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Page 18 text:
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AHRAMAMS. MAIIEI.I.K: ••• rue Irt, II. 12; KirU' i|Wli 10, II. 12; ir.hr.irn Irt. II. 12. ASHTON. JEANNETTE ID. II. I?: clase treasurer II; valedictorian; junior rrapunso: dramatic club hi. ||, | ; i-irl ' dull Irt. II, IJ; lilrr.11 MVirty II, IJ; mun i ||; numitof 12a, lUlumal Honor s.xiety I.’; or chretra Id. II 12: hIv.,| ; lu • ”Ti »r Hollar.......ITu king Rule. Hy. HARNEY, i LAYTON: N •« tiviltra IIAIMI.AKTNEK. ANNA JIAE No a. t. vine- IIRAIH.EY LET A MAE So MiimiN- . CHRISTENSEN. M E R F. I. Kids' cluli I. 12; Kiri ' •|»r«« 1. 10, II. IJ. trnni II. I.'; wiv-I t award II; «rH 4 | U« ‘Twelitli Nl ht II tLARkl KKTIARIi No a. I i vi tie . t'OI.I.ETTI. C,KOR(;iA: activities GEIGER. I.I'CILI.K: No ac-tmne . GODARD. IhiNAI.D da kftball 10. II. 1. ; usher' « ONI.IN. Mary ALICE ‘•■‘ I l'». II, 1»; „„| BUD apnrta Id. II; min ■n I.’; chorus Irt, ||. a tiRRlYE At'. ARI ES vut I • imuiiis. Kir|»' i I.; culi • porta tfyl 2. | C« CIA. TONY ..rail Nrlhall v, |,i ||; G.xmy C'.aaa tu.Udull II; -I 10. II. IJ, data olfird T . TIOSAI.IA: prop! lal kmar'yirly; num I, 12; fla KfrtUry j'tan j fieri ;.ir.uieni Apidrhi 12; jrirla ja L RAYMOND: ... I. I.'; basketball 9. trade 10, II, 12; liil II • • 1, la , •Wnt |0; chorus 10. t|. ijl fluli II; double |uartrt II; | rl II; data b.i.rtull 'a, III IIE1NA YERNON N.. adi IRANI I - a' apriru 9. I ie iumtnillrr •Ificrr o, irt. ERRCND. YII I 1AM- ,U,Lu licri—prranlriit l' .retrial Vb tltall ||. 12; h'imr room nN freer—prrudrm 10 (tab 12; laimilm II; lainl II. 12. icixTRohert huair M dull 12; track 12b. I. E.E'. E RA eta at historian: «irla' dub 10. ||. 12; itl»’ •I ' W. II; luamt |iiii 12a. •rr % nr award |2; orchestra I . II. 12; monitor ||, | : homr n m otfurt |.rr i lrnt 10, a .-- rrtary II IjOMAS. t I.AIKK: No artivt- lira. MAkGETIS. I'KTER: band l». II, 12; nrcbraira V, Irt, II. 12; data virr ;irrti lrnt II; Home r »ni ‘iflien jier«i lriit rt, rrUrr Irt, |irrai.lmt II; mirror 12; mutKiant dub 12; aub-boror r«»-m committer J2. MARX. ( VROI INK: No acliv■ ■lira. MASINO. JOSEPH band III. t latt Laaltrtball 9 10. II, 12; diorut 10. II. 12; foothill ni «. lo. II. 12; track 10. II. 12; Jl dub II. 12; mirror II, 12; Thr Red Mill 12 MEYER. JAMES: No oritvt lira JANUARY Itv Fu rk.N » Main | KANNKTTK ASHTON, valedictorian, Jcumu1 VauRhtt, tjlu- I latnrtan. ;«n«l Tout Cticcin. daw orator. spi kc of I he world into which they wort uh-Ml !«■ enter anti ilu ways i« «et the HM.ti out of lift- ill Ilk- mill-year eoimtieiKement cxerci»r heM Friday. January 25. Jeannette M»..kc “it Vnulh't Wonderland . emphasizing the nerd ami lain lilt received in tlu desire of exploration into thi» l.iml Your tchool life i» tla- Wonderland Jeanne in her ddnut-.n address. Oar Birrcm J.J. uml hal'. hr •unlit several idea» well worth mncmhrnnK “Happiiiess m it» true miim i' the accomp! id uncut of work well done and It ««l have I atilt castles in the air your work need not I k »! for foumlathu may be put under them Slir Concluded with l.et la I JVC! Tony 1 iM-eia .is chtt orator cxpkurd the ticH of adult etluca-tuoi, trOinK the Rradiute that dlneatinn i» never completcil and that leisure should l«e creative. The Reverend Krtnil Frye, of the First Metlv-lmt Oiorch Rave tltr invncatiiNi ami hcmdictioti at tlw cxcroses. “I'-inp ami Ur-cumatance . th PniccMi.owl. was play. 1 b tin- orchestra, while Other selection- were alvo Riven by the Hnmw l.ighorehesira ami the a eapella choir. Tin orchestra pbyci! while Mrs J»nw‘ Madden, representing the Ikur.l « f Fahicatkm. gave out the di- lilt iin.iv Pa e 20
