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Page 131 text:
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ll-12 p 1 4---.-..- L--1 L-Q.. SENIOR PROGRAM or RAD1o PERSONALITIES NArt Exhibitsn, revealed and unveiled by Eddie Vail expert mes+er 01 art techn1que4 'Corn Cutters , wwth Cermelle Bergstrom, telllng you how to out corn for the meal 1n the mo ning 'All Th ou,h the r1ght', sterrlng Io Stack end Rae Bouett 1n romant1c love stories of one thousand ana one D13htS U Ol1ve Orchestre W, 71th Qh1rler 'hnnn nlitten an lead1np the all L1rl orche tra wlth Betty Moore vocal1z1ng Asleep or Awake 1th Jerk Jenk1ns, the Dr Jekyll of P8610 'Can You Take Iton, asks Jacquel1ne Clarke, as she conduct her class 1n defense knlttlng w1th Fugenia Mercer, leading pupil NStrife Begins at SUHT1SG , wlth Io Stern QlV1Dg advlce to farmers on the day' toils and tasks If all of these programs you have heard, And read the above and what s inferred, You may have found what was in the 8tt1C One day, in the mlnd of Betty Shattuck 4 J' D ,J 0 r fH4' Uh Xfy , emo , 12- a.m. ' W ,L ' ' 4 . I' g 1-2 e. m. ' r 5 E'- ' ' A ' ' ' ' 5, .. '- . M . 2'3 ag me , ' S V.. T1 . LI Q it uf. l' 'J , ' J Q' s .' 3-,I+ a. mi. U - - H, VL' ' I ' ' . Lb 5 at me . Tu . U S . Q . . . J X N 4 5-6 a. rn. ' ' ,' ' ' 1 s . U my ' , I o .... ...- -......,--....h.. ..,,,,. MH' 9 If ' ! ..- ff 1 l ee- Q f I ee, X Ml l 1, CL- z .fx N ' FL in , .-,I 1 Xb 3 , fri 1 WQLIJ i '1 K I 3 1 bb. ? 'N , g E , , . ' M .......r Q of , l : - 1 , 5 I W ' , 1 -.....i............. . ' 4 'f 4 ! ' 1
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Page 132 text:
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SENIOR CLASS PROPHECY OF 1942 Gazing into my crystal ball, the panorama 01 the future passes before my eyes Ten years fade away lnto nothlng and the year 1952 looms into v1ew Mrs Bessire, just returned lrom a study of the Lamas in the mighty snowcapped mountalns of Tibet, has arrived at a confetti covered dock in New York Removlng the confetti whlch obstructed her vision, she sees before her Jo Stack, her old Mar Ken pupil of 1942, Know better known as Countess Josephlne Mer1e Cromwell Dennlng Richardson Peurolfskle La Fonta1ne TumlHS1lkOffG Burlappe Rock Well Jones III I bra just returned from Europe after bagging her nlnth millionaire Mrs Bess1re accidentally meets another of her old stioents, Ruth Clrce, completlng her Pan Amerlcan good w1ll tour These two chance meetings have st1rred up old mBmOF1P in Mis Be s1re's m1nd and she determines to learn just what In Chlcago, she attends an surgeon Marjorle Lee Hugunin, Warwlck to peer 1nto and psy f1HdS Doctor Robert Roemer, and Doodler all nel old puplle are now GO1Dg operutlon performed by the great brain who opens bra1ns Ior professor John hoanalyze In Ch1C8gO Un1vers1ty she Orlnthylvgist, Tax1derm1st, Natural1 t Taking a fast traln en route to Los Angeles, she stops a few moments there and finds Dick Balkany quletly golng mad attempting to choose a leadlng lady for h1s new p1ctu1e, 'Now I'm Freen or WI Grad usted from Mar Kenn He flnally manages to el1minate Bette Davis, Hedy Lamarr, and Lana Turner in favor of Betty lCobinal Moore who had just completed URomeo and Julletn or nDon't Throw The Garbage On Me Magglen, Jackle lBrendaJ Clarke newly discovered sensat1on from Hoboken and Shlrley Ann Ch1ttendon glamorous queen of New Jersey n1ght spots Jura Bessire W1 hes h1m good luck, fully realizing what a difficult Sltu8t1On he is faclng In Denver, he stops over at the Biltmore Hotel and see .Tames KJIIIIFW to usl Zaner clad in yellow and purple str1pped nickerbockers sun glasses and crash helmet struggllng wlth the re wrlting Cfor the 27th tlnel the script for h1s newest musical comedy, NWhere's the Camphor Bottlen or UJohnn Get The Gunn Ginger Mlchael, dlmlnuative secretary, who has just sent her version of the script to Hollywood and Betty Cox 15 the leadlng lady who also has ldeas about the scrlpt Mrs Bese1re, passing through Moffet Field learns that Ann Gill1s of the U S 0 C U Shouldmt Oughta J is teachxng them to dance the Ru ba Bob Recht is her first pupil and a very flne one at that G P 'I . . 0 . 0 .zu u Q . . . ' ' o I - V .Q .. '- u 0 ' -. J , L - '., . . . . - 11 C ...- W f ' Q 4, ' . 0 f . I ,Q V - . - ,Y 4 . Q 4: . . . . - A . . . . Q or 1-. , u A- -. D I C 4 . . A, g . Q - . . - - . . . rr t. , - - . . . N . U t s 0 0 . . . - 1 I v . . .. . , . J . . . . . f 1 , . . F . .. L: t. A . . . 0 YV -J S ' 'I '1 0 . . 0 . . . . . - . l . . n 5 n . f a a 0 . 0 0
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