Madison Central High School - Tychoberahn Yearbook (Madison, WI)

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Ciitlf' Club Cabinet Front Row, left to right: Mary Alice Daniel . Evelyn Alexander. Betty Ellen Hedqui t, Jo Ann Etch. Lucille Link. Yvonne Na ef. Back Row: Betty Ludwig. Franco Kaneviky. Helen Utter, Janet Hout-lon, Alice Herrington, Irene Schwarz. They eneouiage scholarships Hi ya doin', boys? Hi-Y Club Firtt Row. left to right: Jack Snyder. Ruuell Inge-britton, John Dutf . Paul Hatleberg, Joe Barnett. John Carden, John Bate . Second Row: Bob Goodrich, Oti Ingcbritten. Bob McWilliam . William Hughe , George Mooney. Chal-mer Hatleberg, Dan Thompson, Cartier Blackbourn. Third Row: Bob Hughe . Mr. E. P. Nichel, Nick Margeti . Charle Speth. Clifford Kinder, Bob Larton. Theodore Paaraon. CJirU Lit ernry Society Firat Row, left to right: Catherine Roienberg, Yvonne Nacet, I ori» Yaffee, Mary Eierman. Janet Hoution. Second Row: Evelyn Alexander, Lucille Link. Elizabeth McGahey, Lotiite DuBoi , Helen Schara, Mildred Baldwin. Third Row: Mary Lord, I.e»lie Cavanaugh. Betty Wetton, Mary Breilenbach. Marian Ryan. Villetta Spencer, Kathleen Menoher. Fourth Row: Mary Alice Daniel . Helen Utter. Irene Schwarz, Jranette Jacohton, Evelyn Kennedy. Eunice Schimming, Mary Felker, Mary Macl-ennan. They had famous ancestry Clcrm.m Club Top Row, left to right: Otia Ingebriiten, Arthur Sweet, Howard Fi»h, Don Mueller, Frank Stump, Melvin Fox. Second Row: Floyd Swit ky, Ruth Schmitz, Betty Ludwig, Regina Hein, Elizabeth Ann Stark, Dorothy Harje , Clarrnce Runey. Bottom Row: Evelyn Engel, Rachel Trachte, Helen Koerth. Joy Mae l.ichtenberg. Ruth Rinke, Alida Ann Taylor. Wn haben feme zeit, mude zn setn ( We have no time to be tired)

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Arl dull From Row, left to right: Billie Usher, Helen Taubert, Ida Tietrl-baum, Charles Johnton, Betty Mattt, Jane Whitlinger, Betty Flynn. Back Row: Earl Clifcorn. Raymond Hughes, Howard Quale, Mis Post, ipomor, Vernon Swrnwn, Merle Meiller, Vernon Clifcorn. They say it is Art for Art’s Sa e U lterV Cluli Front Row, left to right: John Mill , Sidney Swret. Darold Coppernal, Dan Toseff, Marvin Sweet, Rudy Zeman, William Scott, George Sigrist. Second Row: Sam Sweet, Ulrich Zanoya, Harold Ro amky, Harold Thompson, Benjamin Caulum, N'orman Stern, Richard Clement , Lincoln Swan, John Carden. Third Row: Harold Drew . I.orrian Ethun, Charlr Hatlebrrg, Robert Po»tel, Art Hilgers, Eugene Storm. Frank McCann, John O’Neil. Central has its traffic cops Q. C. Clinic First Row, left to right: Mary Morell, Lorraine Gor»t, Josephine lain, Vivian Hall, Vivian Saute, Louise Schulthris, Vera Lee, Virginia Johnson. S e c o n d Row: Bcrnadine Spirlman, Marguerite Koepp, Eleanor Moran, Mildred Korn, Mis France Met , sponsor, Alice Short. Jean Beyler, Mary Linden, Dorothy Keleny. Third Row: Helen Ann Conway. June Wengel, Betsy Weston, Dorothy Hines, Lucille Hartwig, Lucille Riley, June Burchette, Pearl Osborne. Fourth Row: Bernadinr Spirlman, (.etlic Cavanaugh, Virginia Parker. Frances Kanevsky, president, Bessie Levin, secretary-treasurer, Mildred Hansen, Doris Smithson, Dolores Sprmgman, Valerie Krippel. . I charm school is our goal French Cluh Fifth Row, left to right: Ben Dermon, Herman Eisenberg, Arlene Nehmer, Joe McKenna, John Phillips, Fay Haukedahl. Helen Utter. Fourth Row: Marian Ryan, Mary Jane Newman, Doris Yaffee, Betty Lavering, Evelyn Berkan, Frieda Becker, Irene Schwartz, Mary Felker, Lola Grace Harding, Helen Baker. Third Row: Evelyn Alexander, lorraint Sweet, Jane Phillips, Kathleen Menoher, Ann Schaefer, Leslie Cavanaugh, Mary Gaffney, Patricia Reilly, Mildred Matelot. Second Row: Audrey Thompson, Mary Powers, Marv Jane Mullen, Lucille Link, Doris Krat e, Ann Powers, Loretta Niccum, Fern Griffin, Helen Slobod-nik, Tina Nania. First Row: Virginia Thompson. Ann Becker, Yvonne Naset, Catherine Rosenberg, Mitt Pope, Evelyn Kennedy, John Duffy, Sylvia Dutch, Helen Yaffee.

