Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA)

Text from Pages 1 - 156 of the 1967 volume:

PREFACE For the sake of a few lines one must see many cities, men, and things. One must know the animals, one must feel how the birds fly and know the gesture with which the small flowers open in the morning. One must be able to think back to roads in unknown regions, to unexpected meetings and to partings which one had long seen coming; to days of childhood that are still unexplained, to parents that one had to hurt when they brought one some joy and one did not grasp it (it was a joy for someone else); to child- hood illness that so strangely began with a number ofprofound and grave transformations, to days in rooms withdrawn and quiet and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along on high and flew with all the stars — and it is not yet enough if one may think all of this. One must have memories of many nights of love, none of which was like the others, of the screams of women in labor, and of light, white, sleep- ing women in child-bed, closing again. But one must also have been beside the dying, one must have sat beside the dead in the room with the open window and the fitful noises. And still it is not enough to have memories. One must be able to forget them when they are many, and one must have the great patience to wait until they come again. For it is not yet the memories themselves. Not until they have turned to blood within us, to glance, to gesture, nameless and no longer to be distinguished from ourselves — not until then can it happen . . . RAINER MARIA RILKE DEDICATION MISS SHEEHAN There are probably not many opportunities for students and their teachers to experience the same feeling at the same time, but the graduating class and a teacher known by each of them leave school this year and together look into their past and their future. Yet our four years, although they mean many things, cannot have seen what she has seen. She has been a professor helping us to understand the words expressed by others. She has let us know that there is the same purpose in the mind of the poet and in our minds, as artists. And she was one of the people we could come to for encouragement. The words more than a teacher are saved for a few. We save these words for her. The appearance of the 1967 Massachusetts College of Art Annual marks the end of the 93rd year in the history of our distinguished school as well as the completion of a college year for each of us. Those who figure in its pages have worked together and have grown in admiration and respect for the particular qualities and talents we have seen in each picture. The memories of devoted faculty, of the friendships, or indi- vidual talents unfolded will bring a continuing and ever present richness to our lives. These memories are con- tained within the covers of the Annual and will always be there to be enjoyed and relived. The Annual will be- come an eve r more cherished possession to each of us. Massachusetts College of Art rejoices in the success and happiness of its students and graduates and extends every good wish. PHKSIDENT ROHEUT L. BEHTOLLI DEAN HENRY A.STEEGER Familiar faces, events, and scenes fill the following pages and capture the pleasures