MacPhail College of Music - Coda Yearbook (Minneapolis, MN)

 - Class of 1926

Page 37 of 62

 

MacPhail College of Music - Coda Yearbook (Minneapolis, MN) online collection, 1926 Edition, Page 37 of 62
Page 37 of 62



MacPhail College of Music - Coda Yearbook (Minneapolis, MN) online collection, 1926 Edition, Page 36
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MacPhail College of Music - Coda Yearbook (Minneapolis, MN) online collection, 1926 Edition, Page 38
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Page 37 text:

W t falm Gatsclze Hazel Halvcr Ncisoz: I-Hfilf Hifi?-V Rvwkvrf Grant Haggfquist JOHN GATSCHE studied in Leipzig for several years, playing in the sym- phony orchestra under Xvintersten, after a thorough training in his home city of Marienbad. He has been a member of the Minneapolis Symphony Orches- tra for twelve years and during that time he has built up a splendid reputation as a teacher. A large number of students have benefited by his instruction. HAZEL HALVER NELSON uses the principles of Ottaker Sevcik in her teaching and she has succeeded in bringing her pupils through the early stages of violin playing with a good understanding of proper bowing and left hand technic. LUCILE 'HICKS ROSSKOPF has a brilliant violin technic and because of her splendid bowing and pure intonation, she produces a fine tone which inspires her pupils to work for artistic results. GRANT HAGGQUIST has rapidly gained a reputation as a teacher and violinist of excellent attainments. Because of his musical talent he was given a musical education under the United States Veterans' Bureau. He is thor- oughly acquainted with the technic of his instrument. Violoncello CARLO FISCHER of the Yioloncello Department of the MacPhail School will personally accept a limited number of pupils. As a teacher, he has had unusual success. His masters were Prof. Bernhard Crossman and Prof. Hugo Becker of the Dr. Hoch's Conserva- tory at Frankfurt-on-the-Main, two artists who have developed 'cello playing to its highest state of perfec- tion. Mr. Fischer will conduct classes in chamber music where violinists, pianists and 'cellists will have training in proper ensemble interpretation. l

Page 36 text:

,,,, , ,. , ,,. ,.. ,,.A., ,...., ,... ... ,, ... ,,.. ,. ,. ,.. ,,.., ,. ,... ,,. ,,, S2 .. ,..... ,... .... .. ,..... .... .. .. ,... ,,., ,,.. i Ralph Trimzan CSIZQJZLBT' Campbell Maude Scott Anne MacPhail RALPH TRUMAN teaches according to the Sevcik principles and his pupils excel because of his careful instruction. He is unusually talented, possesses a fine technic, and his playing is characterized by beautiful tone quality and perfect intonation. CHESTER CAMPBELL qualified for entrance in the Conservatoire de Paris in 1918. During a period of study in this school he had instruction from the leading French masters. Upon returning to Minneapolis he became a mem- ber of the Minneapolis Symphony Orchestra, resigning after one year to de- vote himself to teaching, a field in which he has been particularly successful. His many pupils demonstrate his ability as an instructor by their beautiful tone quality, pure intonation and correct methods. He conducts an orchestra for the beneht of his pupils. MAUD SCOTT is a capable violinist and instructor. During her five years upon the MacPhail School faculty she has given a number of successful pupils' recitals. Her thorough system of teaching and high ideals make her a very successful teacher. ANNE MacPI-IAIL, who has been a member of the MacPhail faculty for the past four years, appeared as soloist in over one hundred and fifty concerts. She is thoroughly acquainted with violin technic and literature and brings to her work an enthusiasm for teaching and a knowledge of normal methods which make her an unusually fine teacher. She has a B.A. degree from the University of Minnesota. A large number of talented pupils belong to her class. IRMENGARD MALMO has the natural temperament of a good teacher. She is energetic and conscientious, producing excellent results with her large class of stu- dents. She has received her violin training at the hands of 1. Rudolph Peterson and has appeared in recital a number of times with splendid success. KALMAN JELENIK is a very conscientious teacher who has had splendid success as a teach- er. He uses the Sevcik principles and is very particular in regard to proper foundations. His pupils show excel- lent training. He is in charge of the MacPhail Junior Orchestra which gives several concerts annually.



