Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA)

Page 18 text:

ERNEST L. MAJOR Composition, Still Life Drawing and Painting, Figure Drawing The “grand old man” entertains us with convincing contortion and the work of real old masters. Then one day the lion lies down for the lamb and his soul embraces ours; he smiles benignly at us above his safety pins and we worship the great ones together. LAURIN H. MARTIN Metal Crafts With speed that exceeds even that of his new Olds- mobile, Mr. Martin genially intersperses our enameling of bowls and soldering of rings with intriguing bits of his experiences; his prolonged stay in England, his cross- country trek, or his reactions to the Bruins-Rangers hockey game. ELIZABETH McDERMOTT English Composition and Literature, Constitutional History Considerate of our differences, appreciative of our personalities, Miss McDermott listens to our prodigious plans and ideas with the careful courtesy of another age; she might have been straight out of Jane Austen, lis- tening to the curate over the gentle clink of teacups. She escapes being taken for a student only by appearing a shade too neat. ELLA MUNSTERBERG Art History, Current Arts Lavish in the coining of words, Miss Munsterberg asks us questions which would not “break any one’s head as to memory,” and tells us what she means by a “really gay” time. We walked into her enchanted class only yesterday and came out reluctantly today, with a tangle of precious names in our heads, our curiosity un- appeased.

Page 17 text:

E. WILBUR DEAN HAMILTON Figure Drawing, Still Life Painting and Composition With his countless gadgets, to help our incompetent eye- sight in seeing “color, position and shape,” Mr. Hamil- ton divulges the mysteries of the great art of oil painting. Although it’s more of a mystery as to what possibilities lie in a dusty pile of “stuff,” — well, we can get around any obstacle with a warm or cool fringe. EDWIN A. HOADLEY Design, Dynamic Symmetry , Drawing, Composition Echoes of Aladdin — a veritable “Information Please” that covers the answer to the problems of an antique fancier as well as the creating of a mountain scene in two deft strokes of chalk. Mr. Hoadley’s classes are har- moniously balanced with bits of buffoonery, spon- taneous puns and a diversified knowledge of the world. ALBERT S. KENDALL Architecture, Perspective About the third week of his course, we wonder how the problems can become any more complicated, but Mr. Kendall never lets us down. He casts shadows of doubt and confusion over us, and then projects his hearty chuckle and clears our jumble of questionable lines with the ease of a master, “like so.” EMMA P(;Rd ' ER LENNON Design Given a genuine sympathizer with us “unconventionals” — add an exotic personality with an inexhaustible en- thusiasm for work flavor with designs full of feeling, rhythm, and good line schemes — mix thoroughly with a warm breeze from an Hawaiian shore — and you have .M iss Lennon.

Page 19 text:

LEO O’DONNELL Life Drawing, General Illustration He flourishes his cape at dullness, and masks with an Edward Winsor eyebrow an ability to sense the broad- ness of things, to decline without denouncing, and sup- port, as beautiful, theories which he does not believe, — most charming of men to please, most difficult to de- ceive, and as terrible as a guilty conscience. PHILIP O. PALMSTROM Design and Drawing Continually yet kindly striving to bring out the best in us, Mr. Palmstrom affords us an incomparable layout for success. He always enjoys a pun, is never too busy to teach us how to be healthy on twenty-four hours of lettering a day, and he has one worried frown reserved especially for yearbook material. OTIS A. PHILBRICK Head of Drawing and Painting Department Like a lean gray shadow he chastens us gently and makes an art of teaching so that one asks, “How did he do it?’’ not knowing when the word was spoken, or by what instinct, that put the sun at our shoulder and marked the end of one day and the beginning of another. LILLIAN A. PHILLIPS Crafts Loquacious, busy and sincere, our Miss Phillips always leaves us a bit breathless and flustered. But from amid the chaos arises work worthy of master craftsmen. She gives us a wealth of information in an unbelievably short time and inspires us to become more facile.