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The Ghost Iells All Don Tkaciite, grad, gives word and pen pictures of his Playfellow Henry by Virginia Parker Alokc with Gloria Vanderbilt, the Mirror possesses an original drawing of the comic strip, “Henry. More than Gloria Vanderbilt, the Mirror has had created for it an exclusive cartoon because Mr. Anderson is a Madison man, and his assistant, an alumnus of Central. We tried to get an interview with Henry himself, but he proved as illusive as Garbo. Finally, sve did manage to ensnare Mr. Anderson’s official ghost. Maybe it is just as well, because Henry wouldn't know much about getting jobs, and might hesitate to divulge what his ardent public writes him. (Jetting my job with Carl Anderson was mostly a matter of luck, said I on Trachtc when we interviewed him regarding his position as assistant to the creator of Henry. I had some work under Mr. Anderson in a vocational night school class, and there I got my first glimpse of ‘'Henry, when Mr. Anderson showed the little tyke to our class. Later, after finishing Central, I went to work for Leo F.dwards at Cambridge, Wisconsin. Mr. Edwards, an author of lioys’ hooks, and I had planned to write a comic together. After working all summer and apparently gaining nothing but a badly strained pair of eyes, I came back to Madison. In the meantime ’Little Henry' had risen to national fame, and, seeking the reason for the failure of my own cartoons to sell, went to Mr. Anderson for advise and criticism. He gave me some suggestions and advised me to continue my education. When I had finished three semesters at the University, I saw ’Henry’ had been syndicated. After drawing up some Henry ideas, I went to Carl Anderson, presented them to him, and asked for a job. At that time Mr. Anderson was preparing to go to New York for a month, but promised to keep me in mind and to let me know when he returned. About a month later he phoned and said the job was mine, loiter Mr. Anderson said I was hired because he saw the improvement in my work. I consider the summer I thought lost one of the most valuable I have ever put in. The cartoonists arc about equally divided in regard to the training needed for this work, Don pointed out. Some say you need an art foundation. Others say it isn’t necessary, and it is better to stick to straight cartooning. They argue that too much art training might stunt a person's style and prevent him from exaggerating like a cartoonist must. Art helps, provided you can keep precision out of your regular work. Mr. Anderson receives fan mail from all over the world, according to Don. the jxrsonal secretary. Recently a missionary in West Africa ran across an old magazine in which little Henry appeared, and became so intrigued with Henry's antics that he wrote to Mr. Anderson. 'I hc letter, which took three month’s to reach Madison, requested that a copy of the Little Henry book to sent to him, and stated that the missionary would only look at one cartoon a day because if he got a laughing fit, the natives might think him crazy and tic him up. He also said there was a little colored boy in this village that was al- (continued on page 29) HENRY ] ) if-----r To VihOo if MAY cOt $£iiN: -i TH MK THiS WM WroWSiN SeNTtNE L fcizNUS »S A GOOD iOEAW AN WE ORTEft HAVE '£M MORE OFF£N - --SAY WVNCE A WE£K AtEOO£. Vg £D- HSNRy C CAM. «NKRMN 12