as well as the rigors of a year of study. For now, the memories of little incidents crowd forward: the incisive comment of an instructor, the pressures of multiple assignments, the comparison of solutions to a problem of design, the demanding concentration of a precise drawing, the rapport of a friendly classmate, the sometimes hectic chase after materials, the struggles of transportation. In other times, however, perhaps more penetrating recollections will be generated; the exhilaration of increasing ease in the use of color and line and form to depict the perceptions and feelings that pervaded the mind, the satisfaction of studies that provided a focus and a stimulus to your intellectual curiosity, and the gratification gained through well-met challenges to your awareness of the complexity that characterizes imaginative thought. I trust that you have found these pleasures in the past year and will realize them in increasing measure in the years to come. DEAN KATHRYN A. COGHLAN At the root of many of the intellectual and emotional problems of modern man lies what the existentialist philosopher calls alienation of estrangement, an alienation not only from other people but also from one ' s own true self. The philosopher sees a solution to this estrangement in a freely-made commitment with the aim of overcoming the loss of identity and of establishing avenues of communication. By means of this Annual, you, the students of Massachusetts College of Art, have committed yourselves to a reappraisal of a year of work. Viewing yourselves in the perspective of time, re-examining your goals, and assessing your achievements, you have helped to define the outlook of contemporary young artists and have thereby made an effective communication to the reader. Moreover, in the process, you have moved nearer to a realization of your own identity. The significance of this book, therefore, lies in the fact that here memories take shape and form, here the focus of ideas and dreams is sharpened to provide a new self- awareness, and here the values of the students of Massachusetts College of Art are presented. GRADUATING CLASS Graduating Class Seen standing alone. Here. Seen thinking. Seen sometimes laughing openly. The times unseen were just as many, likely meaning more. The paths number one hundred and one. The time considered stretches back and forward, meeting now for one moment. The ideas are magnified by the pronoun I one hundred and one times. ' We is no longer the right word, for we” means that nothing stands alone. Seen going. Away. shall somehoio make known the time and ideas of men without surrendering their beauty. fiRADUATING 1. VSS .Vfiunsd Vsaih iwor isyj nsm o aRshs hnn smh ar i nojono ujor 3moe Unr a Graduatm;( CUiss Seen standing alone. Here. Seen thinking. Seen sometimes laughing openly. The times unseen were just as many, likely meaning more. The paths number one hundred and one. The time considered stretches back and forumrd, meeting now fo ' The ideas are • ‘•n :t ' t:,yun T ,t and one times. • , , iange ?“r we means that nothing stands alone. Seen going Away . NORMAN CARD □ ANITA SANDLER GRAPHIC DESIGN ABCDEFG HIIKLMN O ' PQRST U AXYZ ahcdclghijklm nop irsUivwx ' z S123k367890 ll ' :n;lUIi.m-?’