Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA)

Text from Pages 1 - 36 of the 1933 volume:

MASSACHUSETTS SCHOOL OF ART ANNUAL 19 3 3 a ( l itli apoUxjien to another “ii ' ” — ) If you can mould a head when all about you Are moulding theirs and aiming clay at you. If you can make designs when others doubt you, And call a man a man abstractly too; If you can tell of Dante, Plato, Homer, And give the marks for words like “penalize”. And still not wish to |)ass into a coma. While looking blank or showing much surprise; If you can paint and not make oils your master. If you can keep a j)late its proper shape. If you can face your canvas and disaster. And take your knife and scrape, and scrape, and scrape; If you can find the points in your perspective. And know just why and where a shadow falls; Or fill in cuttings simple and effective, Though your dynamic symmetry a])palls; If you can keep art history books with care. And be on time to [)lace them in the box. And copy some old Neolithic bear. And then take notes on Monday morning talks; If you can force your mind and eye and hand To charcoal from a cast of Aphrodite, And watch her wondrous beauty turn to sand. Vet not l)lame Art and call her jade or flighty: If you can see your work a joy to you. And win some praise — nor lose the common touch. If neither relatives nor family sj)oil you, — If you can please instructors — though not so much; If you can fill each (juick, relentless minute. And to a steady progress well attend. Yours is the S[)here and every nuance in it. And which is more — you’ll be an Artist, friend. Beatrice Cohen, ’36 niAIU.KS KDWAHI) NKWKU, 11 Maiulu- tcr IM , Winciikstkk I’rexidnil of Slate Director of Art Kdiiralioa Alumnus of M.S.A.; Boston I ' niversitv. Moiulior of Boston, . ' spriiifiliolil, and Winchester Art Assoi-ialions, Kastern Arts Association, American l•Vderation of Arts, and Mass. Horticultural Society, . warded (lold Medal at I’anama I’aciKc Exposition in l!ll, . I ' UEDEBICK M. WII.DEB l-2 ' Davis Ave., Buooki.ink Dean and lieyintrar llar ard College, S.B. and S.M. degrees. The author of our .Scliool Song. . n enthusiastic spon.sor of the Current Events Club .Activities. ISABELLA T. DAMBELL .5 Lee St., ( ' A.MmuiuiK Seeretanj to the 1‘resident (iraduate of Business College; Courses at Harvard and Boston Cniversity. MABC.ABET C. AVOLAHAN 18 Park Drive, Bhookunk BoolcliCeper and Stenoyrupher (iraduate of Salem ormal .School; Courses at Boston Cniversity. EILEEN ' McMCLLEX 1()‘2 Loring Hoad, Wi.vtiikoi Dean ' s Clerk- .Sargent School of Physical Education and (ira luateof Burdett College. .JOHN E. .ALCOT ' r ,5,‘5 Florence .A ve., Xoiiwoon Department Head Desiyn; Sn perrisor of i’oeatiomd Art Education in Indnstry and Hnsiness Studied Chemical Engineering at Tufts College; .Ahmmus M.S..A.; .Art in Industry .Advisor to .As.sociatcd I ndustriesof Mass. ; Member of Indust rial and Civic .Art Committee of Chamber of Commerce. Contributor to numertms Indu.strial .Arts Magazines. .1. M.ACE .AXDHESS ( 7 Clyde St., Xf; vton ille Esi choloyi Michigan State Xormal College .A.B., and M.Ed. (honorary); Cidversity of Chicago, Ph.M.; Harvard College, .A.M.; Clark Cniversity, Ph.D.; Editor of “ Cnderstanding the Child. ' and Health and School Department of “Hy- geia.” .Author of books on Hygiene and Health. HK HAHD ANDREW Fenway Studios and 17.5 .Stratford St., West HoxiirRY Life Drairiny anil Eaintiny; Artistic Anatomy Born in Ireland; .Alumnus M.S..A.; Studied under Dennis Bunker; under P. Laurens, and B. Constant at the -Jidian .Academy; |)upil of Leon (ieronie at Ecole des Beaux .Arts. His nmrals include those in private homes, and the Hall of A alor, State House, Boston. H.ALPII AA ' . .ARNOLD 11 Xye Stpiare, Bf{ockto. Snhstitnte I nstrnctor in I nstrnmental Drairiny: Civic Art and Toirn Elanniny .Alumnus M.S..A.; .Architectural Draftsman as.sociatcd with Kendall-Taylor and ( ' omi)any from litli) Ithl ' i. F rilEL (i. B.ARTLETT Emer.son 8, C200 Ma.ss. .Ave., ( a.mbhiuge Elementary Drairiny and H ater Color Eaintiny Born in London. .Alumna M.S..A.; Studied oil painting under Charles Davis. Her hobby is collecting odd bits of china for still-life groups. In the groups are flowers, jolly, vivid, and glowing, which reflect the gracious lady who enjoys them. 6 Zi;U-A HICKINCIIAM 4. ( Imskr Avc.. Ai iii undm.i. h ' .lniinitani Drttiriiiij ami Oil ‘(liiillii; Aliinma M.S.A.; I’iicilic I tiivcrsilv, H.A. Mi-iiiIkt of tli - Copley Sociel -. Her liol l)V i workiiif; in water eolors, anil lieaiil if, inji a liny eoltaj;e anil flanlen. TIIKHON I. CAIX H IM). KiH, So. Hkaivihkk Etc me III aril Drairiiiij; Vr.vyae iir; I ' irir Art: I iixtriiiiiviilal Drairiiii .Mninnns Ilarvaril I niversily, H.S. Kil.; Aleinlier of the Hraintree Town I’lantiiny ' Hoaril. .Ml ' HIKL COX C20H Walnut St., Xkwton Hi(;iii., ni)s (’(IxflllllC I)t ' XII ll .Mnnina M.S.A.; Boston I niversity, Eil.M.; former Supervisor of .Vrt, Kearney, Xehraska; lleail of rl Department, Keene Xormal . ' sehool. Now As.soeiate Direetor, Cliamherlain School of Kveryilay . rt; Instructor at Boston I niversily; Member of Trainiiift I )epartmenl.s at H. II. White ' s anil Filene ' s. CVHI ' S K. D.M.Ll.X (i!) Oaklaml .Vve., .Vhlinijtox IIkights Mndi’liiiij fmiii Life; Com position in llrlirf anil the Hound Born in Springville, I tah. Fnpil of Chapn anil Damp!. I’resiilent of the Boston Society of Sculptors. Exhibitions at Paris Salon, anil Worlil ' s Fair. Hobbies, trout fishing anil archery. master of .American Inilian .Sculpture ineluiling the “.Appeal to the (ireat Spirit, Boston; “The Seont, Kan.sas City; “Meilieine .Man, Philailelphia. AI.ARTll.A M. FLIXT ‘2(17 High St., Xewbukyport Coslume Eallern, Draftinij and Design Barnaril .Aeailemy; Stuilied art in Cincinnati, anil costume design at S. T. Taylor and Bon Ton Schools, Xew A ' ork. Designer of Costumes for “.Aida. Boston 0|)era House; for historic Pageant, “Spirit of Hampton.” Designed with .Adrian for the Little Theatre Playhouse on the Moors. Costume Siijiervisor for School Productions. LI DW IC; FRAXK lOd Ilernenway St., Bo.stdn Textile Design Born in Hes.se Darmstadt, (iermany. .Alumnus M.S..A. Studied with Prof. Bergerhoff. Xieolai Meister, and Eric Pajie. Designer and Decorator at Trenton Potteries. Puritan Mills, Meridan Britannia ComiJany, and designer of gold and silver ware at Bigelow Kennard Company. Director of De- signer ' s .Art School, Boston. FDW.ARD AVI LIU R DF.AX’ HAMILTON Trinity Court, Boston HtiU Life Painting and Composition .Alumnus M.S..A.; .Julian .Academy, Fi-ole des Beaux .Arts, impil of .Jules, Eli Delaunay, (. ' hairman of tlie .Arts and Jjibrary Committee of the St. Botolph Clul). Decorated .John AAesley Memorial Room of J incoln College, Oxford; portraits, including .JoJm AAesley, late J ' res. AA ' arren Harding; AA ' . T. AA ' arren, Boston I’niversity; and four former directors of the McJ.ean Hos- pital. .Awarded .Jordan I rize, 18i).J; (iold