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Page 17 text:
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CONTRIBUTORS’ CLUB ON ATTENDING A THEATRE THERE i» nothing; quite so thrilling as the exciting expectancy of attending the theatre Tlie staid old hnildings situated in the heart of the city represent f r yon the dull exterior of a fairyland within. You thrill to the feel of the hurrying throngs who |»ass by you, indfferent to the happiness you are about to indulge in. The cx| cctatinu of two i three hour of sheer pleasure render you impervious to the stark realism of the crowd. Only the nun at the box-office is possessed of the power to irritate you Me is the most Uttrotnan tic sort of person you ever hope to see, and the most thoughtless. In reply to a ropiest for eat directly in the center he will grunt noncommittally and send you away with tickets that call for seats so far from those you desired, that all the axioms of Euclid ami all u-c of logic would tail to prove it to be center. Once you get beyond the dullness of the lobby ami into the warm heavy atmosphere • i the interior, you arc hypnotized. There is something magnetic about the mustiness that yon find there. It secin- to be a j art of the general atmosphere; the heightened color, the unnatural splendor of the tlieatre. It needs darkness to put you under it mighty way. The light an off! The great room is tilled with blackness. Yuli »it breathless. Only the curtain is lighted, ami this rises slowly, temptingly, alluring, to rcvral the bright fairlaml The show is oil I During the ensuring hour a story of love is told—one |»crhaps of hate. lVrhap you are seeing Camille,” In-anti ful t'umille who was Ixirn for love. How lieautiful is her voice. I sow graceful her body, how flat-tering her gown . She is at the height of her happiness now, in the anus of her lover Now die is dying, and you weep for her; your heart is torn with pity fur her tragedy Beautiful Camille. The final curtain fall and the actors have made their bow . You sit for a moment stunned by the experience, li only you might he Camille, so beautiful and so tragic. If only you could die in the arm of your lover, while an audience looks on and understands and pities. The audience is leaving. You put on von wrap and appear perfectly nonchalant. Hut vour heart is beating wildly ; it hsu felt the stimulus of romance; it ha loved and hated much in that short time. You are in the lobby. It is cold and fills«1 with people anxious to get to the vvait- Graduates Without Picture JIF.RC.EN, GERALDINE: »r« ciuh v. 10; eho«u» 0. IU; tritl reserve 10; glee club 0, 10; borne r im i iTiter — secretary It. HORENSTKIN. NATHAN: chorus 10. li; (Mess dull !i; himr «—m officer- ecrel ry 10; monitor li. ECCERS. HAROLD: foxtail v. iu: A CB| e(b rJiusr It, li. NASH. THOMAS: No netivior. SPONE.M. CLAIR: Unsinc li: (—Hall 11, 12- VOCNGHI.CTH. RUSSEI.L N livilie iug taxis, or, if less fortunate, to the nearest subway. The reality of the street strikes you harshly. Why do they hurry, you ask yourself. Why do they not remain after the