! THE (luick brown lox V LINDA RIDGWAY a JOAN GOODMAN LORRAINE SULLIVAN □ TERRENCE WALSH ANITA SANDLER □ LORRAINE SULLIVAN DOROTHY LANGLOIS ° NORMAN CARD SUSAN DUPOUY □ JAMES STAFFORD □ MAUREEN LEONARD TERRENCE WALSH □ JEANNE KENNEDY □ PAMELA DAVIS LINDA RIDGWAY □ JOAN GOODMAN □ RAYMOND SHAW But each piece I made must pass the fire to crystallize my strange conception. UNUA R100WA a (OAN uOODMaH • lA VMOND SHAW ckhamk; i i:si(iN JOHN CAMPANALE □ SANDRA SALEM □ PEARL SHERMAN □ EDITH LANDOWNE CAROLYN COCKRILL □ DONA D ' ENTREMONT o GEORGE GERMON □ BRIAN GRICUS CAROLINE COCKRILL □ BRIAN GRICUS o JOHN CAMPANALE DONA D ' ENTREMONT a SUSAN TILTON n SANDRA SALEM PEARL SHERMAN □ GEORGE GERMON □ EDITH LANDOWNE rilZABETH VrZF.Al ' Our ideals are manifest in designs for maidens; are they not truly designs on men. i ASJI I • D J I LIJ S I ttA TION .«3m MO angsaah ion 3r i s-tsi vaMshinm -to an iash ms iasYsMtsm sin a nsWs issO fFAIII VAN P ' -t KN N o EDHTl LANDOWNE FASHION DFSKiN ILLUSTRATION PAT WILLIS □ NATALIE SHUMAN □ FRANCIS GROSS □ BEVERLY MCLERNON BEVERLY MCLERNON n SHEILA O ' NEIL CAROLYN PARKHURST PATRICIA WILLIS JOAN COSTELLO n BARBARA VIGNONl ELIZABETH VEZEAU □ NATALIE SHUMAN □ PATRICIA PAULSON FRANCES GROSS □ PAMELA WILLEY r ai m IM, 1 1,1.1 k !;a S SOA i o noanq cjioiinii oi oinmi a rtsynH seis ' nnn ' ii T I FRANCES GROSS a PAMELA WILLEY L FAINTING ILLUSTRATION VOLKER ANTONI c EILEEN KENNEALLY DIANE RISTUCCIA a KATHLEEN MAGIERA JAMES JOHNSON □ MARGARET SHAW VOLKER ANTONI •• 7 V ' ,, ' ' ‘ “i ' ■ ' ‘ (‘ I I I I I CRAIG BARNES ° BARBARA OWENS □ CAROLE SOUSA DONALD BROWN □ KRISTINA TROTT a FRANK PINKHAM RUTH ARVANIAN □ MAUREEN FOYE □ DIANE RISTUCCIA WAYNE MILLER □ VIRGINIA FITZGERALD □ BARBARA LUCAS RICHARD WHITE □ EILEEN KENNEALLY JANICE HARTWELL □ MICHAEL JOHN ZOLLI JANET BACON a ROBERT EWING a KATHERINE THOMAS MARGARET SHAW a PAUL DECOSTE o KRISTINE KLASNER GEORLEEN HOWLETT □ THOMAS RUSSELL □ ANN M. LORUSSO ELIZABETH MACLEAN □ JAMES JOHNSON ° VOLKER ANTONI DONNA SMITH □ KATHLEEN MAGIERA n PATRICIA ANDREOTTI ci I My involvement now lies with the perfect integration of the useful and the beautiful, for I cannot see either existing alone. ( 1 DiSfi.N .95io n sr Vi3 asa ' (o ”R nosln- x ' ni iaa - sq aAl t Vnw aai won namacr o jn vM OdNNA SMi H T AAltlLErM stA(.ilk.« o t A ' . Rl( lA ANDHEOTTI PKODIICT DKSKiN RICHARD TAROZZI a DAVID CALLBECK JOHN BOYCE □ MATTHEW ANNANTUONIO JAN DOUCETTE □ STEPHEN BRUCE JOHN BOYCE □ MATTHEW ANNANTUONIO DAVID CALLBECK ° RICHARD TARROZI MICHAEL MERCADANTE □ RONALD VICKERY This year we have become acutely aware of the transition of people. And, as always, we see a chosen few take the responsibility of leadership. Bruce Lanphere was one of these leaders. His charac- terizations, as examples of his vast humor, were not totally without seriousness. His actions, especially in the student movement known as T.O.A.D., were not without purpose: the attempt to remove signs of dullness, conformity, and apathy. He was a person who was not satisfied with the status quo, always experiencing life at its fullest and energetically throwing himself into the midst of controversy. Now he is no longer here to lead. Other people must take over the responsibilities. The best tribute to those who have gone is for those who remain