Medal, San J‘ ' rancisco Exposition, I!)lo. .AXX.A M.AA JJEAA ' JJ.ATJJ.AAA ' .AY IdO!) Commonwealth .A ve., .Ai.lston Design, Color Ilarmoiig, Pencil Drawing .Alumna M.S..A.; Studied at School of Design of J.,owell Institute; Harvard Summer School; Interest in .set palettes gained from J’rofes.sor J’ope. AJem- ber of tsociety of Independent .Artists. Instructor at Sihool of Landscape .Architecture, Harvard I niversity. Only woman to receive recognition in A an Dyke pencil contest. EDAA IX .A. HO.ADLEY 3o7 Charles St., Boston Design; Dynamir Symmetry; Demonstration Drawing; Composition .Alumnus M.S..A. Taught free hand and mechanical drawing at Lynn Classical, and Nature Study at Lowell Normal School. .Associated with two Magic Clubs. Boys ' advisor, Peabody House. Exhibitor at Boston Art Club and (. ' hildren ' s Library. Faculty advisor for the Freshman Class. AA ' .ALTEH AA ' . .LAMISOX i)l Robin St., AA ' est Roxbuhy English Composition and Literature Yale, .A.B.; Harvard, .A.M.; Phi Beta Ka] pa; Member of Twentieth Century Club, Society for Promotion of Engineering Education, and National Edu- cation .Association. ‘Mlight guide to the ‘.American Holy Lands ' and all saunterers (ii la sainte terrej in the springtime. AI.HKUT STKAUNS KKNDAl.l, 7;5 I ' arkor St., Nkwton Ckmiii-; Elemenls of Arrhitfrliiral Drawituj and Drxif n llar ' )inl Collofte and Massacliu.sett.s Iii.stitutc of Teclinolof;v. .MomlxT of Kon lall-Ta vior ' oiiipan V, .Vmt ' rican lirstitiito of . rcliitfct.s, and Ho.stoii .Society of . chite •t . l)e.sit;iier of .Malden, New Kn land Ifaptist and Ho.ston I’.syeliopathie I lo. pital.s, lio.ston Home for Itienralile.s, and Hoston Relief Station. •JKSSIK M A( DON’.M.l) ,‘!S.‘{ Royl.ston St., Rojston l{ooh and Adrertiximj Design .Mnmna l.owell N’ormal School, M .S.. ..and 1, ' In.stitnte 1 ) ' .Vrt ( ' onteniporaire, Ihiri.s. Senior fjradnate medal, M.S.. .. . d verti.sin � .Vrti.st, Style Lecturer at Department Stores. Worked for Femina, Paris, drawing ' s from openitifis for .American stores. Member Boston and .New A ' ork Society of Contem- porary Artists. KRNK.ST LEF M.V.JOR Fenway .Studios, Ipswich St., Bo.sto.v Composition: Advanced Drawing Pupil of , rt .Students ' Leaf ne of New ' ork, and of .lulian . cademy ami William Dannat in Paris, etc. Member of Cnildof Hoston . rtists. , warded Silver Medal at Pan-PaciKc Exposition, 1915. Bok Prize at Pennsylvania -Academy of Fine .Arts, li)17. LAI BIN H. MARTIN U Park St., Lowell Melairg; Jewelry and Enameling Cowles .Art School, Birtningham School of -Art, London Comity Conm-il School of -Art. -Awarded South Kensington Medal. Master craftsman of the Society of .Arts ami Crafts. ELL.A MI ' NSTERBF RG .‘50 ClaHin Rd., Brookline Art History Born at Freiburg, Germany. Came at one year of age to Cambridge, Ma.ss.; Studied at Radclill’e College and Museum School of Fine .Arts. Member of Copley Society, State House Women’s (. ' lub, and -Museum of Fine .Arts. The one who, through twelve trips, is acipiainted and accjuaints others with Europe. ELISE M. XELSEN ( .‘5 .Alexander .Ave., Bel.mont Substitute Instructor in Sociology .Alumna Sargent School; Boston I ' niversity, B.S. and M.Ed. Director National .Amateur .Athletic Federation. Instructor at Sargent School of Physical Falucation. LEO O ' DON.NELL The Dutch Hou.se, 40 Netherlands Rd., Brookline General Illustration; Life Draudng .Alumnus M.S..A. Illustrator of books, including “The King’s Spurs,” by Carter. WOrk in free-lance advertising. Faculty .Advi.sor for Senior Class and Ma.scart Theatre. ELIZABETH W ARD PERKINS 4,‘51 Perkins St., .J.xm.uc.a Pl.mn Obserration and Mental Training Through Drawing Brearley School, Student of Music in Europe, two years. .Studied art under Charles WOodbury, N.. .; Member of .American Eederation of .Arts. Founder of W oodbury Training .School in .Applied Ob.servation. Lecturer on Educa- tion. President, Children’s .Art Centre, Boston. OTIS PHILBRICK lo Hill Crest Parkway, Wi.nche.ster Department Head Drawing and Painting; Life Drawing and Painting .Alumnus M.S..A.; Pupil of DeCamp. Member of Boston Society of Water Color Painters. Exhibited at Corcoran (iallery, Chicago .Art Institute, National and Penn.sylvaiiia .Academies. Faculty .Advi.sor for Sophomore lass. LILLIAN A. PHILLIPS .59 Perkins St., J.xmak a Plain Elementary and Advanced ( ' rafts; llookblnding, H earing, Pottery, Stage Crafts and Home Enrnishing .Alumna M.S..A.; Columbia Cniversity, B.S. and .A.M.; .Special study of Crafts in C. S. and Europe; .Asso ciated with settlement house work; (iovern- ment Hospital Occupational Therapy. Taught at Fitchburg Normal School and Simmons College. Member of Ju[ an Society and London .Arts and Crafts Bureau. 8 |{A 1() I) o. roin i ' .H :!:il lliirviir.l St.. (Amhiiidi.i, Mdilrlliiti. Khmciihiri) anil .tili ' iiniiil; Ihcarahir Sriiljilan Sluili ’ l at .Vrt Institute of ( iiicaf ' o. Memlier, Moston Society of Si ulplors. I’ul)lie inomimetits in ( iilia. Hawaii. Iiiilia, and . ineriea. Memorial to I’res. ' I ' yler, ' a.; (ire -n Mountain l5oy, ' t.; Senator l.od e, lloston; War Memorial for ' onnnonweall li Arniory, lloslon. M. HI (id ‘.iii Narrapmsett St ., ( l I Y ( ' oshiinc Ailri rtixiiii) ami llhixtraliaii .Studied at ( ' ooi)er I nion. I’ralt Institute, and ( IdeaKo Scliool of l■’iIle . rts. worked on start ' of !, ■ ( ' ostnme Royal. Ofine I’nlilislnnn ( ' oinpaiiy. Madison .Square .Advertisinji .Vfjeney. I’ictorial R ‘vie v I’nhlisldtif; Company, and Century Service. I• ' ree lanee work for many Moston stores inclndiny Shepard ' s. .lOIIN . ' sH.ARM.W .SO Somerset St., SoMKin ii.i.K ]‘aiiitinii .Member of Philadelphia . rt Club. ( Inild of Mostoti . rtists. ami ( ' onnecticnt .Vcademy of Fine .Arts. .Awardeil Flagf ' Pri .eat the Connecticut .Acaclem, ’ of Fine . rts in FRKl) .J. THO.MPSO.X 70 Cloverdale Rd.. Xkwton IIi(;iu.. m)s Elfintiilari Dratrini and Dexign I’ratt Institute. War service as Marine Canionflenr with the C. S. Ship[)ing Hoard. F ' ree lanee Commercial designer and illustrator before entering the teaching profe.ssion. Faculty advisor for .Innior Class. His colors jday on waves, seaeoasts. and on boats in the harbor. LIL.AIl MFIRLFI A .Al CiH.AN AOO Crescent St.. W alth. m Sociologi Moston I ' niversity. .A.M., A.M.. Ph.I).. Phi Meta Ka[)pa. (iradnate work at Harvard College. Civic Welfare work. Member of Women ' s Municipal League. .Advisor of Women and Professor of Flconomies and Sociology at Moston I niversity School of Flducation. FIFFIF: M. W HITTKT 15 Chilton Rd., West Ro.xbuhy Librarian; Library Miilioil.s; Children ' s Lilerainre .Alumna Simmons College, studierl at Moston I ' niversity. Member of Mass. Library Club; Moston Chapter of .Special Libraries .Association, and New Fmglaml School Librarians ' .Association. ,A worker with young people ' s groups. AMY H.ACHF:L WHITTIER !)8 Chestnut .St., Moston Department Head Teacher Training; Principles of Edueuiinn ; Teaching Methods and Sapereision .Alumna M.S..A. Stiulied at Cowles .Art School, I’niversities of Moston and Chicago, and Harvard College. People as such are her chief interest, and landscape sketching in pastels and water color are hobbies. Her teaching has included work in Maine, through the West, and back to M.S.A. We are justly proud of the members of our faculty, and grateful to each one who has made po.ssible the publication of this AN ' XI’.AL. Especially we acknowledge the valuable assistance of Miss MacDonald, our advisor, Mr. .Alcott, and Air. -lamison. 