last curtain to relax ami to dream. How uuromantic, how unimaginative they must lie, you conclude to yourself, as you lia ten swiftly to the nearest subway. Mary Lord. MY BROTHER’S TELEPHONE CALLS THE telephone rang with a loud buzz. “Mary, will you answer tlie phone, called' Don. It was a Iniy's deep voice coming over the wire He impiircd for my brother. The conversation was short ami over in a few minutes. Just a my brother reached the top of the tair the phone rang again. I answered it. and much to my delight, it wa a young lady’s lovely voice. I politely called my brother to the upstairs phone. Wlien he arrived there. I quietly listened on tlie downstairs phone. This conversation was longer ami I listened intently. Suddenly 1 hurst out with a loud giggle. The conversation become stilted ami was over in a few minutes. I quickly resumed my chair and picked up a book. Down the stairs, I heard the stomp, stomp of my brother's foot, He walked past me and right to Mother. She lias no right to listen in my phone calls.” he exploded. And to make things worse she let mil a vulgar horse laugh. “I don't laugh like a horse and I’ll have you know that, 1 said in a spiteful way. “NoW. Mary, I’ve told y« u before not to do that. Mother said, trying to patch up the argument. Oh. Mother,” I cried, “it’s so much fun-why don't you try it? They say such funny things that f can't help laughing. OH. Mother.” Don exclaimed. What will she think of me? Now, Mary. Mother said in a scolding tone, “don’t ever do that again. “All right, I won’t, 1 promised unwillingly- After the dispute had been smoothed out. my brother walked away, glaring at me. When the telephone rang again, according to my custom, I answered it; hut luckily it was the wrong number. I meant revenge, for he didn’t have to make such a fuss. I really didn’t do any thing wrong. The next day the same silvery voice came over the wire. Here was my chancel My brother is unable to come to the phone because he is in the bathtub.' The truth, certainly, I had not promised to forego. “Anybody call me? asked iny brother, as he gave his tie a last adjustment before the full-length mirror. “Ye . I replied sweetly, hut I told Iter you were in the tiathtub.' Dm became -pccehlcs with exasperation. Finally. 1 could see him trying to come to some sort of ail agreement My mind was working rapidly as to what I should propose. 1 pondered for some seconds and then burst forth with an ultimatum. “I shall answer all phone calls with politeness and never listen in or lie rude,” I solemnly swore, and you shall get down on vour knees and pay respect to me as they do in Egypt. Beside that, you shall pay me five cents a week for answering your i.ill. Donald, now ready to agree to almost P«ie 19 anything, signed the peace pact. My wage have by tin time proved fairly remunerative. Mary Hiikman. MY FAVORITE CORRESPONDENT WHAT a thrill to rush home from school ,nid see on the hall table a letter from Mary. Maty writes such newsy letters, nothing escape her. She does such a thorough job of living, you know, all bright and shilling every minute If she gets a chance to recite twice in one period, immediately she thinks her teacher a darling, and she writes me every little detail. I can see tlie very dress she’s wearing how she argued her aunt into a “yes mood so she could wear it that day. Mary love to write letter and