to make sure that their principles do remain. Steven Bruce IN MEMORIAM □ Bruce Lanphere They will never learn from me of the artist ' s method, but I shall teach them ways of learning it. Thii year we have become acutely aware of the transition of people. And, as always, we see a chosen few take the responsibility of leadership. Bruce Lanphere was one of these leaders. His charac- terizations, as examples of his vast humor, were rwt totally without sehousness. His actions, especially In the student movement known as T.O .K D were not without purpose: the attempt to remove sijcn of dullness, conformity aitd apathy. He was a person who was not satisfied with the status quo, always experiencing Hfeat its fullest and energetically throwing himself into the midst of controv av. Now he is no longer her to ( “ther pt c ' t H-f iKares: ' • ‘ • The best tribtiU ' to Hose wh- ’i rcniain to mai.e suf - nei; .oi •, ■1 • A nimnsi marli tlonat Untie 1 twd xhoUtam a ' leittn srU o sm mnsl IN MEMORIAM Bruce Lanphere TKACH HH KDIICATION EDMUND GAUDET □ LINDA BORLAND DAVID KOFTON □ ANNE GAUDET LINDA BORLAND □ JUDITH WRIGHT JANET NICOLETTI LOUISE CELIDONIO ° MARGUERITE ELTING MARIE LAPRE □ CAROL BEARD □ DANA CHANDLER EDMUND GAUDET ° ANNE GAUDET MARY JANE GATINEAU □ LINDA REED □ SUZANNE GRANT BARBARA REDMOND □ GEORGE MCLEAN □ JUDITH WRIGHT LINDA BORLAND n RITA OSTER □ ELLEN WINDER JANET NICOLETTI □ DONNA ELDRIDGE DIANE KOULES □ DAVID KOFTON □ SUSAN OKUN LESLEY LEITSINGER □ PAULA MURPHY GAIL ANDREWS □ WILLIAM REEVES □ MARILYN HAWKES EFFIE NOUKAS n TERESA LUPOLl RUSSELL l.cf ' s go wide open. Let ' s see what loe see, record what we find, and not fool ourselves . . T 1 IFFIE N01;KAS o TFKF.SA tUI ' OU RUSSELL • STUDENT BODY SENIOR CLASS OFFICERS PRESIDENT n JAN DOUCETTE VICE PRESIDENT □ MARIE LAPRE TREASURER □ EFFIE NOUKAS SECRETARY □ SUSAN OKUN JUNIOR CLASS PRESIDENT □ EDWARD PARKER VICE PRESIDENT □ MANUEL CRISOSTOMO TREASURER □ MICHAELE HARRINGTON SECRETARY □ MARY WELCH mrF’ y V A It starts from the assumption that the individual is important and that all types are needed. I fs RMfe cj i.«s sr no 1 muaa� 5r i mon r r PRESIDENT n STAN BERGERON VICE PRESIDENT □ CHRIS JAMES TREASURER □ EDWARD DRISCOLL SECRETARY □ BARBARA ARENA SOPHOMORE CLASS FRESHMAN CLASS RICHARD DILLON BONNIE SCHWARTZ LAUREL BARNEY LARRY SYMS FRANK SICCONE ROBERT POLLOCK DAVE HAWKINS WALTER BUTTRICK STUDENT ASSOCIATION PRESIDENT n MATTHEW ANNANTUONIO VICE PRESIDENT o JAMES STAMATELOS TREASURER o PAMELA DAVIS SECRETARY □ PAULA MURPHY HOOTENANNY MASQUERADE BALL FRESHMAN DANCE BASKETBALL :mL - FOOT15ALL CHRISTMAS r GEORLEEN HOWLETT PAULA MURPHY ELIZABETH MACLEAN RICHARD LIZZA INTAGLIO STAFF Our one chance lies i I L .1.: . expanding that interval, in getting as many pulsations as possible into the given time. fr aiiiM HOwun PAt t 4 MUKPHV E;.j A«rrH mai lean RtCHARO UZ7.A .smh o si ' s aiciiaeoq an asio ina w fnnm an «s nu 3lni Ins i nshnnqxa m aaU 3:� «ni o 3no ' nO INTA(iLI( STAFF ACTIVITIES PRESIDENT o CHRISTINE KLASNER VICE PRESIDENT □ JANET MARTIN SECRETARY □ BARBARA ARENA TREASURER □ DONNA PHELPS NEWMAN CLUB PRESIDENT □ NORMAN FINE VICE PRESIDENT □ JOAN GOODMAN SECRETARY-TREASURER □ SUSAN OKUN HILLKL CLUli LAWRENCE PRATES JEFFREY THOMPSON RAE BERTELLOTI ROBERT MOORE