Madison Central High School - Tychoberahn Yearbook (Madison, WI)

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June Graduates, Cont’d SCIIRF.IBER. I.I'CII.E: das. prophet; ■ I jiuiiin dob 12: French dub 12: HirU dull, chairman ol candy rum muter 12; K rl reserve II; honor rill 12; national honor «.»-irty lla, 2; home ftwm fixer -president llh[ literary •ocifty 10a. II, prottram ■'haimiau I2h, 12a; mirror |u. II: preu dull II. null ami mti.II lla; •cIiumI |iIm The Kina Knlei By Uh Sl'KTH, EDNA; iil ' dub II. 12: «irls‘ port 10b; airl reserves l'k»: home room officer presi.lent 12b: literary society II. 12; mirror II, 12; in»tiil«r% llli, l.'.i, lla; |irc« dub H. 12; service Ktnli II; .nli-bome room committee I2h; honor pin II mirmr IflL thorns 9. in. II. 12: HARRY: art club 10. II. 12. SHOWERS. ROBERT: art dub Hu. 12, prciiilrlit 12. advice to Junior ; debate team I2u: dramatic dub II. 12; mirror It. 12; national twitaur »■ ciety 12b: pte»« dub IU. 12: school l .lay Tbr Km. Ri.le. »y. T li Red Mill. YUiUm Aptdejack, Monsieur llwuctnrHonor pin 12 TEKALE. EMII.: No activities THOMPSON. LEO basketball II. I2j football i. in, || .M- chrt, 12; track 9. 10, ||. SMU'I.Z. El.ISAIIETH thorn. ID. II. 12; |i rH' dub It). W II HAM l.iximc II: ba in. II, 12; school |Ja% I ; II. I?; usher's dub 10. II 9. 10. II. :luh 10. II. Pella cUr room officer II: SHAFER. ROBERT: No SHAFER. STANLEY: N« Not hi adiiatmir TOMLINSON. CAROL: art dub II. 12: Kiris' dub Hi II, 12: (iilitprtt 9, in. II, 12: literary auciety 10. II. 12; inornt. t 11; service award. Ilu: «ub-bntiir room committee 12; Irlilli,. II. williams, don.mji: un.i u. u. chorus 12; dramatic dub II, 12: Get-niuu dull II. 12; track II; dtntn major. TOPPING, LEONA du.ru. lib; dramatic dub H. 12; K rl»‘ dub II. 12; French chib II. 12: girl reserve 10, II: hotne room officer - .ecretarv 12. I'RSO, FRANK class baskeffiMI 10. II. Wll.SON. BETTY: cborua 12b; dra-mule club IU, 11. 12: KirU dub 12; dee dub 10; monitor 12a; nrrhe. tra II; school |4ay» Id.. III. WII SON. WOODROW l.a.kctliall da , basketball W. II, 12; Uuuuk 10. H. 12: football », 10. 11. 12: home room officer president II; li dull incident 12; track 12; school play Captain Applejack II. VOSS. ARNOLD: Hi 'V II. 12; dub II. 12: mirror II, 12; monit. UJi musicians dull 12; national I uociety 12; ordie.tr a 9. 10. 11 ore. dub II. 12; track HI. it. ,tf hotiur pin 12. WATER WORTH. RAY chorti. 9. II. U; arhiml play The Red MilT 12; tennis 12. WE HER. HAROLD: das. lu kctball II. 12; thorns 9. 10: Rlee dub 10; A cuprlU choir 9. Ill; hnmr room officer llli. AN. ESTHER dn.ru. 9. to. club II. 12 WRIGHT. HARRIFTTE: an dub 11. HHr; rhoru. II. 12: dramatic dub I ', il. 12; Bill.' dub li . pfouram chair man IDu. lib, 12; A capella choir 12; press dub H. 12; home room officer- program chairman II, 12. lit -erary society n. 12; monitor H; mirror II. 12; nat.-sul honor society 12; Mrhool play. The Red MilP 12a, The Kina Rules By” 12b. Half Way Prairie lla, Monsieur Beau caire II. YOUNG, LYNN chiuti WEST. WILLIAM: band 9; golf D: usher's club 10; tub-hnme ri im com mil tee II. 12. YOHN. FRANCIS |...|ha1l 13.; .cb...l play 12a. WHEKI.ER, RUTH; girls' club 10. II. 12; girl rnetvei 10; monitor 10. Vl'NGFR. IANKT: chorus 9. 10; girls' dub 11, 12b; (trl reserve 9: citls' sports 9. 10. II: monitor 10. II. U