9 SENIORS Helena Hkhahd, Secretary; Ardith Todd, Treasurer; IIelma ' Easton, Vice-president Robert Ccnningham, President THE KLASS OF KAPRICIOUS KIDS F our years ago frisky “kids” invaded the premises of the Old Massa- ehusetts Sehool of Art with the magnifieent idea of lavishing the world with esthetical and cnltural gifts of rarest significanee. In the meantime, the world seemed to misapprehend their intentions, especially their immediate world of smocked and portfolioed elders who gleefully separated the sheep from the goats and administered sev ' eral hidings. When encouragement was given, the smoeks were donned and the kids in green stalked down dark, creaking stairways, through .secret i)as.sages, and into an underground .studio which was most obviously the casting room; or climbed to the attic .studio with its clut- tered .stack of canva.ses, odds aTid ends of paper flowers, and a dead fish or so. The next year brought our introduction to the new building and its dedi- cation .symbolically portrayed through the pageant, written by Mr. Porter. The “kids” had left their beloved grounds, and discovered that they were not half .so giddy as the young frolickers who followed them. Hrushes were wielded on ' ■2() by .‘10 canva.ses, and certain “sweet young things” even accom- plished the art of roaring like a lion while rendering a jungle composition in charcoal. With the pa.ssing of another year we discovered ourselves to be considered as upper-cla.ssmen carrying the responsibility for and actively par- ticipating in “The Pirate ' s Daughter”. Xow, as the Senior Cla.ss (for we have .studio-usly reached that stage), we recall our j revious Proms at the Ritz-( ' arlton and Longwood Towers, and remember this cla.ss Prom which cajRivated us in the atmosphere of an eve- ning in Venice. .Vs active enthusiasts in choral and dramatic adventures we claim recognition, and add to this our right to believe in ourselves as artists whom the world mu.st notice. Pros|)ects for the future brighten with the thought that jig-.saw maniacs may be interested in buying our canva.ses. .Vt any rate, our hai)py recollec- tions enrich our memories, and our hopeful glance is forward. Mar.iorie E. Parker 12 KLKANOK (iOODWIN Mod. linj; l ' 2:i (.mvc SI.. I,i n ' ■ ( ioodv, with n i V rcpiirtfc iii pnmil , anil jollity in jilastiT panl . Srrioii intcro- ' ts — and. oh yes, — she i hrinjiinn up a Iioi ' M’ in her hai k yard. V. (iOHI)ON ( )( )I)lN(iT( )X .Modeling (iO irciiit .Vvo., urn khti:h M(i(jic Cliih. ' ■!(), ' JI, ' 32; Sliidcnl .l.ixocld ioii T reaxurer, ' 31, ' 32; Junior Medal Award Doniolrios, hclovod of the ;ods. Protector of nails, stririfjs, and trowi’Is. ,U)le and hound to succeed. COHIWK M. H.VKR Drawing and Painting 1.) l• ' essendon St., .M tt. pa i ' ear Hook Staff, ' 32 true child of (ieinini, taking life easy and avoiding arduous lalior (es|)c- cially eliez-elle), hojiing hy .some inspired slip of the hrusli to produce a Man- eini. willing artist, and a horn critic who helieves in trutli at any cost. rOLM.W Drawing and Painting Sciti atk Maxeart ' 32; Claxx Secrelari ' 30 . n artist ailventurer of suitimer cruising of tlie charted waters of the Hay, painting the e.soterie scenery of (Iloueester and Provineetown. She lias an nneoinmonly ainnsing wit that snags one at tlie most ime. |)eeted times. •J. MES E. Dl (i.VX Drawing and Painting 14 Tilton Terr., Lynn Operetta. Maxeart (Scenery and Liyhtiny), ' 31; Claxx Prexident, 31; Haxkethall, ' 33; Football, ' 2!t- ' 32; Senior Prom Decorationx Committee X ' oted for his stance and the rotating knee; a fencing painter (not to he con- fused with fenee-jiainting). In the future Ids name will donhtless lie asso- eiateii w ith Lee Simonson, stage designer. DOROTHY Dl ' XX Drawing and Painting Hillside St., Rowlkv Maxeart, 32; Year Hook Sta ff, ' 32 From Rowley, the home of I), and P. landscapes. Towering, fanciful, her works are on a par with the hest. — “the dreamer of dreams AVandering hy the lone sea breakers . nd sitting hy desolate streams — HE. TRI( ' F3 H. EVFHIS DraAving and Painting 119 Fre.sh Pond Parkway, Cambhiuok Chairman Dance Committeex. ' 30. 32, 33; Chairman Chrixtmax Spread. ' 32 , most arty person with gay smocks and a hreezy 40(1 air. She has an as- sured future, he it [lainting, salesmanship, or Hansel and (iretel-like illustra- tions with gingerhready houses for cheeldren. ■JOHX X. F. LLOXI DraAving and Painting L2 Porter St., Hkvkhly Pageant, 31; Prom Committee. ' 33; Sophomore Play; Haxkethall . ' 33 ( lackity Clack — enter John of the decided A ' ieAVs, celebrated for having painted MotiAe Xo. 1 for the 3.57th time. He does not like Avomen to Avear green. Once AAalked home to Beverly. Has very jolly dimjiles. MITCHELL C. KOVALF SKI DraAving and Painting 109 Pond and Plain Sts., .Medavay Pageant, ' 2!l and 31; Chornx lAbrarian, ' 20; Football, 2!t, ' 30; Maxeart Director. ' 32; .Adrixory Hoard, ' 32; Claxx Prexident, ' 32; School Pho- tographer, ' 32 A’ery serious and determined young artist looking at the Avorld through a camera. Devotes most of his time jiroving that he can take it . STFH’HEX Al.VXlATTY DraAving and I’ainting KiO School St., (inEENFiEi.n Pageant. ' 31; Chornx — Operetta; Capt. Haxketball, 32, 33; Handbook ,4 d rertixing. ' 20- 33 Fkxtra! FXtra! Maniatty ' s mnrals replace HrangAvyn ' s in Radio City! X ' oav tlie iieople clamor to hear him croon, “The name of the song is Dl-nahl made famous Avhile he attended Mass. , rt. ' irtue compiers all. 13 HK(iINA A. MAKCOTTK l)ril in ami Painting ' 78 Cliostcr U 1., Hia.MoNT Mascart Theulrc, -SI : I’lKji-diil, -il ; 1‘rr.t. C wrii.i, ' -iJ; .1 iinlor l‘rom, Src. Sliiileiil A.isocialinii ' .IJ; Sophomore I’loy, ol W hat a ravissant ( pmiioiiiicod rax issjuil) souse of coulcur. Hy far the mo l sensitive colorist tlie year lias [irodueeii. A happy li iendiiiK of the spiritual and the practical in a sweet and f;entle mien. Oli, critic, wliere is thy stinul ANXA (i. -M( CAlfTll ' Drawiiif ' and Painting ' . Holiday St., Done iik.stkh i horns W hat ' s in a ( hevie that is suit a hie for a thesis snhjeet .Vsk .Vnna. There’s always plent ’ of time for whimsical ways ami a dash of };ood nature and smiles. HICII.MU) E. PRIEST Drawing and Paint iiifj 78 Rrooks St., Rkiguton Sophomore J’lay, ' Jl; Class 1‘resitlent, ' ■! ); Foolhall; School Supply Store . nnonncing — the star performer in the “Duml) W ife. .V generous mixer of the aesthetic and the financial in a counter” character. One of the first to find it can he done. COXST.VXCE RECIIEL Drawing and Painting !)