Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA)

 - Class of 1943

Page 13 of 34

 

Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) online collection, 1943 Edition, Page 13 of 34
Page 13 of 34



Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) online collection, 1943 Edition, Page 12
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Page 13 text:

CHARLOTTE ALBERTS— T.T. Energy plus, always rushing some- where.” Jobs, parties and teaching are tackled with super-eflFiciency. Knitting needles flash, completing socks, gloves and sweaters for friends. Her radiant good nature never fails — Everything happens to me.” Solicitor for Russian War Relief. EDNA BABCOCK— C.D. Luscious hair well wrapped in a turban — she arrives soon after Irene and tells of the crowd at Park Street. Ever efficient, hers is a continual round of home lessons, social activities, and business ac- tivities. Neat and smart, this quality is reflected in her creations. CYNTHIA BELGRAVE— G.A. Joins discussions at the drop of a hat — talks of clothes, colors, ravish- ing effects. She’s a gal who ' Spresses herself.” Innuendoes so typical of her, strong, full of vigor, humor, and wisdom. All of these qualities are mirrored in her work — A jitterbug with a Back Bay accent. HELEN BEROW— G.A. The run of her cheery patter — Guess what girls?” or I think I can save from my budget this week!” or I saw the cutest little .” Our ray of sunshine be- lieves marriage has made her Oh, so understanding!” Her answer to everything “Well, Herbie likes it!”

Page 12 text:

BETTY POLLOCK— G.D. Sophisticated lady of impeccable beauty, turban and diamond ring, spurred on by a dependable re- serve of brain power — simplified designs, emphasized by outline. With a meeting to attend and calls from the Dean, our class president and co-editor of the “Brush-Off” is definitely “on the road. WILLIAM APATOFF— G.A. From cupid-bow lips comes a steady stream of Rabelaisian com- ments which have seldom been heard in the halls of M.S.A. Likable, with his alternate moods of touch- ing sincerity, and outrageous char- latanism. Known for his dreamy paintings, his love for the beautiful, be it neuter or feminine. MURIEL FIGENBAUM— T.T. Blonde hair and an enviable Nor- wegian complexion. With the ex- pression, “Isn’t that exciting!”, Mu- riel keeps us posted on library shows of the moment and amusing anecdotes about visiting celebri- ties. Always a step ahead of the dead-line, she leaves us trailing along in wonder and admiration. DAVID BERGER— G.A. A poker face topped with a mop of hair which defies the persuasions of his comb. Personable and un- assuming, a first-rate entertainer and sincere painter (with an obvi- ous fondness for Indian Red). He is singularly blessed with a charming friend, a perfect complement for his unusual personality. SfniOli CLASS OffICfAS MARJORIE POLLOCK PRESIDENT DAVID BERGER VICE-PRESIDENT WILLIAM APATOFF SECRETARY MURIEL FIGENBAUM TREASURER



Page 14 text:

WINIFRED COX— G.D. With red barns and fences, her modern design makes the big difference. She knit up her ideas, and Santa brought her what she wanted for Christmas. A veil of sarcasm encircles her genial per- sonality. Leader of the discussion group — outbursts of the next trip to New York. VIRGINIA CUMMING— G.A. Last word in neatness, and tact — a colorful and vigorous craftsman, whose strong work belies her slim, unruffled appearance and winning smile. Given a task, she does it, and well. Prize winner of the Colum- bia Record contest. Active in various war services, with a special devo- tion to the Navy. MARIAN J. CHODAKOWSKI— T.T. Blue and yellow are my favorite colors! Blonde Marian, with two rings and a husband at Annapolis, is proof that there is hope for other T.T.’s. We admire her vivacity and B-1 energy. Leader of the scrap drive last year, she is a staunch promoter for War Effort. VERA Dl STEFANO— G.A. They say ‘‘still water runs deep,” but now and then she comes forth with remarks unexpected, astound- ing, and clever. Seemingly aloof, her power of understanding proves her remoteness to have been de- voted to thinking, all of which is ' obvious in her sensitive work.

Suggestions in the Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) collection:

Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) online collection, 1940 Edition, Page 1

1940

Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) online collection, 1941 Edition, Page 1

1941

Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) online collection, 1942 Edition, Page 1

1942

Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) online collection, 1944 Edition, Page 1

1944

Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) online collection, 1945 Edition, Page 1

1945

Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) online collection, 1946 Edition, Page 1

1946


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