Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA)

Page 29 text:

ELLA COBURN That hair! That flair! We like her on the model stand better than any one. Watch her patent a dress de- sign “functional as a zipper” and doing it all from her own New Hampshire farm retreat. Will the original be blue-green, “Connie”? FORTUNATA FALLABELLA Naivete. Knitting needles clicking to the tune of, “How shall I wear my hair?” Pagliacci. Fluttering effi- ciency. Dozens of children crowded around. Strictly pencil. ELIZABETH GILL Give Betty an inch and she’ll take a mile jaunt to a polo game, or else she’ll start dancing. Amateur the- atricals and Balinese textiles and sports. Drawing like a veritable M.S. The door slams at 11.15 and there’s Betty. RITA GUAY Opera and tennis and embroidery hoops at assembly. Rita goes Halliburton and spends a week at the Taj Mahal. Wouldn’t look at a Ry-Krisp ad. For a little girl dress with a nipped-in waist, you’ll know where to go; Rita endorses them.

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RAYMOND ANDREWS Greek masks and grapes. Shrimp chop suey, kumquats in brandy and Esquire. He designs for true ladies, finds high lights in back-stage dust, and fun in everything. BARBARA BURDITT A mean eye for drawing and a raised eyebrow for the latest Boyer movie. An infectious giggle over a chocolate frappe. A close-up shot of an Al Parker deb saying, “Simply priceless! That’s Babs. SHIRLEY CHAMBERLAIN Shirley can eat a gooey sundae with the poise of a duchess. Has a discriminating ear for good music, but a dog doesn’t have to have a pedigree to win her affection. She will preside over her beige, white and mauve salon with all the charm of a perfect hostess. EVA CITRIN Amazing sensitivity to nice color; craftsmanship as sincere and in- telligent as Eva herself. Peasant embroidery, suspender skirts, and whistling while she works. We ad- mire her for herself.

Page 30 text:

KATHLEEN HART Situations handled with her own whimsical, ’Ow ar’ ya, guv ' nah?” Doing a Frances Langford. Of course, grilled bologna on whole wheat, o block velvet beret, gar- denias. Slick designs while burning midnight oil. Koy can ' t lose. PRISCILLA HAWES Pat never objects to seeing red, she loves it! Dirndls and Chanel’s No. 5. A gypsy in disguise, she molds suede fantasies or designs decora- tions for wooden bowls, glassware and tiles, and sells them, too. In- teriors intrigue her. We’ve never seen her idle. WENONAH HOWELL Dozens of projects all at once, bril- liant colors and red fox scarfs. Energy plus and children’s apparel, Psychology and hockey. Nony be- lieves in Bittersweet. PAUL LICHT “Well, hi there!” Modern as glass cloth and just as flexible when within earshot of an orchestra. Dynamic enough to set the stage for a trip to Mars. Sonny would like to stage “Tonight at 8.30” with Jean playing Gertrude Lawrence to his Noel Coward!