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Page 74 text:
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The Academy Orchestra PJ iniportant factor in the sockd calendar of the past school year vvas our fhcad- emy orchestra, and many were the occasions and celebrations that called upon its eo-operation. nm Prcceding each recital, needless to say, were the inevitable practice periods. For both the string and timpani sections, these proved to be much-anticipated weekly events, as the former delighted in experimenting on new bowing manoeuvers, while the latter vied with each other in developing drum-rolls, and other rhythmical variations. Our ensemble musicians made their debut this year on the twenty-second of No- vember, when they gallantly and even dexterously accompanied the choral numbers fnmn the openntas'UThe YVindnnHs of liohandn and 'vfhe CHd Ladks of Lavender Townf Then came the feast-day of our dear Reverend Mother, and once again the Acad- emy Orchestra added to the joyousness of the occasion by a few bright selections from the best composers. In quick succession came W1lSl1iHgfOI1,S Birthday, Saint Patrick's Day, and our beloved Reverend Mother General's feast-day, Finding our orchestra in serene readiness beneath the foothghts prepared to interpret nudodicahy the pecuhar spirit of each festivity. Our Graduation program has already acquired the minute final touches that tell of our increased musicianship during the past year, and we are proud to have so con- siderably augmented our repertoire. It has indeed been a year of enjoyment and achievement for members of our Club, and many of us shall trace our love and appreciation of true musical 'art to the days of our 1Xcaden1y Clrehestrm ANTOINliT'l'E Cow, '37. Qvwnl 3'--four
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Page 73 text:
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L I' ' . T r ma The Studio I-IE Marymount Studio has a special place in the hearts of all Academic artists. Down through the years, this charming sunny room, spacious, ideally situated in the most appropriate angle of the building, has attracted numberless students. Such a pleasant and altogether charming atmosphere is most conducive to serious work and concentration, and yet the long hours spent there pass all too quickly for the enthusiastic members of the Art Club. Upon entering the Studio, one is impressed immediately by the great variety of art work on exhibition. In a special corner, cleverly worked oil paintings transport one to the subdued grandeur of classical ages. On a large wall, where the bright' light from the windows loves to dwell, one views a colourful array of fragrant countrysides and flowerstrewn fields, realistically portrayed in water-colours. On the opposite side of the room, an entire section is devoted to the intricate art of dress designing, and judging by the great number of delightful and original creations drawn by the students and exhibited there, this is indeed a favourite course. On a large table may be seen the different types of handicraft taught in the studio. China, painted with delicacy and proficiency, leatherwork adapted to the most modern patterns-every popular type of handiwork is found here. A most interesting feature of our course is the Life Class which takes place every Friday. One of the Students is asked to pose for the occasion. This work is usually done in charcoal. Advanced pupils however, use pastels. The class lasts for two hours. In the month of May, the work of the year is displayed to the great admiration of parents and friends. I say work, but one should hardly style thus the fruit of those blissful, happy hours spent in the Marymount Studio. We, the Academic artists, wish to offer our sincere gratitude to those who have taken so much interest in our progress. ROSEMARY REED, ,37. Sczwzzly-.1 lnvr'
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Page 75 text:
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The Dramatic Club HE activities of the Marymount Dramatic Club this year centered round the pro- duction of Carrington's operetta- The Wiixdnaills of Holland. After excited days of preparation, the momentous occasion, eagerly awaited by all the Academicians, arrived at last. To a very appreciative and large audience, the mem- bers of the Dramatic Club gave of their best, and were awarded with well-earned success. The scenery, painted and designed in the Marymount Studio, was typically Dutch. Against a sky filled with bright sunshine, reared the gigantic Windmills of Holland. To the fore, a rough wooden railing was erected on the dyke which separated the stage tor rather the high-roadl from one of Holland's slow-flowing rivers. The ensemble effect was most realistic and convincing. Then the characters themselves were to be congratulated on the excellent manner in which they portrayed their respective parts. The plot was simple, and yet it required great skill in the handling. A young Amer- ican salesman, who wished to install electric machinery in the mills, saw that the best method of procedure to attain this end was to gain the friendship of the old Mynheer Hertogenbosh, a wealthy farmer. This necessitated his temporary residence in the vil- lage, and the complications ensuing therefrom constitute the story. We were most fortunate this year in having several members with delightful solo voices, and under the able direction and guidance of the Faculty and Miss Ronka, the musical element was admirably developed. It is with sincere gratitude that we take this opportunity to express our deep ap- preciation to all those who contributed in any way to the success of our annual play, A special vote of thanks goes to the Orchestra for its efficient help throughout, both in accompanying the singing :ind providing pleasant intervals between the Acts. RU'I'l-IANNIE Ruin, '37, Sr'1'1'flfy-fiifl'
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