() Heaumont .V e.. Xkwto.w ii.i.k Mascart Theatre; Year Hook Editor, ' d ' 2 Her enthusiasms trip along gaily from drama to athletics, th ence to horses and etchings, and away to X ' ' or-rk where she mingled with the jieople and the peepul. XWDIXE VOI ' XG Drawing and Painting .5 Puritan . ve.. Done hkstf.h Prom Committee, dO; ' ice-Presideat, ' 30 and ' 31 Lovely Xadine, who “cannot check her girlish hlush; Her color comes aiul goes — Rest wishes, X ' adine, when you middle aisle it this summer. ( ' .V ' rilEHlXE S. .VXDEHSOX (ieneral Design 2() Sterling St., W kst X’kwton Secretary ' 30 and 31 “Has David heen in yet? The puppeteer — “Creature full of merriment and twinkling laughter. D.V ' 1D P. ROXD (ieneral Design 78 Eletcher St., Roslixd.u.k .1 .N..I. Annual Photo Staff, ' 32 “ Has Kay heen in yet? .V “shadowy character always on the sunny side, or flashing jiowder for the lens. EH. XCES COHEX (ieneral Design !).5 Topliff St., Done hkstkh “Rut you should .see the new Cadillacs! lot of pep and a lot of go to keep things spinning. RORERT Cl ’.XXT.X(iH. M (ieneral Design .i.) Clark.son St., Dohciikstkh Treasurer, ' 30, ' 31, ' 32; President. ' 33 .Vwfawhiddadiddawawa w. Seen .Mary? To “heights he ' s climhed, for shorter ones to look up to. LEO.X.MH) HORTOX (ieneral Design ‘28 Center St.. Xohtii Easton Dance (’ommitlee, 31; Assembly Committee. ' 31; Mascart, ' 32 “W hatcha doin’. Kid? ” The duplicating mind, the dii|)licating way. Where’s Leonard, there’s (iarth 1 (iAK TII I,. Ill X l ' AIJLH (iriKTiil Dc- ' if ' ii liiii South SI.. I ' m iiiii i«. Dunrc ( ' oiiiiiiilli ' f. ' il; Assi ' itihh ( ' ommillir. ' ll; Mii.sriirl, This f;ri|)cs me- anil 1 l• s(•lll it. hislh‘, anil 1 II cotiu ' to you, iiiy hoi. II,LI. M II. II.Sl.K ’ (iciKTal Dcsifiii ‘2!) I’oiol .SI ., ( ;k()U(;kto rrrasiircr Stiidnit .ix.toridtion, A-ixciiihh Com miller, ' ii ir.s citlu-r Mexican opal or an . uslralian jach ' . A steail.v teiupcr which uo cares conlrol. MAIO IT .M{I)LK ’ (icucral I )esif;n l.j Hidgeway SI., i)i,i.. sr ) Clirixlma. ' i Spread. JO; I’ayeanl. ' JI; Danee Commillee, -ii I5ut Hoi), you shouhla seen Critt! “The smile of her — is like the lawn ho.se touch makes Memnon siii};. ” CKRTHTDE AI. ( AMHHELL Costume Design 10. ' !,) Sumner . ve., .Si ki ckiki,1) 1‘ai eanl, ' SI; Dance J ' nmmiUee, ' SS I ' o me one silly task is just like another. El( ' HEED E.ARXSWORTH Costume Design 1.58 North - ve., Havehiiii.l Paycanl, ' SI Where am I going. I don ' t (piite know. Down to the stream where the king-cups grow; Cp to the hill wliere the pine trees blow; -Anywhere, anywhere, 1 don ' t know. I’.Al LINE A. KI EHLER Costume Design 170 Court Rd., Wintiiroi Payeant, ' SI; Operclla. ' SS; Clwrux, ' S3 Let the wings of your heart heat low in your ears. ’ .ALK ' E ,J. ALATTHEWS Costume Design Capen St., AIedfohd Chorus, ' SI We are overwhelmed with the things we do not know. (i. ESTHER AIETC.ALE Costume Design ;27i) Walnut .Ave., Roxm nv Mascurt Theatre, ' SO “There is no flaw from bonnet to toe — -And is there anything else In such whim.sy arrayed. ” .1. ELIZ.AHETII TA LOR Costume Design 14 Howland ' s Lane, X. I’i-v.moi tii Chorus, ' SO. ' SI, ' S3, SS; Operclla, ' S3; Current Events, ' S3 heart as .soft, a heart as kind, .A heart as .sound and free -As in the whole world thou canst find. (IR.ACE E. AMHTCOAIH Costume Design 80 I ' nion St., (iueenfieli) One of those who can scatter hai)piness on every side and strew all life with hope and good cheer.” 15 TI I I ' lU KSA U, AK ' AHDI ' IVaclier Trainiiif; S( (iallivan Hlvil., Done iikstkii Chorus, ' { ' J: Mtisrarl, ' ■}■ Kanifsl in her work, loyal, understandinf;. (inn of character and one witli ii ' . |{( )|{I ' ’,KT I,. HKHTOLId ' I ' cachcr Traininf; . 8 Carver St.. Boston Masrorl, ' .iO, ' ■{! ; Hoard of Dirrrlors, ' -ij. ' -id; Chorus. ' .10, ' .II ; Operetta, ' i 1 {eo.stumes); I ' aijeaut, .11; A.s.s ' ewhip Committee, ' IJ, .1.1 One of tlie major vertel)rae of the Maseart Theatre and tlie ' I ' eaelier rraiiniif; Department. “Boh is one of tliose of whom it can l e said. “ On can depend on him. U IXII ' BKD B( )XD Teacher Training ■i.M) North Central .Vve.. Woll.mston From another art school to take her place with us for three years. Winnie — trees, woods, campfire and .scouts! . very earnest worker, with a depth of sincere friendship. M.XBIO.N S. BRA’.VN ' T Teacher Training ‘■24 Charles St., Wkst Bkiixikw.vtku “Whate ' er there he of .sorrow I ' ll put off till tomorrow; -And when it comes, why then Twill he today and joy again! ” So says the leader of the Locker Boom Trio. ILAKB.MLV S. ClfOFF ' I’eaelier ' Fraining 4.‘5 Blo.s.som St., Leominstkk Chorus, ' .12 Brown eyes and elusive charm, like the first hreath of .Spring in the air. Inner turmoil that’s never known, hecan.se of the out ward calm. .V patroness of concerts and worth-while plays. WI LUFLM 1 N. CB( )WLFiA ' I’eaelier ' I ' raining ' 22 Norman St., ( ’. .mbkiik;e Chorus, ' .10, ' .11; Pageant , ' .11 ' I’lie unifpie .sense of humor which darts like lightning flashes to illuminate the dark forests of our minds. IIF.LMA’ S. K.AS ' I’O.N ' I ' eacher ' Fraining 1!5 Pigeon Hill St., Pioeo.x (’ovf; Chri.stmas Spread Committee, .12; Class ice-Presideut, .1.1 .As exipiisite as the coming of Dawn, and (piite as natural. Seldom are heaiity and ahility hicnded so charmingly; added to this is a sunny disposi- tion, a never-ending supply of energy, and the gift of knowing when to talk and when not to. DOBOTIIV FIIBLK’II ' I’eacher Training 2.5 Lancaster Rd., Newto.n Maseart, ' .10, ' .11, ' .12, ' .J.3 “.A mind unafraid to travel, even if the trail he not hlazed. ' Fhose who really know Dot have sensed a desire to tread trails to a land where truly heaiitifiil thought and exipiisite verse exist. It is a gift indeed to he ahle to feel ileeply, to live fully, and yet to have the room to appreciate the humorous twist of things. BKRN.ARD FPSTKIN ' I’eacher ' Fraining .A relative of a relative of a great Epstein, there, and lo! — a [lictiire of no little merit, outstrip yesterday hy today. (i;5 Dorchester St.. WoucF;.sTEii .A dash of water color here and ' Fo break our own record, to M.ARIO.N Iv (i.ARL.AND ' I’eacher ' Fraining 2(),‘5 Salem St., Wakkfiei.d Chorus, ' 10, ' .31 ; Maseart, .10; Patjeaut, Assi.ttaut .U i.stress of the Wardrobe “Soft peace she hritigs wherever she arrives She hiiilds our quiet as she forms our lives; Lays the rough jiatlis of peevish Nature even .And opens in each heart a little Heaven.” 16 M.MUiAUKT ' r. ( i KU A IS TimcIkt Tr.iiniiin ■i:! ( otla c St.. Anr (;r( N Ma.srart, ' ■!(); Chorus, ' .1(1, ' ll “ll.ippy I Jim, conlcnl imil free! Why aron ' l they all con ten ted like me? ♦ “What would life he if we didn’t have friend.