Marquette High School - Tatler Yearbook (Marquette, MI)

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LITERARY Bern.: Hhe's got blue eyes and black hair, eagerly. CQIIIIILZ Oh Claire, oh Claire, you are so fair, ol' raven hue your lwau- tiful hair. Ilernie repeats it. llilllllhi t'laire. sweetheart mine tyou must' put your hanels to your heart when you say thatj: every tlllll' l look into your lJl'lIIlIlllIl,!: eyes ol' lu:-ious blue. I feel uiysell' trausportlwl into heautiful liellls, I swear. Nli.. Bern. text-itemllyj: Here eoines ,Rube NYatkins! Canip.: All right, all rigls-t, 4Ion't get ext-itetlg you just go over anal tall: to Claire. l'Il take eare of Rube lVatkins. lixit Bernie. Miss t'aniplxell eliullms into the lower ln'ann-lies ot' the tree anml waits. .lust as ,Rube is passing she drops with a St'1't!2lllI. Rube: Oh, dear nie! Miss li2llllIIllt'll rolls over with a groan. Ruhe hastens to lier siile. liuhe: Aly clear young lamly. may I he of the least assistanee to you Miss Cilllllllltlll groans. CZIIIIILZ OIL how ean I ever get haekg oh, uiy ankle, oh clear. oh dear! Rube: l'ar4lou gentle lllilllillll, may I inquire your I'OSlIlt'llK't'Afu Ilelps her to a sitting position. Cauip.: tiraL-ions! l'u1 staying' at. the ltllltllllllg' House, Zlllll it's two niiles awayf' She seems to he reeovering' rapiclly. Rube tgallantlyl: l'll get a teaiu at llarkius' auil eseort you to ICn4l- Ilurgf' CIIIIIILZ Oh tlear, I, just trierl to hire a teaiu auil they're all out. Nlaylve I eoulml walk il' l leauetl on your shonltler anrl restefl every little way. She gives him one of her most coquettish smiles and he falls. lixit. Bliss t'aiupb:-ll and ,Rube talking' gaily. SCENIC 21. Claire tloxing in hannuoek. linter Bernie. 1 Bern.: Awake fair Claire, awake. Claire lstill half asleepl: Ali! at last my love. Bern. tamlvaueing' with his hanil to his heartlz Uh t'lafre. oh t'laire. at the eounty fair I think your raven when ,l see your hair. Claire lsleepilyl: Ah, uuleetl, you are iny own hrare lilllglll. lain- liraee nie. Bern. tpassiouately throws his arms about herl: l'laire, every time I look into your tlelieious eyes ,I feel uiysell' trausplanteil to oiher tielmls I swear. 1 swear -a-av Claire lawakesjz Bernie stoplw Bern.: I won't! Be mine! Claire: I,et's ask Pa. l clicln't know you was so grauml anfl heroiv. 'I always thought you were too l1l'2I.ClLICtLl.n Iixit. llantl in hantl. --ROIiICII'l' IIAIIIIIS.