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June Graduates, Cont’d MOEN, Rl'RV girl. club M § Lx f MONCR5F.F. JOHN: la-krthal' lo. ii. |j; cWu. • i (..iti.aii v. l«; track W; «nb homt morn ciunmit •rr II. OAKKV. VIRGINIA: art rM. 10. ||. r; ft ?.' ‘'Vb “• ,J: •m,»' “' I'l. II, IJ; girl rcKivo ||; |i,rtBC iiiimb •■Him secretary u. nl I H, M, |FAN x.. activmr. MOREIIorSF, ALIIERT .»» ni glee ■lull 9a; lin f room 'Hurt |Kr n)rnl; ”M‘ dub II, I . OLIVA. KOSF girls .lul. |... ||, |«; Iiln4ii ■ wlv IJ, mtrtoi IJ; mniit V IJ; («»« dub IJ. .juill uni kioU MOREHOl'SE. NORBRKT da •» k cl hall •■. ID. II, IJ; das » • hum i .™ officer II . fty M Id, II. Uj (Uu luwl.al X M . « S MI NI HOW. JANK E Ffd ’ ’ lla. IJli. president 17m: •» .O' 1 |U. II. IJ; (In'tman p ur»»l 1 | Mi UK ASH. tic . VIRGINIA «■ »• ' oijiKN. HOWARD Wax »a V-il,»!l vtfTlfS i . I-’. I—tball I'l IJ. „ .1. X V‘ It 'SSONk' EDITH French dub IJ; flail III. II, dianntan nl nay. 11111], yr.riroy nminnflce IJ; hntue room off lit • - Ml' .1 Kht: binary u inUl II. .wecTsjiiiy lla, IJ; mirror 0, II, TJ; iitrttiitur lUa; pres club 11 ii. IJ; •min: aw.ml lll : «uh Ii .mr Cniimnttrr lla: HntKir |itti IJ. - T OSMl'NDSFN. I'.M'I.: No admtie NEl-SON, HONAl.D: tfluU«n»WB. Jnuiie i -n ulT.crr HI; HioM.H'r I'. ukI...’ itub Mi; lli V ,,-1U;1'r or t in IJ: l««»V exchange tIn. PATTERSON. DAVID home t.g.iu • lllccr lecreury ljb. OAK EY. KirHAKI): cla« o, I . II; loo Kail mgr IJb: IJ; tuhrr's dub 10. H. I- |,a.lrlluill track D. PERSONS. HETTY art dull Ha wtil«‘ .Ini' II. 17: girl ic•»»'« Inane rmm officer—vice-pre»ide»il monitor IJ. II: PIIEl.AN. MARY girl ' clul. HI. II. IJ: «irl«' •putt I ft. IJ. I'llll.I.II’S. NANCY an clul. Ha. IJ; Kmu-ti cluli to. II. IJ: girl.' clul. I . H, IJ; bntnr room officer 12a PI.ATII, OI.IVF.R: rla». lu.keth.II II. IJ: chnrn. IJ: Krcvli dull II; lire-man dul 0, 10 ROBERTS, CLIFFORD: dw.ru. II. IJ; ill mu lie dull lla. IJ: French club II; Hi-' Y 10. II. IJ; mirror lla; Hut club lla; truni. IJa; school flay. II. IJ. KOGFRS. ELIZABETH: girl.' sport HI, H; churn. V, 10. 111 . IJa; dramatic club IJ; mil. dub 11, IJ; mixed choir II. IJ. ROHR. HOWARD: .ub brnnr room committee IJ. pollock, ri'sski i«xing ij; tier nun dull 111; orchestra V; mirror IJ; lioine fimiii ollicct II. RAM.. ANTHONY I..dull HI. I KKIiAN, ANN: ilraniaiic club 9. HI, II, IJ: Frrndi club IJ; girl.' club III. II, IJ; gill ' »laul. 9, 10, II; press chib H, IJ; mirrnr 10, II. 12; liter-ary society HI, II. Irra.uirr IJ; home (.. ni officer president 10. II, w iriar) IJ. Jvlill - ........ f —----- . . I - •.«■•• • ■ . . rliii haskrlh.il IJ; class iifflrcr II. IcMtliall |ii, ii; inirrcii IJ; tiack II. X. MARGARET: senior Urc-iilrainatic dub 10. IJ; Finich 'IJ: girls dull 10. II IJ; In wcirty 111. II. ice-|irr .idem , [ixairain diaiuuait IJa; mirroi iv. aui.tanl circulation mgr. II. cu-rulali-m mgr. IJ; mnuilor 10. II. IJ; Vice, club II, IJ; uiull and scroll II. IJ: »ct vice award 11; sub-Viiuue n au commillrc IJ; nam.iial Iihikii anclrly IJ; honor i«n IJ REYNOLDS. JOAN laid II IJb; dramatic dub Ifti, II. IJi French dub III. II, U; girl.' dub 10. II, IJ; lilrruiy sucicl lOu. II, IJ; monitor I Jb; school play. Twdltli Night, McaiMeut Heaucaire. SLNRENICH, KATHRYN: art dub churn. 9, |0, lib; girl.' dub II, IJ; G f clinic IJ. SCHAI’KTER. ImiROTHY dn.ru. v. III. IJ: dtamatic dub IJ; gnl.' club HI. It. U. glee chib 9. lo; csorlU dual; wla.il play -The Resl Mill li ROBERTS, i'll ARI.KS: Freiab dub 10. II. IJ: ID Y” II. IJ: home room i.tlicrr 9; da , baseball 10. SC1II.ECK, JOHN da . lu.k «b U 10; track IJ; u.hrr . dub 10a. lib.