-.? With them hoth joy and sorrow ends. M.VU K. (ill, I, Teacher Trainiii) ' .)0 ( linreh St.. .Somkkn ll.i.K Chorus, ' iO, 11, ' .IJ; l‘oiimut, ' ll: Opfrcltu, ' li: Musrurl, ' -111 yellow green hlonse. a yellow green hat .k yellow green this, a yellow green that; .Vnd how heeoming it is, yon know. For anhurn hair with a golden glow. CII.MU.OTTK .J.VCOlkS ' I ' eaeher ' I ' ndning -20 I’age St., Doin hkstkr Ma. ' icarl, ' -lO, ' .Jl, ' S2, ' J-i; Vrur Booh, ' -12 Xothing is so eoidjigious as enthusiasm — . n exotic per.son with dark flashing eyes, delicious wit, and sur[)rising repartee. I?.M{HAK. F. KNKiHT Teacher Tniining 100 Salem St., Rk.vuino Chorus, ' 32, S3: Current F.reuts, ' 32, 33: Class Secretary, ' 30: Vice- Fresideul, 32: President Student As. ' toeiation, ' 33 We love her for her smile, her look, her way. .She had held sway over many an assembly in a most queenly manner, .k one hundred per cent, leader and friend. M.klKiAHKT Fi. L.k.XFi Teacher Training 17 W ' renthain Hd,, Worcester W e seem to he conscious of mists floating around the head of our “f’eggy, ” and her dreamy eyes certainly do not belie the fact. M.ARIOX E. LTSK Teacher Training 2,5 High St., W estfield W ' hat a dynjiino of energy, a wealth of knowledge there; ■kn unprepo.s.se.ssing quality that all do like to share. Poetry nor pro.se can phrase this woman ' s worth — we hear, merely. Music at Midnight. k’llUilXIA MEHCI HI Teaclier Training 207 High St., L.vwrence k irginia po.ssesses that valuable faculty of being able to mind her own business and at the same time has a most generous heart when it comes to helping out her classmates. Some of her cleverest work is done in the crafts room. FHlXFiSTlXE L. McLEAX Teacher Training 78 Oxford St., .So.merville Ma.srart. ' 30, ' 31: Board of Director. ' !, ' 32, ' 33: Pageant. ' 31 : Operetta (co.s-tumes), ' 32: Handbook Editor, ' 32, ' 33: Year Booh (Literary Editor and Business Manager), ' 32. 33: M . S. .1. Press Bepresentatire, ' 32, 33 very sulphitic sulphite. She has a contagious laugh that is .somewhat of a cro.ss between an ultra-modern symphony in full swing and a joyous out- burst of a young rooster. “Ernie talks about shoes and ships and sealing wax. and why it ' s easier to ilance than talk, and the pompof queens ami kings. We like her for her originality and wit. DOROTHY R. PADELA Teacher Training 1 Lawrence Court. South Boston Pageant, ' 31: Chri, tmas Play, ' 32 The girl with the quiet way and the big brown eyes. Dot ' s favorite subject is. modeling, — but you should hear her speak Spanish, and read her original poems. MAR.JORIE E. PARKER Teacher Training 52 Whittier St., .Springfield Mascart, ' 32: Pageant. ' 31; Magic Club, ' 30, ' 31: Christmas Play, ' 32: Year Booh Senior Editor, ' 33 “Xothing oils the wheels of human relationship .so nic-ely as humor. Miss I uck incarnate. A twinkle .scampering from one eye to the other captures the imagiiuition of even those who aren ' t the followers of Shake- speare. 17 (iKHTlU DK V. I’KAKSAU. lVacli T Tnnninn id I’iirkiT SI., Xkwton Cknthk Mdfcforl Thcalrc: Chris! niiix I’hii . ' -{J I’iiKi tli ‘ fiirl vhoM‘ iiilciT.sl.s miTBO into the licarts of many lilllo sciticnu-nt rhiUrcn, ami afiain tliron;;li daring cinsifins in water color. Il ' .s (icrlrnilc. IIKI.HXA K. HICIIAHl) Teacher Training 11 -Murray Mill . ve., Si niN(;KiKi,n M (Kjir Club, -il; ( ' horns, ' ij, -ii; President of ( ' horns, Operella, ■ id: Maseurt. ' JJ; Honorable Mention, ■}-!; Pageant, ' ll: Class See- retarg, ' .‘US Tliink of deep hrown eye.s, Diinple.s tliat hide in a .smile. White orfiandy rnffles. Beacon Hill, Music, Croeuses in hlo.ssom — es, that ' s Helena. ESTHEH AM) ETHEE E. RICHTER Estheh The sociable per.son with dark. Hashing eyes. Her gaiety, cheer- fulness and enthusiasm are most contagious. Teacher Training 47 I’asadena Rd., Dordiestek Ethel ‘Scatters thus her seeds of kindness .Ml enriching as she goes; So until the happy end Her life shall never lack a friend.” VllUilXl.V ROOT I ' eacher Training ,5 ' -2 Beach Rd., WivriiKop ( ' horns, ' -10, ' SI, ' 32: Christmas Pageant, ' 31: Operetta, ' 32 “A won ' t give np purpose is never forestalled Xo matter what foes may combat it.” (Quietly busy, yet finding pleasure in ail sorts of places. C.XRLETOX SOCLE Teacher Training 1.5.‘? Chatham St., Lynn ( ' horns, 30, ’31: Maseart, ' 30, ' 31: Hoard of Direetors, ’32, ’33; Pageant, 31 Masquerading in monk ' s clothes, sardonic, sarcastic, but altogether .satis- fying. (iEXEVIEVE E. TIOHE T ' eacher Training 4, ‘5 Sargent St., Dorchester ' I ' here is the dream that is tucked within the ebb of a tide that rolls onward gently amidst “The carefree sweet defiance of her smiles.” .Vnd to think that her favorite poem is the “Rubaiyat! I’.M LINE . . THOMPSON ' Teacher Tniining 41 Tufts St., Charle-stow.n “ laidy Pat” — is so continental. Dressed for the afternoon, she might have stej)i)ed from a page of “La Parisienne. ' ’ But sta.v! That enigmatic smile and Oriental cast of face take you to a land of perhaps. . RDITH P. TODD Teacher Training 4(1 Old Post Rd., XoRTH .Attleboro Chorus, ' 30, ' 31, ' 33; Asst. Director, ' 32; Maseart, ’32, 33; Operetta, ' 32; Jnnior Mention, ' 32; Class Treasurer, ' 33 .Ardith, — a faithful worker. “ — a crystal translucent stream — the scent of Howers.” She is so dainty and winsome a maid. That we see her and vision a cool, ferny shade. BETTY E. Tl ETS Teacher Training !)0 Powder Hon.se Blvd., W. Somerville Maseart. ' 30, ' 31, ’32, ' 33; ( ' horns, ' 30; Orehe.stra, 30 Xom de plume — “Doc Tufts.” (iood old “Doc.” How her ears prick nj) at the mention of the Maine woods, and how she can imitate E 1 Wynn, . ' she is a corking si ort. and, underneath her smiles and behind her pranks, are iminy .serious thoughts. M.AR.JORIE WIHTIXG Teacher Training 12 Onyette Rd., Cambrii)(;e “Hello. Srpiisinks. ' ’ . cheery smile toi i)ed off with a little golden fluff, a this anil that about the new friend, and .serious new |)lans for her pupils. 