Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA)

 - Class of 1936

Page 27 of 104

 

Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) online collection, 1936 Edition, Page 27 of 104
Page 27 of 104



Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) online collection, 1936 Edition, Page 26
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Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) online collection, 1936 Edition, Page 28
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Page 27 text:

STRli « EIVSEMBLE As in previous years the ensemble has been the musical background for almost all of the larger stage activities in the school. They have played at the pageants, plays, and assemblies where incidental music was desired, and have also filled a great many outside engagements. We regret that the ensemble does not appear more often on our weekly programs, for it is a very versatile group of musicians, and its reputation is something to be very proud of in a school where there is so little time to spare from the pencil and brush. “Preposterous ass! that never read so far To knoiv the cause why Music was ordained! as it not to refresh the mind of man. After his studies, ?”

Page 26 text:

THE MASCART THEATRE The Mascart Theatre has proved to be the most popular club of the school. In its productions we have aimed for Variety, Individuality, and Beauty. The success of the theatre has been due chiefly to the enthusiastic and industrious support of its members, who sincerely hope that the prestige it has gained in recent years may yet increase in the future. The schedule of plays and directors for the season 1935-1936 is as follows: Boccaccio’s Untold Tale Anthony Iarrobino The Angel Intrudes Domenic Severino The Woman Who Understood Men Irma Hughes Evelyn Fenton The Columbine Madonna Anthony Iarrobino No, Not the Russians! Paul Wilson A Cup of Tea Lucy Young The Swan By Ferene Molnars, directed by Robert de Laney of the Peabody Playhouse



Page 28 text:

GLEE CLLB Perliaps the tones that emanated from the auditorium on Wednesdays were not as beautiful as those that “charmed magic casements — in fairylands forlorn”, or as robust as those of the Don Cossacks: however, there were a few among us who. tired of things in general, welcomed those afternoons when we could relax in the pleasurable atmosphere of “singing just for the fun of it.” And yet it seems that no pleasure goes unpaid for. At the end of the season, under the skilled direction of Mr. Wilson, and augmented by Dorcas G’Niel ' s mixed quartet, we gave a concert for the school. Among the selections that were given, the most outstanding were “Sylvia”, “My Garden”, and William Arms Fisher ' s arrangement of “Deep River” which the quartet sang in a polished manner. The Club also assisted with the music at Christmas, and at one of the Mascart plays.

Suggestions in the Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) collection:

Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) online collection, 1933 Edition, Page 1

1933

Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) online collection, 1934 Edition, Page 1

1934

Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) online collection, 1935 Edition, Page 1

1935

Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) online collection, 1937 Edition, Page 1

1937

Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) online collection, 1938 Edition, Page 1

1938

Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA) online collection, 1939 Edition, Page 1

1939


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