft Arr. by H. Beurron, D. B 2 u nett,A« Campbell M. ChalufouriJ. Lipsky D, Vogt others. 1. Prelude: Three Intermedia Works for Visual Theatre 2. Part I : Peristalsis 3. Part II: Elt Geniter Part III: Dust 5. Part IV: ZO 30 WEBSTER PLACE BROOKLINE, MASS. 02146 6, Part V: Asthetikon 7, Part VI: Pastel Exit: What 8, Peurt VII: (to be announced) t J Lila Chalpin Gently rubbing stones We imprint you, you the world, With iridescence Marjorie Hellerstein La Douceur du Jour The day enfolds. Noises people make-not human noises-- Tires on roads, horns, motors drone-- Noises nature makes-- Ticks, drips, soft plops, rustles-- All these the day resists. L ike a large gray mother Her hands busy at some handiwork Sitting close by but not among her children. As they move their toys and lips And squeak bare thighs on the bare floor. So the day Not nature, not man, not mind, not matter. Presides. Legerdemain What a perverse and personal act you poets practice -To pull a part of your plumbed cells into the light (or dark, depending on your view of life) And polish and present it, practically alive, To Them, an enemy of Self, of sorts (All Thems are obstacles to Selves). And yet, no expose is true- The self presented violates no you. What you yank out into your light (illumined life) Your eyes alone can see through lines of curves and strokes. Your voice alone can make sound live And you alone remember ruthless searching after anxious sense. (T c: Sidney S. Kaplan If you are not for yourself who will be ? If you are only for yourself what are you ? If not now - when! Hillel CRAFTS Louise Aghazarian C. Anthony Stephanie Aylward Wanda Chin Beverly Smith Coughlin Stephan Currier Ruth Whitney DeWilde Pat Dionne Michelle Dodds Jain Fenton Marcia Fern Lyz Festner Susan Haddad Anna Jung Sunny Johansson Signe Kaleel Mary Langevin Carol A. Mitchell Mary-Ellen Moscardelli Linda McClellan Pirn Ormrod Frank Ozereko Christine Ruggello Jeanne Stangroom Wendy Stevenson Francine Trearchis Sarah Walsh Nancy Wehrly Susan S. Wilkinson Ronda Louise Winer ILLUSTRATION Palmer Awtrey Shawn Balser Linda Bourke Wendy Buskey Judith Byron Ellen Cahill Carolyn Callahan Young Thom Canty Wendy Champion Kevin Davis Elaine DeLeo Paula DeSimone Denis Devine Kathi Draper Ciffie Fitzgerald Roma Margaret Gal Thom Gillis Martha Heath Richard Heath Helene Lubot Chris Lucey Kathy McLaughlin George Nichols John Ronald Nogueira Linda Maria O ' Donnell Patricia Orfao Robert Pestell Susan S. Peterson Susan Revell Paul A. Silva Cydney Spadaro Donna Vaccaro Donald Widdiss Pat Wozniak Richard Wright George Yee Charles E. York f, . ■ 1 . Jl If PHOTOGRAPHY Mary Mega Coughlin Kathleen Faherty Eileen Friendenreich Pamela Geer Ginny Gregory Susan Haletky Pamela Lawson Anthony Mastrionni Nancy Moninski Katherine Nelson Richard B. Newton Alison Smith Paul Stranieri Lois Tonelli Dave Walker 1 FILMMAKING James Armstrong Craig Covner Gary D ' Ercole Jacquelin Leger Charles Lew Francia Seipel Carole Newman Paul Ott Bruce Wood A r c FASHION DESIGN Felice Andrus Ruth Leah Fisher Lauren Fushi Deborah J. Goff James Edward Hanna Catherine Lady Socks Hooper Michelle Ann Marie LeBlanc Paula A. Todisco Barbara Kay Toohil VTW«3 J y rtir« ' t (Isi i i’iu 3 tfoo ( f.nnuH j� ajf � V •• ' lOuN !i( yuMj“ 4« tf|4K ' X pnuwt i 4 faM imA frMitbJMi , 1 ' A ART EDUCATION Leon Applebaum George Augliera Shiela Binney Linda Bliven Carolyn Braun Nancy Burden Laura R. Campbell Claire Cautela Christine Chaisson Marjie Chmiel Pat Clark Kendra Conn Maryellen Conway Lucille Cortese Beverly Smith Coughlin Mary Mega Coughlan Craig Covner Dennis Daly Kendra Davison Gary D ' Ercole Ruben dos Santos Matt Doughty Leslie Gail Ferrin Debra Ann Hamilton Ginny Harlow Peg Hosford Lee Jacobs Marsha Jabour Sunny Johansson Alison Toby Karsh Alice Wehter King Elliot Knight Caren Rubin Kolpan Vera Korsh Pamela Lawson Bonnie Lerner Helene Lubot William Maccaully Jr. Ruth Ann Manley Anthony Mastroianni Susan LoebI Mezger Joan Elizabeth Morton Dianne Mudarri Joanne Murrman Mary Lyn McVoy Katherine Nelson Ginny Nelson John Ronald Nogueira Paula Lee Nove Mary O ' Brien Kathy O ' Connell Marion Olson Pirn Ormrod Paul Ott Susan Paradis Jack Pattison Sharon E. Ouigley Joanne Rich Stephen Douglas Rose Susan Ryan Chris Ruggelo Stephen Saunders Betty Shugrue Jan Silverstein Virginia Souza Sister Katherine Stempkowska Lois Tonelli Sarah Walsh Diane Weston Sidney Willins Karen Winsloe Janet Lee Wright Ling Yum Yeh Dual Major [m 1 |r% J l ' . ' I C PAINTING Linda Marie Abrams Fatima Ahmed Wayne Atherton Philip Ayers Linda Bliven Claire Cautela Anna Coniaris Comolli Mary Connaughton Anne Consoletti Alfred (D.A. Cupcake) DeAngelo Carmen Dorato Brendan J. Enwright Leslie Gail Ferrin Denise Fitzgerald Evelyn Fodale Andeen Odin Fitzvold John Gillis Richard Harlow Liz Hardy James Higgins Marsha Jabour Ross Josie Marilyn Kirsch Michael Kovacevich Charlotte Lathuras Jackie Leger Elizabeth Lumsden Susan McMahon Laurie Nobel Chare Parker Beth Pullen Kathleen Ridge Steven Rosenblatt Jonathan Stangroom Helene Theriault Tafesse Tsegaye Dick Weisberg Janet Wright 7‘ . ' ifS ?•! ' • dA ' r e r r !mal- ‘� vw •wn ' i- (iMVff: i)« rt ' ' I ' - r 5 .1, },(fcirfj|rt4t Mtt h wi«iiu ' tii aO t-H Q af ArO‘ i fiiWtoTfl y)naH (Jl ■ ' � P|H V ff’ 4 L KJI?« M ' v .) . � « w� o 5 ; ■� i tiltt j A .4 tjidur t ;N ft, tg n-jT 2 ■) •■; ' •-iT miW i td 0 - ? ■ y “ 1 . Ai® I SCULPTURE Richard Amaral Nancy Burden Nancy Hanson Connolly John Stephen Conway Susan LoebI Mezger Brian Monaghan Mary Lee O ' Brien Kathy O ' Connell William H. O ' Donnell Jr. John Raimondi Susan Ryan Elizabeth Shugrue Wendy Stevenson Jyni Voipe c PRINTMAKIIMG CRITICAL STUDIES Mary Caola Carol Paul William L. Cranford Brenda J. Enwright Thom Gillis Christine Hackett Whitney Shurick Hamnett II Alicia Hart Deborah Jones Mary Ann Larkin Karen Evangeline Mortenson Linda Susan Onishi Carol Paul Thomas Michael Schier Andrea Sciarappa Francia Seipel Roberta F. Weinshenker Bruce Wood itiMi II ' JWKn .ff Ki ' ’•. U « A ll� 44 STUDIO FOR INTERRELATED MEDIA Dave Armstrong Marjie Chmiel Wayne B. Christiansen Eric Liberty Kimball Margaret Koski Charles Lew Joseph locantore W. Va. Mason I 01 ARCHITECTURAL DESIGN INDUSTRIAL DESIGN Dennis Daly Bill Cooke Philip Mancuso rjtV ▼ , ' c GRAPHIC DESIGN Ellen Terban Cohen B.L. Doliber Jeanne Fountain Steve Greenblatt Robin R. Storesund Muffy Voutas Cheryl Wincele r v v,H • ((� wT oMF M vij h ADMINISTRATION President Jack Nolan Katharine DeTeso Secretary Academic Dean John W. Cataldo Natalie Giles Secretary Library