Page 38 text:

.19 ,,.... A...., , ..... ,.... ,.., ,.... ., it ..... .4 .... ,. it ,.. 5 .... ,.,... ... ,. A. ..., S2 ,, 9 .... ,..A, ,,... SZ ,.. ..,4 ,..., ,,,. ,.... ,. ,.... I AA ,.A .,.. ,,,A., , Department of Organ HE MQacPfIAIL SCHOOL is particularly fortunate in its organ teachers, having secured for its faculty those who stand as leaders on this instrument. Three electric, two manual organs are maintained which may be used by the students for prac- tice. Organ pupils are offered opportunities to appear in public recitals and are assisted in obtaining church and theatre positions. The organ faculty includes: HAMLIN HUNT, organist and choir- master at the Plymouth Church. STANLEY R. AVERY, organist and choirmaster at St. Mark's Church. JAMES LANG, Qrganist, Hamline M. E. Church. FREDERICK W. MUELLER, organist and Choirmaster at Calvary Baptist Church. E. J. DUNSTEDTER, organist, State Theatre. I. VICTOR BERGQUIST, organist and choirmaster, Central Lutheran Church. CARL JENSEN, organist and choirmas- ter, Plymouth Church, St. Paul. JOHN JACOB BECK, organist, Pro- Cathedral. EDWINA WAINMAN, organist, Wes- ley M. E. Church. MABEL HILL, Park Ave. Congrega- tional Church. BERTHA D. CANNEY. CARA WHARTON. THEO. BERGMAN, organist, First Baptist Church. MARION HUTCHINSON, organist, Bethlehem Presbyterian Church. Theater Organ Department Edward J. Dunstedter who has been engaged to assume charge of the Department of Theatre Organ Playing, is now on his fourth year as organist of the State Theatre in Minneapolis. The course of study which he offers for theatre organ- ists includes a complete classification of the- atre organ literature, adaptation of popular and classical music to the character of dit- terent types of pictures and a complete study of organ registrations appropriate for theatrical use. Mr. Dunstedter's instruction is given in private lessons. Among his pupils who are now holding positions of re- sponsibility may be mentioned the follow- W ing: Tom Arsenault, Hennepin-Orpheum Theatre, Minneapolisg Alfred Becker, State Theatre, Minneapolisg Lawrence Goldberg, Garrick Theatre, Minneapolis, Elsie Thompson, Aster Theatre, St. Paul, Lillian Shedlov, Fargo Theatre, Fargog Katharine Greenman, Strand Theatre, Minneapolisg Anne Sweeney, Strand Theatre, Minneapolis, and Clifford Perry, Oxford Theatre, St. Paul, Minnesota.

Suggestions in the MacPhail College of Music - Coda Yearbook (Minneapolis, MN) collection:

MacPhail College of Music - Coda Yearbook (Minneapolis, MN) online collection, 1962 Edition, Page 1

1962

MacPhail College of Music - Coda Yearbook (Minneapolis, MN) online collection, 1964 Edition, Page 1

1964

MacPhail College of Music - Coda Yearbook (Minneapolis, MN) online collection, 1965 Edition, Page 1

1965

MacPhail College of Music - Coda Yearbook (Minneapolis, MN) online collection, 1926 Edition, Page 59

1926, pg 59

MacPhail College of Music - Coda Yearbook (Minneapolis, MN) online collection, 1926 Edition, Page 22

1926, pg 22

MacPhail College of Music - Coda Yearbook (Minneapolis, MN) online collection, 1926 Edition, Page 20

1926, pg 20


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