18 t M AI{(t. l{K ' l ' TA 150 1, AX ' rcaclicr ' I ' niiniii); ‘2.H St.. i.rMos ■‘( uift she claims is licr own desire. For in solitude, life can (jive her (ire; ' I ' lie (ires of oFservanee and memorv, loo; et she ' ll talk and talk wisely, if yon ask her to. . IIFLKX FIlRIdCII Modeling Heaeon St.. Huooki.ink PtKjcant, ' JI; Muxeart, JO, ' ll (iirl of grace, subtle wiles, frank feiniidtiity, and heaped up with interesting fun to pack into many half hours iii the modeling rooms. FRANCOIS VILLON Villon ' s Paris is grey with gaunt Death stalking; The gibbet ' s gruesome silhouette is never humaul.v undeeorated; Terror unprejudiced elutelies the hearts of both the weak and mighty; The great Leveller does not di.seriniinate. Aliraeulously Villon escapes, X’ot because tlie.rogue, the rake, the rover, the roue de.serves to live; It is his word that must survive. The musical, the rhythmic Word The brave, the bold, the vigorous Word Without shame, without fear; It is the beautiful, the spontaneous Wonl that must survive. True Art lives despite time ' s knavish tricks. Each to his own interpretation; I choo.se the romantic figure N ' illon might have been — Or I am sure he was. (Leave the skinny, ratty thief for Steven.son’s essay. Leave the black, sinning, drinking fellow. The lascivious, lying, immoral, ruthless rascal. The killing, cutting, conscienceless devil. The vile hunted dog!) For me the pitifully poor starved student. Master of Arts at twenty-one! For me the witty, wanton, ballad-singing lover. The rollicking, capering, mischief-maker Who seeks excitement, and not finding it. must needs create it; He runs the whole gamut of human emotions, 15ut for all that, is still the boy, not meaning half the havoc he ' s guilty of. And rebelling then against his punishment. Hungry Francois, never approaching .satiety, Constantl.v tormented by his innate healthy appetites, Aching soul-hungers. Oh, the wickedness of his life was not all deliberate! The lean years pre.ssed hard. How fortunate for World Literature that the “sunset dance had not claimed him When so often the hangman beckoned. Instead “Le Petit Testament sparkled bitterly from his pen; “Le Grand Testament glittered no le.ss with vivid gems of poesy. When masters sing, the song remains. Villon remains. The finiteness of all things does not touch him. Immortality cleaves to him. Love Villon ' s verse although you cannot find it in your heart To (juite forgive the man. Do not war against the erring Villon; Is not Poetry truce enough? IIeatkke Cohen ' , ' ;50 19 .tv j « ' : 4 . . - . • • ' ' • • ' -rlOl . ' • ' ' ■ ' rf - •41 , , ' jf i, •“ ' ■ Wi kI . ' W 1 t. J I ■li V ' rr.. •■; V I ■ J J UNDERCLASSES ■ ■ ■ ORGANIZATIONS THE LIVES OF THE CUBS A ■■ Hhaj)M)(ly in Blue! — t)liu ' Juniors in tlie Innchrooin, l)luc Juniors in tlu halls. Far from lesiring tho liihernatin}; attitude, the “Cuhs” have fought through the years and shed their coats of green and of orange to array themselves in blue. It is our year of individual a -quisi- tion in the chosen fields. The Drawing, Painting, and Modeling students, .secluded in the upper and lower corners of the building, come b)rth at intervals with their triumphs of color and composition ; Teacher Training groups go into the fa.scinating happy realm where children. through courageous creative expressions, witness that their lives have been made richer; Costumers delve into ateliers with Patou, Molyneux, ami Lanvin to become our .so|)histicates, while llie band of lesigners march along with their two majors. ' I ' o the Juniors credit goes for the ear Hook, smock-day lecorations, and many personal trium|)hs in lramatics. We close onr year ' s fe.s- tivities with the gala Junior Prom and prepare to don the majestic Senior black. Ahli-NE (. ' lough, ' ;}4 THE CLASS OF A Sophomore is a tall, brown creature (unless he has a smock left over from tlie Freshman year) that lives on sandwiches and Freshmen; it may be found in great abundance wlierever there are lunchrooms. In every studio roundabout the Sophomore voice resounds. “ He .says his say, he goes his way, he knows no law but liim.self — Recollections of the beginning of this year are a bit “hazy, but the welcoming committee of the class spent most of their time in studios and classrooms i)lanning a royal reception for the Freshmen. will go down as the year which discovered James Kenny, who .sang for us at the Teachers ' Convention — and just ask us, “Kenny sing? The T. T. ' s boast that Herbie Hosmer lectured to a woman ' s club on “Furniture. “Three chairs for Herbie. Also, Laurie THE TERRIERS Kupferman is recorded as an etcher in the last number of “ Who ' s Who in . rt. The Designers helj)ed Mr. Thompson to illustrate his lecture for the Convention of .Art Teachers, and are working on a Scout emblem which will be used in all parts of the country. The sc-hool basketball team depended upon Max Singer, Cheslie D ' .Andrea, Walter Roberts, and William Kapousouz. Many Sophomores have attained promi- nence in Mascart — much credit is due to George McKenna, w ho rushed to substitute for the part of physician when the frantic cast of “The Alan Who Marrie l a Dumb Wife cried importunately, “Is there a doctor in the house? The Sophomore Prom was unique in its ball- room decorations, and tho.se who terjjsichored that evening are still looking at the stars. Josephine Bl.vtt, ' 35 ' ' CHICKEN M.S. A. opened last fall to many young students with burdened arms and (piestioning looks. We travelled from locker to locker, from store to classroom, and through halls which, for the express purpose of be- wildering the poor individuals, turned themselves into mazes. In a miraculous way draw ing boards, T-squares, and triangles were balanced under inexpert arms until .safely deposited upon desks whose tops, by the magic of certain words and vulnerable poking, sloped upward. Desk tops were made to slope so that triangles and T-s(|uares might slide down them to the door. We are not surprised that Sophomores, looking at us then, instantly .said. F ' reshmen. Our feelings of pride and great ambitions met barriers at the outstart and set us wondering. Ho wever, instead of drawing in notebooks, and LITTLE (desi)ite reproach) decorating the academic pages now we are en- couraged to draw more — this is something new and we like it. The members of our class have contributed in the musical, dramatic, and .scholastic pursuits about us. It has been a year of associations, and among these we count not only those with our colleagues and faculty, but also the contacts with the Fine .Arts of the world. AVe have di.scovered that the expre.ssion “born and not made does not truly apply to artists, and by ransacking the ( ' ojiley Square Library, know that it belongs to us. We aim to strive, going onward toward tliat goal which shines clearly before each one of us. M AKY M UKDOCH, ' 3ti Warhen Herky, President; Mr. ' rHOMi� .so , Fanill; Adrixnr Judith Andress, Secretary: Hegixa Hughes, Viee-Prexideal; Elea.vor Heaton, Treaxiirer (Jeorge McKenna, Prexidenf; James Green, Treaxiirer Katherine Morton, Vice-Prexident; Eleanor (iERBRACH, President; Margaret Gill, Secretary Mr. Hoadley, Faculty Adrixor; Arthur Spencer, Treaxiirer Irma Hughes, Secretary; Maragret Snow, President; Catherine Hoyt, Vice-President Mknky Xei xzkh Adolph Willis Miss Wiiittiek Mk. 1’ohter Mahbaka Knioht Loi ise Kraxtz STUDENT ASSOCIATION This organization has many ohjectives — jiriniarily its aim is to bring before the powers tliat iie the ideas, plans, and wishes of the student body as a whole. Without the.se humble representatives many of the pupil ' s woes would never be sensed by the faculty; secondly, it aims to make the most from allotments or other benefits. Our smock day will always be remembered — this is the day Mr. Newell took tlie Cliieks under Jiis protective wing. With “Jingle Hells came the Christmas Siireail. Enter Mr. Jamison amid mistletoe and tuna fisli. The