Benjamin Hopkins Head Librarian Charles Churchill Librarian Suzanne Smith Librarian Elizabeth Brewer Library Assistant Ralph Avery Library Assistant Director of Admissions Nick Lammerman Pauline Prift Secretary Phillip Piscopo Assistant Director of Admissions Dennis Devine Clerk Registrar Steven D. Stavros Mary Karpinski Secretary Director of Continuing Education Gus Kayafas Leslie Arruda Secretary Director of Graduate Art Education Agalee P. Adams Secretary to Division Chairman Hannah Ryan iK I«0ITA ?T?MI|I| r i� aW rt. ij.-. ' Ki «� ) 11 • . mCI ..duu ) W � K � « ' ■ ,1, ’4 iH rti • ' C. ' ‘tt . ‘ , 1 ; - • .. ■� l� ' : -l.w ■ ll l _ ' y Dean of Administration Sydney S. Kaplan Staff Arline Reardon Personnel Supervisor Christine C. Finn Barbara Matzkin Mary T. Thompson Bursar Stanley Thomas Carol Rock Associate Administrative Associate Purchasing Officer David P. Wilcox Storekeeper Harry McKinley Data Processing Supervisor Ann Clukay Newton Supervisor of Technicians Allan Barnett James Chiavelli A udio- Visual Joseph Upham Multi-Media Hillman Barney Crafts Charles Matter Photography Mark Maeder Filmmaking Richard B. Newton Electronic Media - T. V. Security Paul Fallon Jack O ' Connor Superintendent, Buildings and Grounds Joseph Doyle Custodial and Maintenance Ernest King Foreman Mark Ridge College Painter Johnny Mac Steve Quinn College Carpenters Katherine McNamara Ma tron Paul Calsimitto Jacques Dupre Richard A. Harlow Paul F. Kelley Thomas King Anthony L. Santagate Wendell Stanley Steve Norton Larry P. Ayers . . «u •. r o . 1 % • ,i ' l , . . • • . c Dean of Students David McGavern Dorothy Esterquest Secretary Director of Financial Aid Beverly Washington Director of Placement Robin Carter Judy Hearst Secretary Director of Exhibitions Virginia Gunter Nursing Services Barbara Forrey, R.N. Psychological Counselor Merritt Harrison 4 i«. K. vn� v l ' V ' •■vI FACULTY Charles E . Abbott A Igalee P. Adams Pamela A llara Virginia Allen Zulmira Almeida Gerard A m irian Judith A pplegate Gail Banks Daniel Barnett Harris Barron William Barron Robert J. Benson Athanosis Boulukos Alt Bracon ier Joanne Brandford William B. Brant Phyllis Ann Bretholtz Thomas Briggs D . Lowry B urgess Donald Burgy Thomas M . B urke Calvin Burnett John Butler Arawana Campbell J. Paul Celli Lila Chalpin M ichel Chalufor Kathryn Coghlan Walter Compton Muriel Cooper Arthur Corsini F loyd Covert M ildred Curl David Davison Charles Demetropoulos David Dobereiner R ussell Doucette Fritz Dreisbach M ichel D urand Paul Earls Phyllis Ewen Lew F if ield Anita F is ke Jeremy Foss Rosalyn Gerstein Panos G hikas Carl G ibson Johanna B . Gill George Greenamyer John A . Grepp Virginia G un ter William J. Hannon Bruce Hawthorne Ronald Hayes Marjorie Hellerstein Douglas Heubler Warren H ill Arthur H illman Charlotte H orbi itt Rodney House Clifford Janey Gerald Johnson Lee Kane Thomas B. Kass G us Kayafas Daniel Kelleher James Kenney Louise T. Knauer Diana Korzen ik Dennis Kowal Donald Lettis Karl Linn Jonathan Lipsky Edward McCluney John McLaughlin Elizabeth Moore Robert M oore Edward Movitz Paul M uller George B . Nick € FACULTY Dean N i m mer Thomas O ' Hara Martin J. Perlmutter Diane R ichards Paul D . Shea Jean A . 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