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Page 47 text:
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stu the stuc C . A , 4 ,, . ,.. ...4 ,. ,.. ,,4 .. 53 ..,.l .i, .. ,..4 , ,,, Q , Q ., ,A4 9 .... ,,4 ,,.A ,,A. , E 4 , , .D .. . Piano Normal Course Conducted by Carolyn Bowen XVhat the course comprises: 1. The piano and its literature, explained and classified. 2. Methods, ancient and modern, examined and discussed. 3. Detailed analysis of the whole teaching repertoire, including exercises, dies and solos. 4. The secrets of touch and tonal beauties disclosed. 5. Modern uses of the sostenuto and damper pedals. 6. Scientific iingerings designed to produce strength and facility and to aid processes of memorizing. 7. Practical demonstration of teaching methods for children and adults where lents are required to participate in the teaching. The Course Cozzsisfs of Forty Hours of Ifzsfrucfion. lasses In Advanced Normal Methods Under James A. Bliss How to study an analysis of touch, tone, technic, form, style, character and interpretation. Early Classics, rl. S. Bach Inventions and VVell Tempered Klavi- chord, Mozart, Beethoven, Chopin, Schubert, Schumann, Mendelssohn, MacDowell, Debussy and Ravel. F the In ear l Sch cla of sta sta Zlg' rm and Interpretation Under Madame Bailey Apfelbeck 0 The needs of the pianist require that he must understand the possibilities of pianoforte and have a complete knowledge of the literature of his instrument. this course of study Madame Apfelbeck analyzes the masterpieces from the y composers to the present day, including the compositions of Bach, Beethoven, umann, Schubert, Chopin, Brahms and the modernists. Violin Normal Course The following is a partial list of subjects 'covered in the violin normal ss conducted by Rudolph Peterson. Psychology applied to the study music. The higher positions taught visually. Details of muscular action ccato, slow and fast spiccato. List of teaching materal. Suggestons for ccato, slow and fast spiciato. List of teaching material. Suggestions for raded course, and how to develop the vibrato.
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Page 46 text:
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,... ,.... ,,,.4 ,,,... ,,,... ,,,... ...., ,.,. .. ,,.. .... .A.. ,,. Q ,,.. 5 .... ,.....,,,,,.... .,,,, ,,.. .,., 9 .... S2 .. ,,......,,,, S2 A.,. ,,,... ,,,.....4 .,... ,, ,,.. .A... ,,... A,..., , ,..A.. . Class For Accompanists Mrs. James A. Bliss A course by an accompanist who has long been a favorite of the public. She is one of the most popular and successful artists in the Northwest. Mrs. Bliss has toured in the United States and Europe with some of the greatest musical celebrities in the world. The demand for trained accompanists is greater than the supply. Course of Study Une Class Lesson each week fMrs. Blissj, ten weeks ...........,,..,...........,w.... 310.00 One Theory Lesson fclassj each week fMr. Blissj, ten weeks .....,i,. 10.00 Voice Normal Course ROBERT FULLERTON-HAZEL DIESETH. The questions discussed are similar to those studied in the piano normal, but pertaining especially to vocal art. This course in no way conflicts with the methods taught by instructors in private lessons but is a general study of the science of teaching. History of Music I Required of All Grczduatemj This subject has been successfully taught for a number of years in the MacPhai1 School by Hamlin Hunt. The course of 40 lessons includes the history of music from the present day back to the time of Bach and Palestina. Modern Keyboard Harmony and the Upton Method Conducted by EMILY MINETT This method of hearing and understanding music as a language, rather than as an arbitrary system of notes, has been fully tested and adopted by a large number of the most progressive teachers. Choir Training Under the Direction of STANLEY R. AVERY The course is intended for those who wish to become efficient choir directors and organists. The field is large and good choir trainers are scarce. In both large and small communities there are always opportunities open for those who can do this kind of work well, and the MacPhail School is the first to offer such a course. Those taking public school music or organ will Gnd it of particular advantage. Conzplcfe Course of 20 Iflfeeks, 32000. Composition and Orchestration Required for Degree Barlirflor of Jlluxic This course is intended to develop the talent of those possessing natural cre- ative musical ability and to discover and bring out latent talent in this line, also to give instruction in arranging original and other works for band and orchestra. It is made practical and the original creative work of students is used throughout. Beginning with whatever the student has of inspiration, this is built upon and grad- ually expanded until composition in the larger forms is attained.
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Page 48 text:
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,..., .,., .... .,... .. ..... , A.A, ...A.. ..,.. ,.... ,. ... fx ... .... ...4 ..... 53 . , ..., ,,... ,.. .. , ..... .. , ...... ,.,,... E2 ... ... ,... ,... ,.. .... ,... I ., , ,.... ,.... .....A ....,., ,..A ,., ,..A ,. ... ,.. , ,.. , A Post-Graduate Course of 40 Weeks In Scientific Principals of Piano-Playing and Interpretation Under Mrs. Charles S. Hardy This course will be divided into two periods: First Period of 20 weeks-an analysis of: Qaj Use of weight, muscles, speed. Chl Varieties of touch. fcj Four angles of tone-production. fdj Mental control replacing physical control. , Second Period of Z0 weeks-Interpretation. The application of the foregoing principles, aesthetic proportion, balance of dynamics and the creation of tonal-planes. Working from the standpoint of scientific principles instead of conforming to a method enlarges the vision and unfolds innumerable possibilities and beautiful effects in both classical and modern compositions. Mrs. Hardy is the authorized Northwestern Representative of E. Robert Schmitz. 5 of gg, we Cwhv P Complete Piano Course Leading To Graduation Based on the Progressive Serieslof Piano Lessons if-'WL 'i:Mrse Eighty private lessiins in Piano, two per week, price according to teacher. 160 Class Lessons, four per week, in Rudiments Notation, Preparatory Harmony, Prepara of Music, Ear Training, tory Normal Methods, as r,.,,,.,,,,,,rr,,,,,,,,o,,.,,,,,,,,,,,,,,,,,,r,,,,,,,.,rr,,,..,,..,o,...o,,,,,,,.,.......,,,,.,,,,,,....,..,,,,....,,.,,..,,,.,........o,,..,.......,,,,,.,........,o.o,.,o 3160.00 5'Cv,,,L,f.,,,g:f, 'fLf'f i H Certificate Course vm Eighty private lessffns in Piano, twO Per weelgybwlawavbeafvna-Afvv7 5' f'l? A' 120 Class Lessons, three per week, in Advanfed Melody VVriting, Form and Analysis, Keyb Ear Training, Harmony, oard Harmony, History, by intensive study complete the r. For these students a special Normal' Methods, etc .......,........,.,..................,.................,.,.. Students who are sufficiently advanced can Preparatory and Certihcate Courses in one yea class will be organized. V III Diploma Course A Eighty private lessons in Piano, two per week, I i 0 L4-'9 l' fe t 0 LL 120 Class Lessons, three per week, in Adva iced Harmony, Counterpoint, Elementary Composition, Interpretation, etc .............,,...................,..,............,.,,...,...,..... 3120.00 ' .,.....,.,r....,,,......,,........,..,....,,.............,..,.,,. , ' ' ' '- malMGEoursEfii5'n'El'Trp . ' atlre. r ' i i' V . -teseefi '1 . e da.R13Qg'F9SSfT6 'S?Yl6?T68QhQES.
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