high- liglit of this oeeasion was when one of the Chicks gave Mr. Newell an unexpected peek. Moral — Freshmen enter where seniors fear to tread. The final splash, our school picnic, miglit well be called “the Chafe and Sunburn Hour.” , fter the hustle and bustle of the school .year everyone enjoys the languor of tlie beach, and herewith absorbs one more fact before shelving his brains for the summer; — where S. NT)-wi(’HES did get their name. We contribute, lastly, the recipe for Picnic Cake : :il)0 students, assorted So instructors, grateful that it ' s over once more 1 president, well worn at this time 1 dean, always approachable Mix well, and serve with camaraderie. IjOUIse Frantz, ' .J4 M.S.A. ANNUAL Editors Fi xice J. Starkie, ' ;54 . lida L. Taylor, ' 34 Literary Editors Fleaxor Heaton, ' ;54 Warren Herhy, ' 34 Louise Fra.xtz, ' 34 Art Editors |{ictiard F. 1’riest, ' 33 W. Gordon Woodi.xgton, ' 33 I ' hotoyra ph ic Ed itors Judith . xdkess, ' 34 Walter Hlessixctox, ' 34 ( ' lass Editors Marjorie F. Parker, ' 33 . rline Clouoh, ' 34 Josephine H. I{latt, ' ,35 Mary Murdoch, ' 30 Hasiaess Manaycr Earidty Advisor Ernestine 1 . McLean, ' 33 Miss MacDonald 24 MAGIC You ask me what the Magic Clul) has l)eeii doing, and what they intend to do! All right, I will tel! yon. Jn.st .step clo.ser, plea.se, as I reveal to yon the rea.sons for the .soft whispering ' s and the mysterious meetings of onr elu.sive group. Yon see, our cluh, under the al)le direction of Mr. Hoadley, is working on a very full program. The mo.st important part of our work is for our Assembly perform- ance. Now I will let you iu on the deep, dark .secret — our assembly this year carried on where we left off last year. In other words, it was devoted to magic of today and tomorrow. lint one day suddeidy we di.sappeared l)odily and reap[)cared in as phantom a manner to evict the ral)bits and kerchiefs from cages and casks at the Peabody Hou.se. We admit being purveyors of silent and solemn mystery. M. ky H. rnes, CURRENT EVENTS CLUB The .small, enthusiastic group which gathers al)out the round table in the . lumni room on Thursday afternoons is the Current Events Cluh. What brings the.se young people together? What makes them listen so attentively while one of their number reads .some magazine article on a given subject? Yes, it is their in.satiahle desire for the knowledge of what is going on in the world; it matters not whether it is a political campaign, a foreign debt, or a battle in Manchuria — all these questions are of interest to the Current “f! venters. The reading periods, fol- lowed by discu.ssions, are often a most exciting part of the program. The activities of the club have not been limited to its meetings. On September 1,‘5 it held open hou.se in the .south gallery, when Mi.ss Munsterberg spoke about (iermany. Then, on two succe.ssive Wednes- days shortly before the national election, representatives of the major political parties were as.sembly guests of the club. On February i the club held the first of its monthly teas, with Herman .Vreiidtz as guest speaker, . nother plea.sant afternoon tea was held on March ‘ig with the well-known Dr. Samuel Lindsay of Hrookline as guest. The year closed with a last tea in . pril and the final, grand, gala festival — the annual May party, bringing to an end our happy, interesting year. Euz.xbeth Kuehuorf, Elizabeth Kuehdorf, President; Dean Wilder; Ruth (Joldbero, Secretary-Treasnrer 25 Akdith Todd, Secretary-! ' reaxiirer; Lawhexce IIayeohd, Axxixiaiif-Dirccior Helena Hichakd, Simlent-Dircctor CHORUS Of course there are colleges tliat indulge iu i)uhlieity hy working off excess energy in wild ways, hut here all overdoses ot the aesthetic atti- tude are taken care of hy our family “glee eluh.” It was four years ago when we decided that there was no better way of keeping cheerful than hy getting together once a week and enjoying a “real good sing. AVe were fortunate enough to .secure David Hlair MeClosky as our instructor, who is still with us, spurring us on to glory. When he tears his hair and groans, “Pour I ' amour de Mike, we are sure to know that we have eitlier thrown our voices in the wrong liree- M ASCART Maseart has i roved it.self of a dignity and ability worthy of the insti- tution of which it is resident. Last fall a new (’onstitution ])ut in working order an executive hoard of three .Junior and three Senior direc- tors, a play-rea ling committee, and Faculty advi.sor. Alaseart has indeed found its second sight, and a bombshell of energy in the Senior directors. The series of monthly meetings have included si)eakers on the sub- jects of story-telling, lighting, costumes, theatrical go.ssi]). and a special .Assembly by Mr. Strauss on “ Paint, Powder, and Make-I ' |).“ One of the monthly meetings was given over to a very successful ])arty at the Fine .Arts Theatre. .A significant contribution has been the program of i lays for .Assem- blies, and the public performance of “The Man Who Married a Duml) Wife,” a revival directed by Mrs. .Iami.son. In these productions ap- proximately ninety members of tlie Theatre have participated. The plays were directed as follows; “The Boor,” by Ernestine McLean and Eleanor Beaton tiou or have surprised our fond director by singing i)assing well. Even in those early days we were ambitious and started our jjublie life with a radio concert. .Since that famous day when we definitely established our reputation, we have held ourselves responsible for one major performance each year in the social calendar of M.S..A. Every- one remembers “The Pirate ' s Daughter,” our star performance of last season. AVith renewed entliusiasm we have shared in the concert i)ro- gram of 1!)3.‘J. Our club is a happy one. For memorable hours, join with us. Ardith P. Todd, ’33 THEATRE “The AAOnder Hat, by Robert Bcrtolli “I ' he Flight of the Queen, by Carleton Soule “She AA ' as X o Lady, by Merton (i. AA ' illiam “ l ' j)-Stage,” by Rutli Keimer The Board of Directors has exidoited with zeal the objective of the organization to stimulate interest in beautiful dramatic production, more intimate knowledge of staging, costuming, lighting, and acting. In addition to its regular ])rogram. Alascart has added more complete lighting facilities as a gift to the school. Through the |)ublic produc- tion universities, colleges, private schools, high .schools, settlement houses and individuals have been made more conscious of the school ' s existence and its attractions. AA ' ith this suijport the Theatre will organize and finance a course in the arts of the Theatre with as many as ten specialists for instructors. In consideration of the cul- tural, educational, and sociological values of the drama, Maseart is assured of the sincere, hearty backing of the student body. .Sp;ni()R Directors AVarren Berry 34; Carleton Soi le ' 33; Robert Bertolli ' 33; Ernestlne McLea.n ' 33 Ruth Reimer ' 34; Elea.nor Be. ton ' 34 “Children playing at kings and (pieens are one tiling. Harharic people.s dancing for good liarve.sts or good hunt- ing are another. Neither constitutes drama. The ritual dance is presentational, hut not repre.sentational . Drama begins when an ordered succession of actions, with appropriate words, considre to represent experience real or imagi- nary, and impersonation is added to action. Theatre begins when there is a recognized place for drama.” T. W. Stev ' ENs; The Theatre, From Athens to Broadway 27 Chkslie D’Andkea Khank Devecis James Dx ' gan John FALLf)Ni Meyer ( ioLDSTElN WiLLlAM KaPOUSOUZ STEPHEN MaNIATTY HeNHyXeUNZER Walter Roberts Max Singer Adolph Willis BASKETBALL Despite the setbacks to which the athletic teams of Art Schools are spei ial heirs, the M.S.A. basketball team has had a season which holds more promise than its achievements would indicate. Of the three major ames played, it has won one and lost two. It was defeated by the well-organized Y.M.