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Page 57 text:
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?6 the ents move g is Jody held i en- the vork ded, Rehearsals began, costume scenery and ro s c ' n , , P P ommittees met and made plans, and publicity was effectively and efficiently distributed. For weeks all talk was centered on Capers . . . Sell ticket d' ' - s istrrbute Capew flyers . . . Help on scenery . . . Hunt up a wig or so and so . . . Learn those cues . . . On the big night, Professor Stilllife fBob Hoffman, walk d d A e own the aisle to the stage fafter being chased by a mob who disapproved of the slides he had shown at a Western Springs meetingj, was introduced b E y mcee jerry Bach, and then after a slight explanation of his reasons for a trip to Euro e be an t P i 8 0 tell the audience about his wild and wooly adventures, using his slides,' to help. The first slide was in the New York finishing school of his first lo M' ve, iss Littleworth QMarlene Meyerj. She was 10 and he was 6 when he knew her. He soon switched to Afrasia, where the audience was entertained with an exciting group of Siamese dancers. In Paris they were also aroused by a wonderful presentation of the French Can-Can dancers in the Moulin Rouge. On this trip with the professor, the audience also met a very famous French fashion designer, Jacque fButch Ruhlj. Then too a group of 'traveling students UC. choirj showed their vocal ability on a boat coming back from Greece. As always, Capers ended with a big bang . . . a hilarious mob scene which took place m Hyde Park, London, England. Yes, the often quoted words of Mr. Kenyon could never have been more true, You'1l never work harder, but you'll never have more fun. Setting: Moulin Rouge Dorothy - . 1 R d , Flo Ore, 10YCe Rosso , wld SPenCef Milligan, waiterg Bob Hoffman, Professor Stilllifeg I6ZfSPg, gi1afie1SRciseeVia1, Pat Evans- Nancl Cnucksm row Dancers: Lorna Mueggenborg, Joyce Petrik, Lorraine Brown, cuss Jan' CDW Nita Schultz, Laurie'Wiersema. 1 3 . or C 3015, Ge g .-., A V' fkr ' '- M -' f , , 1 ,g, , ,g.1,q,A 1 JLQEH'
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Page 56 text:
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- ,....., a.- .. V 1 I 9f '4 l4n.sGvr-P. nv' FOREIGN AFFAIRS College Capers, the annual show put on by J.C. students, has always been the big highlight of each year. It is during the Capers Season that various talents are revealed, more participation in extracurricular activities noted, and above all, more new friendships are gained and old ones strengthened. Nothing is more satisfying or more fun than the combined efforts of the j.C. student body in making the show a great success. Capers of 1957, Foreign Affairs, like many shows of the past, was held together by a central theme, instead of being a straight variety show. The en- tire script, written by the director, Miss Mary Lutz, helped to eliminate the problem of combining individual acts created by students, but the written work of the show did not stop there. Various parts were taken out and others added, until the script finally met with the approval of the student committee. Rt'll4'-ffl tall: MS L Help Ull Qn the to the Sl3,if Shown 35 and Ihffl 3 tell rhf 35 help. The firsl Llffleworili He soon S exciting gf- In Paris Can-Can di audience als Then too .2 on a boar cu Seliings New York Finishing School Fred Dabney as Mr Cadillac As alway: took place ii Yes, the true, You'l Joyce pomp as Lola. TOL? row: Steve Croft as Mr. Spec, Nancy Cruickshank aS ,A Plain Jane, Virginia Cavanaugh as Jan. Bottom IOYV5 Fllilligan l Dofothl' GaSPer as Tennessee joanie, George Blankenhelm flilomaiwlltefg Bob as Mr. Browning. llllbl llleggenbor Huff? 'lllrieiw 3-,lor-K Q V f' ' '?l-V.n,,.... C l
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Page 58 text:
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