Massachusetts College of Art and Design - Palette and Pen Yearbook (Boston, MA)

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' ,L V -L Y -1 , Q O lm S JY Tc r ,AA l RUN Xl. l5,Xll,l' Y l'.XllNl'Nl l Rl l7lfllltili XLXSUN XK'll.l7l'lll C1YRL'SlilDXk'lN l7.fXl,l.IN lo l'f..t.p.-,I ll-fmt-,-, Willard Street, U0 Oakland Avenue, Nl'tti..,1-,lllfy Xlatt, llraintree, Nlass, Arlington lleights, N-lass, Prim i,'v.iI .intl l7ir.'.f.vr .rl lr! lftlu- l7.'an, lcifiilvr on Cerirftil lfiilurv xhfi'i.mIy lieinl, i'lf0tft'flll,i1 t1mlSt'i1lfJ- taiiafi 1.-1 Xft1tt.i.fxtit.'11t Ibm H, lgd,,A,:,,,l Itlm,,,. lure. lbrn in .X'..,,,,-ri ill.-, lfiiit R.,U,nl.J J..!:,,.,.h, 0,313 ,mtl le if lu Horn ill SlVlIIgI'lfft', l Yuli. vt .:,,,.1U,,1,-,if Xf,,,,,,, l,,,,,-H, ,N',,,,,,,,1 ll.ui.u.I, Pupil al Cliufvu uluf lltunfvi in Ptirix. .'Xr!.Y.li.wl .N'!ii,lii'.lin I'.'n.jf-intl, lltilv, li-'f1n.ilix iIll.lfli'f.fl!llPl lli.it Xl! lfiriitiiii is it--ll illtetl lor ilit- iwiati-iii lit- iii-xx li--l.l- is slit-un in tht- long .mtl ii-'ten-frtlix list -il I--riiirr 1-llttrs Ii--in xxliitli ut' till-ite .i lem l7irt'tlor N--ruml l7vp,irIA iiiviit --I tht- f l--i.t-l.intl 5-tli--rl lvl NH, lhrftti-r --I Xrt l'tlut.itii-n in Nt-rnul Nlii-il-. in the State I-I New Work, Nate hiwtialist in lntltistrial lraiiiiiitg Xl! l'.iriitiiii N lt'xlU!t'N i-ii tli-' Xlaiiilt'-t.iti--ns .il llvt'.llllX will li.n 1' .i tli-tint! irxlltiriite tiivtl his ltittiir rrptitati-iii, l--r ue sli.ill I1t'Xt'! tliiiilt --l liiiii xxitliotit .ils-v tlniiltiiitg--I lwatitx ' We li-'ltl tht- --iiitert' it .i.liiixr.itx1-ii .mtl rt'-Vet! I-fr this lrieritl uliiv tl-'rp thiiikcr ex' i-vririit-'tl .intl liigii itltuiletl th-ititgli li: is has nt-xrr Liilrtl to un.lt'rst.untl ilu- 1'-'ll'. 5-it-lwlviiv -if .iiix writ' wl tis lit-In tau XN1' ton De. his glut in ffleveliintl and ffhieago el-.lv asseinhlit-s would he in iplute xx ithout the presence ol' in XYiltlt'r to lend dignity, to give Nllllft' Ill Lll1I1Ullf1x'l.'HlCl1lN Uilll re coming to Nl N .N S ht tilinivi unplezisant ones, let Us rc- inintl x'ou'l, .intl lo represent the ltltl lun .it them .Nsseiiihlx is. in liilfl iltx xiii-sn Xlr lfarnuin pokes the --nlx time that me .ire .ilvle to thinlvtol the l7e.in.islNeii1g tlelinitelv in one place, I-ir .it .ill other times hc is .ipparvntlx exwrxxnlicre in the lwrltling lliis is netessarx xx e sups isis l'Cx. I ii e, since his tltitics .ire many, :intl .iuse his pcrsisteiitt' to do them t 1 roughlx is one ol' his titans' .id llllf .ihlr tiualztirs A feeling of helplessness overcomes Us xxhen we realize that the poor power ol' expression which is ours would make futile any attempt to tlescrilwe ot' Col11l11L'l1l upon the per- sonalitv and achievements of this sculptor, great among the greatest lt is well known that ixlr Dallin has immortalized the Indian -- l'he Rlctlicine Klan, Salt Lake Cfitv, Hlhc llLH1lL'I','. Arlington, Nlziss, Nlzissa1soit,'il'lymoull1,ilnd l'he Last ,'Xrrow are ai few of his lx-st lfspecially dear to us is the Appeal to the Great Spirit, in front tif the Xluseum of l'ine Arts We are proud to he alwle to link the name of our Alma Xlater with that tll'fix'r'L1sl'i Dallin '.i'1 li. WILBUR DEAN IIAMILTON Trinity Court, Dartmouth Street, Boston, ix4ass. llefmrlnivnl Heatfg Drawing and Pauiting. Horn in xYOI7h'fffL'ftf, Uflio, Pupil of the Ecole flex Heuux Ari.: in l'uri'.r. Nlr. l'lamilton's composition class is one of the most interesting of those held at Normal Art, and we are certain that the instructor, fully as much us the subject, is the reason that this is so, lvlr. llamilton has heen heard to say, lf l cannot tell you a thing, l shall not make a hluff at it, so we never come away with false impressions. XVe feel the greatest respect for his criticisms, and with reason: he has received a numher of awards for excellence in painting and has done work at the Art Museum, Boston University, and other institutions, VliSPl,iR LINCOLN GliORClli l20 Riverway, Boston, Mass, NVest Gloucester, Mass. llcutt' of the Design Deparlnicnl. Born in lioxlon. Designer, Lecturer, and Nlural Decorator - these are the titles by which he is known. We think it would he hard to find a more inter- esting lecturer and art critic than is Mr. George, and what we think is hound to be pretty nearly right, for he has long been teaching us how to think straight! lfconstruetive criticism, keen personal interest and an excellent example, alone, made artists, the junior and Senior De- signers would long ago have reached that height. Mr. George is well versed in European art. Years of study in Paris, where he worked under the instruction of Constant, Doucet, and Lefebvre, have been augmented hy frequent summers spent abroad. l l 7 11 u A if. l ATVIY l 9? ,Pt'f7tIl'Il7Zt'l ing, Born in la NVe, who z out comi school n' in Nliss l successful is the last of as a Us cause of h and needs comes um cause we st too busy t sympathy indeed fot may at oi resi SLU' she as at and