she writes a lot of them I hardly miss my Janesville school pal for I get a daily report sometimes written during Mary's study period. She i» a very smart girl and that is one rcaon she can put down on taper trivial hap| enings, and you ran either burst into tears or laughter over her letter . One of Mary's letters is ju»t like a visit. She doesn’t ever »cold me for not writing, or ruin half of Iter page with a lot of reasons for her delay. She just rambles into the weekly happenings at home, in school, and in church. Sometimes her whole letters may Ik- about the fun they have in her advisory group: other letters arc just like she i herself So eager and liappy over the way she gets her sliare of tlie I louse work done. How »hc save oup by using the electric dish wadier once a day. Ami how site has her brother trained not to dirty his plate in the morning. I love all these confidence from Mary. You sec, Mary and her brother are orphan . but they stay with her uncle and aunt by marriage, although they have their own income and pay their own way. Mary’s Aunt was a domestic science teacher and rather old when she maried Mary’s uncle. Maylie that's one reason Mary ran express herself so well on paper, for she lias never had a real understanding with her Aunt. Mary is so intense and I suppose that is one reason for all the arguments. But when I get a letter from my dear pal. I know she is sincere. I read tlie rambling that goes on and on and I feel rested and can hardly wait till I see another envelope, fat and bulging, that ha% “Return to Columbus Circle, in the left hand corner. Jr.an Rr.iu. ON WRITING POETRY I T'S a queer thing, this writing poetry. One moment you liave an idea and a ’whole poem seems to unravel itself before your mind’s eye. But usually if you try to grasp it with pencil and paper it evade you and hover midway in the hack of your mind, just out of reach. If you try to catch it unawares, it scampers playfully away ami tickle the outermost brain cells. Poem sees like gleeful elves, ever frolicksoiiie, ever elusive, ever watchful. Of course a poem is really one’s brain child, and what a mischievous rascal it can he! It pips out wlien one least expect it; and if he doe not catch it instantly on paper, it the away again. Sometimes, however. one will Ik- a little too slow' ami will leave his coat-tails or maybe a leg behind. (t mtiliuri! cm Page .12)
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Page 19 text:
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MOSKOWSKY. RACHEL: de, iu» HI. Mi Rtil.' dull 10. ii, KELSON. ROSALIE: Kir|.' •pill 12a. OLSON. ANGEI.INE X,. ai.. Illllltf PECK. ANNAHELLH N., al ttvitirs. I I RI.MAN. IRVING N.. 4, itvit»e«. I'klKVE, KIMTII chi.ni in, II; Kirtuli did) II: dal, II. 12; girls »|M»tt 10. 11; «! •»■ rluL 10, II; home room officer 10. II. REYNOLDS. JOHN. u hcr rluh 10. II, |2; (km k.t'lcr In, 11. 12. driimtic (Ink iu. 12; Had llu, I2;»; M dull 12. mirror 12; mIv-iI play Muio •leiir Mej»ic ih‘‘ lio. IM MIl. VINCENT: No aettvi-lie KVEKSON, JANE: honor pin. RYAN, MARGARET Eremh lol loti; Kill ' dak I , n. j.-; girls' •pori» 10. SATER. GR.M E; orcb( l . in. II. 12: girl ' dull 10, II. 12 SdIWOKGI.KR. PIIYU.ISj dm t ioi lfni: onior farewell; ■honoic rluh I la. 12; eirl ' dull II, 12; girl rport III ; (nmit 111,; «-hi il plaj—“Mon »irut llruucuirc 12. SOEII I.K. ROSEMARY: No actlvitir . I'NIil RIIII.L. MARY ,). . matte eluh 12: German rluh 12 I’TTF.R, IIETTA .bmu, HU.; •.