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CONTRIBUTORS’ CLUB ON ATTENDING A THEATRE THERE i» nothing; quite so thrilling as the exciting expectancy of attending the theatre Tlie staid old hnildings situated in the heart of the city represent f r yon the dull exterior of a fairyland within. You thrill to the feel of the hurrying throngs who |»ass by you, indfferent to the happiness you are about to indulge in. The cx| cctatinu of two i three hour of sheer pleasure render you impervious to the stark realism of the crowd. Only the nun at the box-office is possessed of the power to irritate you Me is the most Uttrotnan tic sort of person you ever hope to see, and the most thoughtless. In reply to a ropiest for eat directly in the center he will grunt noncommittally and send you away with tickets that call for seats so far from those you desired, that all the axioms of Euclid ami all u-c of logic would tail to prove it to be center. Once you get beyond the dullness of the lobby ami into the warm heavy atmosphere • i the interior, you arc hypnotized. There is something magnetic about the mustiness that yon find there. It secin- to be a j art of the general atmosphere; the heightened color, the unnatural splendor of the tlieatre. It needs darkness to put you under it mighty way. The light an off! The great room is tilled with blackness. Yuli »it breathless. Only the curtain is lighted, ami this rises slowly, temptingly, alluring, to rcvral the bright fairlaml The show is oil I During the ensuring hour a story of love is told—one |»crhaps of hate. lVrhap you are seeing Camille,” In-anti ful t'umille who was Ixirn for love. How lieautiful is her voice. I sow graceful her body, how flat-tering her gown . She is at the height of her happiness now, in the anus of her lover Now die is dying, and you weep for her; your heart is torn with pity fur her tragedy Beautiful Camille. The final curtain fall and the actors have made their bow . You sit for a moment stunned by the experience, li only you might he Camille, so beautiful and so tragic. If only you could die in the arm of your lover, while an audience looks on and understands and pities. The audience is leaving. You put on von wrap and appear perfectly nonchalant. Hut vour heart is beating wildly ; it hsu felt the stimulus of romance; it ha loved and hated much in that short time. You are in the lobby. It is cold and fills«1 with people anxious to get to the vvait- Graduates Without Picture JIF.RC.EN, GERALDINE: »r« ciuh v. 10; eho«u» 0. IU; tritl reserve 10; glee club 0, 10; borne r im i iTiter — secretary It. HORENSTKIN. NATHAN: chorus 10. li; (Mess dull !i; himr «—m officer- ecrel ry 10; monitor li. ECCERS. HAROLD: foxtail v. iu: A CB| e(b rJiusr It, li. NASH. THOMAS: No netivior. SPONE.M. CLAIR: Unsinc li: (—Hall 11, 12- VOCNGHI.CTH. RUSSEI.L N livilie iug taxis, or, if less fortunate, to the nearest subway. The reality of the street strikes you harshly. Why do they hurry, you ask yourself. Why do they not remain after the last curtain to relax ami to dream. How uuromantic, how unimaginative they must lie, you conclude to yourself, as you lia ten swiftly to the nearest subway. Mary Lord. MY BROTHER’S TELEPHONE CALLS THE telephone rang with a loud buzz. “Mary, will you answer tlie phone, called' Don. It was a Iniy's deep voice coming over the wire He impiircd for my brother. The conversation was short ami over in a few minutes. Just a my brother reached the top of the tair the phone rang again. I answered it. and much to my delight, it wa a young lady’s lovely voice. I politely called my brother to the upstairs phone. Wlien he arrived there. I quietly listened on tlie downstairs phone. This conversation was longer ami I listened intently. Suddenly 1 hurst out with a loud giggle. The conversation become stilted ami was over in a few minutes. I quickly resumed my chair and picked up a book. Down the stairs, I heard the stomp, stomp of my brother's foot, He walked past me and right to Mother. She lias no right to listen in my phone calls.” he exploded. And to make things worse she let mil a vulgar horse laugh. “I don't laugh like a horse and I’ll have you know that, 1 said in a spiteful way. “NoW. Mary, I’ve told y« u before not to do that. Mother said, trying to patch up the argument. Oh. Mother,” I cried, “it’s so much fun-why don't you try it? They say such funny things that