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LITERARY ing' zlloml. 'l'ho I,l'I'II:4 ol' Llllly Ashton ..lltl Ill'l' Itllllill I.ovo ZIIIII 'Ill'll'lllI1IIl.ll hx' Ilillll-V Ilowclro 1. Sho wiwllos IIUI' ll2ll't' toos ill t'XL'ltl'Ill0llt :ls sho rolllls. . . . as ,, I.:llly Ashton omlttoll ll. faint cry :ls sho Stllg'g't'I't'll hzlolc :lgllinst tho wllll. 'I'ho Iilllwk Ihlko was Illlllll hor. VIlll0II Sllklllf not lollxo this towel' till tholl nrt Illj' wEt'o! Ilo orioll in il lIllllltlt'l'UllN yoioo. -IIlSl tllllll il mighty IIIHSI. I'I'0Ill il llllglt' SOIIIIIIUII oloall' illlll l0llll. ' t'lll'sos! ' hissoll tllo llllko, Ilo is l'UIll0.u 'l'Il:- llool' hm-st UIIUII, Illlll witll il gllllllllt OZIITII gil' Montroso IilClllIt'II- tIt'l'lIElQ' Lsllloolot springs lllltlll tho villzlill illlll IIlll'lS Ililll oyol' tho bzlttlo- mont. 'ixhlll I.:llly IllIIIl',u Ilo whispoll as ho folds ll0l' to his llozlrt. Ill2IiI'l'2 Uh, tlk'IlI'. if Iiornio wlls only liko that. Sho sighs :lllll olosos Il l' oyos, 4lI'l'ClIllIllg' oi' IIOVIIIU, illlll liillls zlsloop. NCIGNIC 2. Ill Zllltlilllll' pzll't ol' tllo Ul'i'l12lI'II. Bliss lllllllllllvll is sitting lIll4ll'I' Il troo Uilflllg illl zlpplo :lllll roalllillg. With zl Ioml l'I'2lL'Ii. :l limb llL'tlI'IIIj,f II l'l'l'L'IilL'll-l'ilt'0tl, IOP-02ll't'4l oolllltry lzlll lillltli Ilosillo hor. , liI'Ilt'lUlIh!,l Sho springs to hor fcot Elllll st'l0'o'o1's 'lU2lIIlSl tho troos- . ' ear-J f 2- gl'o:llly sl-zlroll. QIZIIIIILZ WIl:lt ill tllo llilllll' of QOUIIIIPSS 2lI'i' ylill llp to? Born. IIEIIIHIIIIIIQ' fllriollsly Zlllll looking IIOXYII llt his torn UYUYZIIISQZ XVI-Il, ol' Il yol' soo it's this El-KIIIXY. Say, wllo ho yt-Y Iil2lIlK'l'H :lt Ilt'l' oity olotllos t'lII'I0ll5Iy. l':lmp.: I'm il tml:-Ilol' Il02lI'llIIl'Lf :lt I'l2ll'IilllS, for tho S1IIIlIIIt'l'.l. I4ol'll: NYIl:lt' Ililyilll lt'2lt'IlYu Ilo Ili'l'Ulllt'S loss SIISIDIVIUIIS Zlllll his Il2llIll'2ll ollriosity gots tho IJl'l'll'l' ot' his UlllliilI'l'2lSSIlIt'Ill. ' t':lmp.: ICllglisll. IIl'I'Il.2 I'Illg'lisll? Mystiiioll. llilllllhl Yos. :lII tho SII2lliUSIlUilI'lIlII plays. You must IIQIYO Ill'2lI'fl of thom. I'It'I'II.2 Uh, yoh. alll thllt I'ool'sh stlltI'. Say. will, will you lozll'll IIIO SUIIII' ot' lllill llllllliY Iih, Il XUI' lillow l'l2lIl't', sho's olo' Illilll IIIIVIQIIISI gill, sho's 4'I'Il lx-ll on thzlt' stllII'. Bliss llillllllljtlll sl-oillg SUIIIO IPIIII. t':lmp.: l'l'l'fIllllIy. I'll tosll-h yon somo of that, but first why NVCTL' you llp ill that two? Ill-l'll.: NYoll. its this 2lAIIUXY.,l Ilo soos Miss CZIIIIIIIJUII kimlly smilo Zllltl WIIVIIIS to COIlIIllt'Ill't'. A, yol' soo, Rlllll' Watkins, what was nlllls al sissy. Wvlll tol' 0110 o' thoso lligll-brow sollools WIlL'I'0 tlloy tlllllll, lCill'll yL'l' IIUIIIIII- ox:-opt porty III2lIlIlt'I'S. XYoIl. I Iowo ho's rigllt olovor, hut Ilo's got too mm-h tlllllvisil IlIilIlIlL'l'4 for those ll2ll'lS. llo's Illlll'Il on t'I:lil'o, 0l'-2l- woll I Stlflill Iikol' too. Ilo pzlssos IIUI' zlll tho stylish Stlllll :lhollt 'lll'2l1' ohl Jhllllll Maxtor' ol' solllotllillg' lilao tllllt. t'l:lil'o, sllo Illlllli. think Ilm Yllllliltllf Ulltlllgfll, so I gots loft ollt. Ilo slzo EIS Ilow Ilo is tl goin' to ollll this III-tl'l'4 noon. I jQs got III? ill tho tl'oo to soo if Ilo wzls l'UIlllIl.. Il' I git Ililll I'll IQIIUUIQ Ilis liltlo tll'I'lIy ill fol' him! t':llllp.: I soo. XIX-ll. I'Il tozloh you Slllllll ol' HIl2lli0SlIL'llI't'.S IHISSQIQUS tillll XVIIUII Mr. Xl':ltkills UOIIIUS I'll illl-lo 4'Ill'0 of llilll. Now llSlt'll, ,lfll Silj' SUIIIPIIIIIILQ' :lllll yoll lIIl'IlIUI'iZK' it. I.ot's soo-

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LITERARY SHAKESERIOUS DRAMAS. Speech on Penmanship and Other Favorite Customs. High School Opinion Expressed in Gallery. Act 1-Scene 1. Enter speaker on penmlanship- Gallery- Speaker- Gallery- Speaker- Exeunt- Enter also Exeunt- Speaker- Arm movement penmanship was first practiced by a man who lived in- Put him in irons!-pinch him. I wish to say that we will have no- more remarks from gallery. I will now demonstrate the correct way of wind up the arm before commencing to write, which only will take five minutes. to do. Threats and obscene language. Complete satisfaction and applause from balcony and parquet, filled with school board and other good writers. We must have no more remarks from the gallery, will some gentleman go up and stop the noise? Exeunt, gallery silencer. Scene 2. Profane mutterings and fighting in gallery,-quick ac- tion all through scene. Censored. Gallery silencer with black eye. Case eggs through gallery back door. Exit eggs from gallery, enter stage accompanied by onions. Speaker, eggs following. Scene 3. Enter second speaker on stage. Speech on no school on Saturday or exams. Thunderous applause from gallery, hubbub and dissatis- faction disturbs tranquil silence of parquet. School on Saturday tends to demoralized the necessary activity of the students, by too much work. Deafening applause and assent from gallery and cries of bravo. Enter Parquet-two cases eggs, selected grade. Exit- Gallery- Exit and enter stage with terrific velocity, fire hose also turned 011 stage. Speaker without bowing. Compliments and hand shakes, scene of action in par- quet for time. Encore speaker incessantly. Re-enter Speaker-Accompanied by canvas umbrella to ward off egg at- tacks. Speaker encored three times by gallery. Re-enters, bows,-exits with egg logged in 'back of neck by parquet