RICHARD LIZZA DRAMA CLUB 1 PRESIDENT o PAULA MURPHY VICE PRESIDENT □ LINDA BORLAND SECRETARY-TREASURER □ SUZANNE GRANT N.A.K.A. EDITORIAL STAFF LORRAINE SULLIVAN □ EDITOR ANITA SANDLER □ ART DIRECTOR NORMAN CARD □ PRODUCTION MANAGER JEANNE KENNEDY o BUSINESS MANAGER DOROTHY LANGLOIS a PHOTOGRAPHY EDITOR JOAN GOODMAN □ LITERARY EDITOR LAYOUT STAFF LINDA RIDGWAY PAMELA DAVIS □ SUSAN DUPOUY PHOTOGRAPHY STAFF JAMES STAFFORD □ TERRENCE WALSH RAYMOND SHAW □ MAUREEN LEONARD ADVISORS ARTHUR HOENER □ THOMAS BURKE YEARBOOK STAFF BARTON WHIMBLE n CHARLES CHURCHILL □ ANNE ESKRIGGE LIBRARY STAFF Knowledge can only by the movement of the whole soul be turned from the world of becoming into that of being. BARTON WHIMBU. o CHARLtS CHURCHILL O ANNE ESKRICCE LIBRARY STAFF FACULTY COMMEMORATING THIRTY YEARS EMMA LENNON PREST Every moment think steadily to do what thou hast in hand with perfect and simple dignity, and feeling of affection, and freedom, and justice . . . lEREMY FOSS □ RUSSELL DOUCETTE □ EVELINA VON LADAU n JAMES KENNEY DR. GERARD AMIRIAN □ MARY COLLINS □ ALF BRACONIER n CHARLES DEMETROPOULOS DONALD LETTIS EDWARD MOVITZ o SANFORD GREENFIELD o DR. KATHRYN COGHLAN D JOHN BUTLER JESS FORREST □ CHARLES ABBOTT o JOHN GREPP o CALVIN BURNETT JOHN THORNTON o HARRIS BARRON □ DENNIS BYNG ARTHUR HOENER ° THOMAS O ' HARA □ DR. GEORGE COHEN WILLIAM BRANT □ DANIEL KELLEHER □ FLOYD COVERT □ CARL GIBSON DR. BRUCE HAWTHORNE □ THOMAS BURKE □ MURIEL COOPER □ DAVID BUMBECK PAUL MULLER □ ARTHUR CORSINI □ ARTHUR COPPLESTONE ZULMIRA ALMEIDA □ LAWRENCE KUPFERMAN □ DR. ALGALEE ADAMS if on a certain quiet day, on a sunlit patch of clean grass with medium-sized trees filling the space overhead, you saw the sunlights dancing, and knew why you were unhappy sometimes and why sometimes you were very glad, then smiling to yourself (with not a pain missing, not a hurt gone), would not seem so suddenly a miracle. Always he saw children riding ponies bareback. And the smiles of children, of his own, of that part of ourselves, even of the ponies, came from his eyes and his hands. Not loudly, but the quieter the laughter, the noisier the joy, and the colors are still bright and soft all at once. And everyone could see that the almost silent smiles did not have to be enforced or even seen on his face because they were there unquestionably in his eyes and on the faces of all his children. Riders of merry-go-rounds know love better than others because they do not forget the most beautiful parts of being young and they never deny others their remembering. IN MEMORIAM □ David Berger T o see all mornings as white And all nights as that white gone (not just as days) T 0 hear all words as meaning seconds And all songs as remembering hours (not just as voices and voices) To know cities by their smoke And grass with eyes closed and fingers not touching (not just as pleasant weak fragrance) To taste all things Food and lips and cold water (not just as hunger) T o feel hands as beautiful And separately sensing moments as each most important To be more than living I remember it all, I know only a part of it. f ' rft , I I .