( ' .. . Senators, a team which has been together for .several years, by a close margin. It met defeat at the hands of the Massachusetts State Junior Champions, whose playing clearly showed why they were champions. In the last game the team defeated the Maplewood Five of Malden, composed of former high .school stars. . t the beginning of the season (’oach Scott had but four veterans answering his call. The fact that much of the new material is comixi.sed of lower cla.ssmen is an encouraging fact ; the leavening of these men with .several years ahead of them will enable future M.S.. . basketball teams to play noteworthy basketball. Frank Devecis, ’,‘J4 ORCHESTRA Music and Art join hands to fulfill the cherished plan of Dean Wilder, ami once more an orchestra has been organized. riie M.S.A. orchestra, organized with the assistance of Jean Jacob and under the direction of Lawrence K. llayford, R.Mus., a graduate of the College of Music of Boston University in 1!).‘5;2, made its initial bow at the Christmas festival, and its formal debut on February at a joint concert by the M.S.A. Chorus and Orchestra. Lawhe.nce K. Haykord The Personnel Includes: l.si Violins Jean Jacob Stanley W. Cook Eugenia Concordia Eleanor Dow Flute Christina Meade Cornel Walter Hlessington Piano Mailiokie E. Carr 2nd I ' iolins Mary Shaw Jean . ' shaw ' Cello Mary J. Hill Clarinet Everett Nash Mellophone Walter Roberts Percussion Richard E. Priest MONOLOGUE 1’la( k: li-7 ' l iMp;: !):0.) on a Tuesday morning ( ' iiAHA( TKUs: I’rsa Major, (’anis Major, and an invisible and indefinite numher of little piteliers with large pietnres. (Caiti.s Major is wandering aliout between the easels looking for unguarded [jieces of charcoal. I ' r.sa Major stands in the middle of the room gazing intently in the general direction of the door. The little pitchers lurk in a state of suspended animatioti l ehind their portfolios with their ears all a-quivcr.) Tr.sa Major; (in a tone of linrt snrpri.se to ernitty-lianded new arrival) “Why, Phoehe, are you come so .soon? Where are your Iterries, chihi?” (in- credulously) Down.stairs! Oh, naughty, naughty! (resignedly) Well, don’t run through the corridors (turning around, his hands thrust deep in his pock- ets). Bring them u[), bring them up. — No, I (ion’t like it; it doesn ' t amu.se me. Tear a piece off the Itottom and tack it on the top. Kind a more amusing atti- tude for the man. liring up .some more. — Yes, they had a very wonderful |)erformance of “Hamlet ” once. Hamlet was left out. (iet that? Where ' s the hor.se, the beautiful white horse? W hat do you mean by leaving out the hor.se? Huh? Huh? That f)ush, yes, I know that l)u.sh, — device No. ()748. I even know the number. I’ve l)een .seeing it ever since I was knee high to a lame duek. It’s always down in front like the Harvard student in armour while Sarah Beridiardt was up in back saying, “ lark .Vntoine, Mark .Vntoine” to a l)eautiful man. (bady in yellow shivers like the stage-.struck Harvard student as her attempt is cast on the table). — What’s that man doing? “Here, Maria, take the sandwiches.” No! What’s the matter with yon? He’s su|)posed to be making love to her! Stand on your head, daughter, stand on your head! Shut your eyes and look at it! Here I give you a perfectly beautiful subject with a [)erfectly beautiful white horse, and a faery’s daughter leaning forward and making sweet moan to a knight; and you give me a farmer who’s been eating ramrod .sou|)! (raising voice) Shut up, the old man’s talking! What the — , what the — , I mean what the dickens! Always .say “the dickens”. How do they get that way? ( ' ome here, Minook, don’t flirt with the girls. You know, I like dogs; they’re intelligent. Here I go all the way to Europe and bring back beautiful photographs to show you when I could have them up in my own studio, and you don’t ever look at them. Two or three hundred years ago I used to spend all my spare time in the (’orcoran .Vrt (iallery. I come uj) here and try to teach you something — the trouble is I do too much for you. Here, look at this, come up all of you. No, don’t look at that, you’ll get indigestion. I think this is the most beautiful, most con- summate piece of art in the world. Get down on your knees, you savages, and worship. Tones, tones, now give me tones like that. There goes the bell. Cio, get your water, mes enfants. Oh, liello mon cher, come in. Martha Burnham, ’85 HIGH LIGHTS OF OUR GET-TO-GETHERS SMOCK DAY: Freshmen, we envy yon. Here yon are with four years of honndles s oppor- tunity before yon. four years to do with as you will, to mar or to make. Many of us would filadly swap places witli you today because we realize oidy too well what a great e.xperience it has been, an e.xperience which never can be dupli- cated. Yon have oidy these things to remember, business before pleasure, but a good do.se of pleasure just the .same, right always in the place of wrong, and that failure usually precedes sncce.ss. Above all, don ' t become di.s- conraged, for ‘‘it is usually the la.st key in the bunch that opens the lock.” May I extend to you freshmen, each and every one of you. my very best wish for your hapf)iness and success at the Art School. Harb. k. Knkjut, ' .‘33 CHRISTMAS: Jr. T. T. Pantomime, “The Seven Gifts” “Jolly Caper ' Marionettes The “Spread” PRODl ' CTlOXS: Mascart Theatre Concert, ()rche.stra and Chorus Magic Club MUSICAL: Flute: Christina Meade Sa.xophone: Barbara Nicolai and Frances Archibald Piano: Marjorie Carr Marion Lusk Lynette Mantor Lawrence Hayford SPEAKERS: Mr. Alcott, “Europe ' ’ Mr. Andrew, “Perspective” Mr. Kendall, “Architecture” Mr. Philbrick, “The Arti.st ’’ Mr Linderg ' reen, “. rt in Everyday Life ' ’ Madame Tomita, “Japan ” OUTINGS: . pril 19, “Concord and Lexington” June, Picnic WARREN KAY VANTINE STUDIO 0 F F I G I A L P K 0 T 0 G H A P I f F] H S FOK tkf: m s. a. annual 19 3 3 TJie Distinctive and Superior Pliotograpliers for Sciiools and Golleges l6o BOYLSTON STREET :: BOSTON, MASS. V: