Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA)

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BETTY POLLOCK— G.D. Sophisticated lady of impeccable beauty, turban and diamond ring, spurred on by a dependable re- serve of brain power — simplified designs, emphasized by outline. With a meeting to attend and calls from the Dean, our class president and co-editor of the “Brush-Off” is definitely “on the road. WILLIAM APATOFF— G.A. From cupid-bow lips comes a steady stream of Rabelaisian com- ments which have seldom been heard in the halls of M.S.A. Likable, with his alternate moods of touch- ing sincerity, and outrageous char- latanism. Known for his dreamy paintings, his love for the beautiful, be it neuter or feminine. MURIEL FIGENBAUM— T.T. Blonde hair and an enviable Nor- wegian complexion. With the ex- pression, “Isn’t that exciting!”, Mu- riel keeps us posted on library shows of the moment and amusing anecdotes about visiting celebri- ties. Always a step ahead of the dead-line, she leaves us trailing along in wonder and admiration. DAVID BERGER— G.A. A poker face topped with a mop of hair which defies the persuasions of his comb. Personable and un- assuming, a first-rate entertainer and sincere painter (with an obvi- ous fondness for Indian Red). He is singularly blessed with a charming friend, a perfect complement for his unusual personality. SfniOli CLASS OffICfAS MARJORIE POLLOCK PRESIDENT DAVID BERGER VICE-PRESIDENT WILLIAM APATOFF SECRETARY MURIEL FIGENBAUM TREASURER

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We were awed by the very halls of M.S.A. Then the sublime silence was shattered by the upper-classmen’s glad-ragging and wise-cracking in unrestrained voices. And we were in! With our gargantuan portfolios we buffeted winds and jabbed unsuspecting fellow passengers in the back, and we didn’t escape the feeling of being a public menace until we entered the building. As our senses explored, we prepared to catch up and fling back the artistic challenge. The richness of our lives beat a rhythm that swelled to a resounding symphony. The push was on! Feverishly we accented and beat out the pace — pen and ink, scratch- board, oils, life, water color, realism, abstractions. A plaid prance, another dance — giddy, you say? Ah, no, we were fresh with life, and we knew how to laugh uproariously. Direction was clear. What had an artist to show? Keeper of the people’s morale, a note that stimulated a surge of action; this was our reply — war posters! Force Is interlocked with force. Yet becauss we believe that right is might, we step for- ward, understanding, strong, ready to accept our responsibilities. Our physical strength and our daring imagination are surely materials upon which a nation is built, and upon which rest the peace and beauty of the world. DOROTHY ROCKMAN

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CHARLOTTE ALBERTS— T.T. Energy plus, always rushing some- where.” Jobs, parties and teaching are tackled with super-eflFiciency. Knitting needles flash, completing socks, gloves and sweaters for friends. Her radiant good nature never fails — Everything happens to me.” Solicitor for Russian War Relief. EDNA BABCOCK— C.D. Luscious hair well wrapped in a turban — she arrives soon after Irene and tells of the crowd at Park Street. Ever efficient, hers is a continual round of home lessons, social activities, and business ac- tivities. Neat and smart, this quality is reflected in her creations. CYNTHIA BELGRAVE— G.A. Joins discussions at the drop of a hat — talks of clothes, colors, ravish- ing effects. She’s a gal who ' Spresses herself.” Innuendoes so typical of her, strong, full of vigor, humor, and wisdom. All of these qualities are mirrored in her work — A jitterbug with a Back Bay accent. HELEN BEROW— G.A. The run of her cheery patter — Guess what girls?” or I think I can save from my budget this week!” or I saw the cutest little .” Our ray of sunshine be- lieves marriage has made her Oh, so understanding!” Her answer to everything “Well, Herbie likes it!”