-iris' tpwf V. in. ii. 12; lentil II, 12a; er lre awaril 1.1,; ol bomr ri«m ,-otntnittcc 12a; hoinr rm-in officer 12a. SERSTAH. MARCELLA: No activiiir . SPLINTER, GI.AUVS: churns 12; tlriimalti' luh It’. 11, 12; mrl» cluh JO, II. U; girl ’ |nf I ID; hiime room iWKtr ID; • clino I play - A Yjlfulliir Party J|, stephknson. pah No actidttr . TART'AMELIA. TONY: ty mg 12; liaiih all II. 12 TIIADI N. LINDA. No min tie . YACf.HN, JEANNI olm,. ti'eian; clonus in, 12; i|r»-tuatip aalnh 12; Kitllck eluh tiag.iii.V 12; girl ' cluh In. II I?., a yvpjirllii choir II). 12; nr Ultima v. in, II, 12; national -JRteoi Mrfirty 12a; monitor |2; lh it j runtn loiomutor |,bVt ,:- k LI MR. JOHN: f...ih,ll mgr Jna.LlFa; track mgr. III . V|J.Sl II LaOHn. » ’ 0 Im•Let- In. II. 12; I lack I 10, II, 12: M‘ dull 12 TORGESON, ELIZABETH: chotti 10, II. I2I»; dramatic dull I Da. II. trra‘il»rr 12; Kid ' eluh in. 11, |2; col te«etvea girl ' •|mrt H); li'W rouu (■ tierr |l . II. 12; literary »ocicty 12a; national hm»» «crt) 12a; Klee cluh : a • afprlU choir I . II. 12; G.C dime IJ; d«-d ptsy A Valentine Part)' II fWC US H. PAUL: land In. 12; 'aerut -• I ; ”. l' clul. 11. 12; W»jlr II; It khcthall 12: l„K. : 'in. (oolhalt. YOUNG. DAWN ha.kethall 10. III.; girl ' |«irt 10. II. 12. ZEMAN. AD 11.1 11: No act in tir . Graduates Without Pictures tIARKE THEODORE; foot hall II. 12. CRAMER. IIOl'GI .S; N.. -tivities. I RUSHER, MARGARET: girl dull lla, 12; girl roerte lla. UK X .GI.KS. GLADYS choru- lit; c d» dub In. II. 12; gltc cluh PAl LSON. KE.NNI I II no «- untie M ill l.rz VERNON: No activities, SWEET. ESTHER, diorn in. II, Ui; Jtaniain dull HI. II; Kill ' rluh ID, II. 12; uni ' •|» rt. In; home twin -ilficer 10; » drool play—“A alenline Parly ||. WADDEI.I., EUGENI No ac It itie . WOODMAN. MARY MAE No activities. COMMENCEMENT Assisting committee were: motto. Josephine Schwarz, chair man. Rosalie Nelson. Raymond ll.niki. and Roliert Mull; class colors. Alice i miIiii. 1lu1rm.n1. (daily . Nigh . John Reynolds. ami Hilly Yc-l; h.im|uct, Albert Kerim, chairman. Morel Christenson. Tiny ( ticcia. Paul Welsh, ami Jcaime Vaughn; party, Jim Meyer, chairman, Betty Tnrgcsoit, IVier Margctis, Carolyn Marx, Winifred Keyes, ami Howard Olson Arlene I i.rriveati, chairman of ihc announcement committee, had a» her assistant Betty I tier and Mnyhclle Abrahams; I'.dith Prieve. as clvairman of the sparking committee, was assisted l Margaret Ryan, Marcella Scr tad. ami Rosemary Sochlc. The “Kid's Dav committer, headed hy t.ladys Splinter, in chvii-d l.cta Bradley. Linda Thadcn. Harold Gahbei. Donald «•« !-ilard, anti Clayton Barney. The class motto was “Today we follow . tomorrow we had The class colors were i,|,| r«» e and silver. The senior haiupH-t w .ts hcM January 23 in Kennedy Manor at which Paul Welsh was toastmaster Jeanette Ashton played a piano solo, ami Tony I.'ticcia •-mg O Sole Mm anti “Sylvia. Superintcntlcnt Bard well and Princi|«al Waehlcr gave short addresses The banquet was followed hv the chi night program which included the senior farewell address hy Phyllis Schwocglrr: advice to juniors and the junior response l Arlene Corriveau aiwl Helen Mcdilvra; the class prophesy and history hy Vera l-cc ami Rosalia Greco. Pag. Jl
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