Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA)

Page 23 text:

MILDRED LINDGREN Millie, always in class at nine o ' clock with her smock at half-mast, set a spirited pace for us with her precision. She demanded the infini- tesimal details of our stories, and went into spasms of laughter at some cute remark. We admired her frankness and her enormous lunches. BARBARA LUNT We were surprised that in the course of four years someone hadn ' t placed a mat around Barby and submitted her as a happy solu- tion to one of Tommy ' s color prob- lems. She was like a well-trained rainbow, slipping in quietly after the 9 A.M. storm of arrivals had subsided. MARGUERITE MAGUIRE Browns in the winter, blues in the summer, and apples at rest period. No one was a more intere sted or sympathetic listener than Mar- guerite, none concurred more whole- heartedly in our judgments, none entered more readily into the spirit of fun or laughed more heartily at our puns. MARY McCORMACK Tall, obliging Mary of the gay eye, the imitations and accents, the sorority initiations, and the four sneezes in a row, spent four years amusing us with her spontaneous quips, and then walked off quietly, but happily, with the prize for the Attleboro competition.

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ESTHER ANDERSON Master of salient witticisms and tricky rhymes — ‘‘Ming a Sung of Sixpence” — offered intuitive sug- gestions for rendering, listened to our tales with an “O-o-oh” on her lips and obliged with an “It ' s a panic!” Andy, we felt, knew qual- ity, because her preferences co- incided with ours. MILDRED ATKINS With the defiance of a little Scottie dog, Millie splashed at her water colors or drew long charcoal figures to the tune of Schubert’s Serenade. She listened to us from a desk-top, and looked especially woebegone on the days that Ginny or Marky were absent. « NEVART DOHANIAN Nevvy, of the outward calm and innate good taste, our connoisseur of samples, and exponent of the “night before, in the simplest way” school of design, who appraised our work with an excited “Egad!” or a non-committal “M-m-m-m,” followed by a querulous glance and subdued laughter. MARY FRANKLIN Efficient Mary with the clever ideas, the liquid smile, and imperturbable good nature. She mothered Franny, sistered Nevvy, served as confi- dante for all, confronted us with our shortcomings, reticently ac- cepted praise, and related tales from “the House” with an exuberant “Sanzio!”

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PETER RETALIS Cool-headed, tolerant, easy-going Pete practised the art of under- statement by day, and reported for his hometown newspapers by night. He patterned a classical mosaic of cool pinks, light purples, and cur- sive lettering, and bonded it with controlled gaze-motion. VIRGINIA RUFLE Ginny, the unruffled Rufle, silent and erect like a marble Doric column. She masked a warm heart with a cool exterior. Through un- moving lips, she imparted her con- suming interest in Interior Decora- tion, and the need for designing “Hosses What Art Hosses.” FRANCIS SHERMAN Here was our business man, replete with the outside connections about which we whispered in hushed tones. His interests in art were pri- marily economic; he worried about the big issues of Life and left the trivalities to us. JOANNE SPENCER Joan of the trim ankle and whimsi- cal costume jewelry, our favorite dual-personality, with the little girl look belieing her sophistication, and the tailored clothes contradict- ing her femininity. Class treasurer, she wore out an index finger tabulating receipts from the Prom.