f can't help laughing. OH. Mother.” Don exclaimed. What will she think of me? Now, Mary. Mother said in a scolding tone, “don’t ever do that again. “All right, I won’t, 1 promised unwillingly- After the dispute had been smoothed out. my brother walked away, glaring at me. When the telephone rang again, according to my custom, I answered it; hut luckily it was the wrong number. I meant revenge, for he didn’t have to make such a fuss. I really didn’t do any thing wrong. The next day the same silvery voice came over the wire. Here was my chancel My brother is unable to come to the phone because he is in the bathtub.' The truth, certainly, I had not promised to forego. “Anybody call me? asked iny brother, as he gave his tie a last adjustment before the full-length mirror. “Ye . I replied sweetly, hut I told Iter you were in the tiathtub.' Dm became -pccehlcs with exasperation. Finally. 1 could see him trying to come to some sort of ail agreement My mind was working rapidly as to what I should propose. 1 pondered for some seconds and then burst forth with an ultimatum. “I shall answer all phone calls with politeness and never listen in or lie rude,” I solemnly swore, and you shall get down on vour knees and pay respect to me as they do in Egypt. Beside that, you shall pay me five cents a week for answering your i.ill. Donald, now ready to agree to almost P«ie 19 anything, signed the peace pact. My wage have by tin time proved fairly remunerative. Mary Hiikman. MY FAVORITE CORRESPONDENT WHAT a thrill to rush home from school ,nid see on the hall table a letter from Mary. Maty writes such newsy letters, nothing escape her. She does such a thorough job of living, you know, all bright and shilling every minute If she gets a chance to recite twice in one period, immediately she thinks her teacher a darling, and she writes me every little detail. I can see tlie very dress she’s wearing how she argued her aunt into a “yes mood so she could wear it that day. Mary love to write letter and she writes a lot of them I hardly miss my Janesville school pal for I get a daily report sometimes written during Mary's study period. She i» a very smart girl and that is one rcaon she can put down on taper trivial hap| enings, and you ran either burst into tears or laughter over her letter . One of Mary's letters is ju»t like a visit. She doesn’t ever »cold me for not writing, or ruin half of Iter page with a lot of reasons for her delay. She just rambles into the weekly happenings at home, in school, and in church. Sometimes her whole letters may Ik- about the fun they have in her advisory group: other letters arc just like she i herself So eager and liappy over the way she gets her sliare of tlie I louse work done. How »hc save oup by using the electric dish wadier once a day. Ami how site has her brother trained not to dirty his plate in the morning. I love all these confidence from Mary. You sec, Mary and her brother are orphan . but they stay with her uncle and aunt by marriage, although they have their own income and pay their own way. Mary’s Aunt was a domestic science teacher and rather old when she maried Mary’s uncle. Maylie that's one reason Mary ran express herself so well on paper, for she lias never had a real understanding with her Aunt. Mary is so intense and I suppose that is one reason for all the arguments. But when I get a letter from my dear pal. I know she is sincere. I read tlie rambling that goes on and on and I feel rested and can hardly wait till I see another envelope, fat and bulging, that ha% “Return to Columbus Circle, in the left hand corner. Jr.an Rr.iu. ON WRITING POETRY I T'S a queer thing, this writing poetry. One moment you liave an idea and a ’whole poem seems to unravel itself before your mind’s eye. But usually if you try to grasp it with pencil and paper it evade you and hover midway in the hack of your mind, just out of reach. If you try to catch it unawares, it scampers playfully away ami tickle the outermost brain cells. Poem sees like gleeful elves, ever frolicksoiiie, ever elusive, ever watchful. Of course a poem is really one’s brain child, and what a mischievous rascal it can he! It pips out wlien one least expect it; and if he doe not catch it instantly on paper, it the away again. Sometimes, however. one will Ik- a little too slow' ami will leave his coat-tails or maybe a leg behind. (t mtiliuri! cm Page .12)