Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA)

Page 16 text:

V • Lydia Mongan Charm and poise and grace . . . deft line and subtle color , . . equipped with an incom- parable parlor trick, she squeezes her mobile features into a lemon-face . . . liquid, laughing and sympathetic . . . these are Lydia. • Mary Resnick Tall, with a beautiful face behind blue - rimmed glasses — friendly, sensi- tive, modest without rea- son . . . unerring instinct for color . . . watercolqrs that we all can feel, but only Mary can paint . . . and that red, red beanie. • Irving Zusman Strong, silent, studious, serious, solid . , . but Oh you kid! • Elizabeth Sanborn Well balanced . . . Like any woman she works hard to hide her efficient, capable and practical sides . . . thus showing real intelligence! The do- decahedron personality, she is a happy, healthy houri.

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• Barbara Phelps A woman apart who has al- ways been and will be her own self magnificently. With- out fanfare, Barb makes com- ment on the subject at hand, never falling to be worthwhile. • Robert Stevenson Stevie disentangles his legs to stand 6 ' ... a tall thin bottle of dry, dry ale with a burnt orange head . . . earnest, aware, with finely pointed sensibilities and a wit properly un- prim . . . the power be- hind the D.P ' s. and the only male In the class (B.Z., that is) . . . and may we say — a painter. • Ruth Fitzgerald She is bisector par excel- lence of the human phy- siognomy. However, that is only an idlosyncracy of Ruth ' s when she makes one of her beautifully polished drawings. • Helen Gulnan Puckish transplant from Ro- chester, she has the unbeliev- able strength of an Ivy vine. She has the power to per- meate; what Is more, she can render the Ubangi (female), O D and May Stevens In turn without grinding her gears.

Page 17 text:

onions • Nancy Noyes Hamburger and sauted In perfume at the Oxford Street Apartment . . . the waveringly sung love ballads that reduced us to howling wrecks . . . then ' the clothes, the de- signs, the fantastic, trem- ulous line drawings. • May Stevens Wittingly charming, candid, complex; listen to her talk — for two or three years — and you will know the girl. V ' t . t. ' • Constance Durland Volatile, dark, warm and yet a terrific technician . . . such an amazing way to strike a balance . . . Kitten with the claws . . . what will she be when she grows up? Hey Crunk?