-ry .f, rm- SI COMPLETE SERVICE PRINTERS RRnnRD 394 ATLANTIC AVENUE BOSTON. MASSACHUSETTS I N C POLAROID CORPORATION AWAYNEMILLERDIANERISTUCCIAMARGARETSHAWKATHERINETHOMASKRISTINATROTTVOL KERANTONIJANETBACONCRAIGBARNESDONALDBROWNVIRGINIAFITZGERALDMAUREENFOY EJANICEHARTWELLGEORLEENHOWLETTEILEENKENNEALLYELIZABETHMACLEANBARBARAOW ENSFRANKPINKHAMTHOMASRU5SELLDONNASMITHCAROLESOUSARICHARDWHITEMICHAEL ZOLLIJOHNCAMPANALECAROLINECOCKRILLDONADENTREMONTGEORGEGERMONBRIANGRI CUSSANDRASALEMPEARLSHERMANSUSANTILTONEDITHLANDOWNEMATTHEWANNANTUON lOJOHNBOYCESTEPHENBRUCEDAVIDCALLBECKJANDOUCETTEMICHAELMERCADANTERICHA RDTAROZZIRONALDVICKERYWILLIAMBOCHROBERTFRUITTWILLIAMMITCHELLEDWARDPARK ERGARYTIBBETTSGREG0RYVINESR05ANNEBURKE5HEILAMCC0RMICKFAITHBLACKMANN0R MANFINEINGRIDAMANGULISNANCYVANDERPYLPATRICIAWOODBURYEDITHBURTONBRIAND UFFYRALPHHAMILTONJEFFREYPHILBROOKPATRICIASMALLEYMANUELCRISOSTOMOPATRICIA JENNINGSSISTERMARYTHOMASLUKETHOMASJOANIDESDAVIDURBANUSWILLIAMVINCIMAR KANKELESCHRISTINECZERNOTATHOMA5FITZGIBBONTHOMASRHOADESBEVERLYANNESIMM ONSDENNISBLANCHARDJUDITHDRISCOLLRICHARDGRANTSANDRAKUCHAMAUREENMCCLA NNAHANRAYM0NDSHEPHERDSUSANWARDCAR0LEWILLISALANNEL50NPAULRAYN0RJEFFRE YSMYTHBRIANALTERIOALEXANDERFARQUHARSONKARENFROSTIGMARTHAKEEZERMARIER OUSSEAUJANETWEINSHANKERDUANESWEETVINETTEVARVAROPAULAZANOWSKISTANLEYW ILCZYNSKINANCYHAIGHROBERTSMITH5TEPHENBARYLICKMYLESCOREYJUDITHDANDORJOH NDICKPENELOPELANDRYNICHOLASPASCOUCHIANDREWSOOJAMESCOYLEJOSEPHCONNOLLYS UZANNEPRETTYB0NITAASTR0FFBARRYB0NNERJ05EPHC0WANR0SEANNFUCILL0CAR0LGIL FIXAGNE5KELLEYJOHNNIGHTINGALESUSANSTEINBERYJOHNBALTRU5HUNASSCOTTCADWALL ADERANITACHESTNEYCORNELIAMCSHEEHYKENNETHTHATCHERDAVIDCERRETANIMARCIAE ASTMANMARKKNOWLANDRICHARDLEONARDWARRENGOLDBERGHOLLYPHILLIPSANNPEMBE COLLEGE OF ART □ MASSACHUSETTS COLLEGE OF ART □ MASSACHUSETTS COLLEGE OF ART RLESLIELACEYMARYPERRYREGINASMITASPETERSYLVIARACHELEANNNATALELAURIKAIHLAN ENROBERTMOOREFELICEREGANTERRYKNAPPSCOTTWIXONLINDALAGANIERECYNTHIAGLOS SBARBARAARENAMICHAELAVERYSTEPHENBARYLICKKATHLEENBLOMQUISTELAINEBOUDREA UDEBORAHBUTLERJAMESCONNORSMARYCORBETTMYLESCOREYJUDITHDANDORJOHNDICKR OSEMARYGAROFANOCARLHARDYMARTINKEEFEIIIPENELOPELANDRYCAROLLAWELIZABETHL URIEJANETMARTINFAITHMCNEILLROBERTMOREYCHRISTINEO ' BRIENNANCYO ' NEILLNICHOLA SPASCOUCHIDONNAPHELPSSTEPHENREEDRICHARDROBINSONWILLIAMRODGERSJANETSARJE ANTMARTINSHAUGHNESSYANDREWSOOLINDASZAFRANSKIPHYLLISVINCENTALANWOOLWI NEDANUTEBARUNASSTEPHENBAUCKMANSTANLEYBERGERONJEFFREYBOUDREAUWALTERCA RDELLOLINDACLINTONJOSEPHCONNOLLYJAMESCOYLEDONALDDAVIDSONTHERESADOWNE YEDWARDDRISCOLLCAROLFRAPPIERCYNTHIAGLOSSWILLIAMHALLARENJRCHRISTOPHERJAM ESMELODYJOHNSONSUSANKADETSKYROBERTKELSEYLAWRENCEKIRBYLINDALAGANIEREROB LINDABORLANDEDMUNDGAUDETSUZANNEGRANTMARILYNHAWKESMARIELAPREGEORGEM CLEANPAULAMURPHYJANETNICOLETTISUSANOKUNBARBARAREDMONDLINDAREEDJUDITH WRIGHTGAILANDREWSCAROLBEARDMARYCATINEAULOUISECELIDONIODANACHANDLERDO NNAELDRIDGEMARGUERITEELTINGANNEGAUDETDAVIDKOFTONDIANEKOULESLESLEYLEITSI NGERTERESALUPOLIEFFIENOUKASRITAOSTERWILLIAMREEVESELLENWINDERNORMANCARDP AMELADAVISSUSANDUPOUYJOANGOODMANJEANNEKENNEDYDOROTHYLANGLOISMAUREE NLEONARDLINDARIDGWAYANITASANDLERRAYMONDSHAWJAMESSTAFFORDLORRAINESULL IVANTERRENCEWALSHJOANCOSTELLOFRANCESGROSSBEVERLYMCLERNONSHEILAONEILPAT RICIAPALSONCAROLYNPARKHURSTNATALIESHUMANELIZABETHVEZEAUBARBARAVIGNONIP AMELAWILLEYPATRICIAWILLISPATRICIAANDREOTTIRUTHARVANIANPAULDECOSTEROBERT EVVINGJAMESJOHNSONCHRISTINEKLASNERANNLORUSSOBARBARALUCASKATHLEENMAGIER