Loyola College - Review Yearbook (Montreal, Quebec Canada)

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From left to right, starting with upper left corner: First Row E. AMOs (Science) W. BARRY (Arts) R. BEDARD (Arts) D. BELLAMY (Science) P. BOURASSA (Science) C. BRABANT (Science) Second Row R. BRAULT (Arts D. Britt (Science) J. BURBA (Science) A. CARPINI (Science) L. CASSIDY (Arts) H. CLOUTIER (Science) Third Row S. COHEN (Arts) T. CONNOLLY (Arts) E. CosTANZO (Science) J. L. DAuMais (Arts) P. DvsoN (Arts) J. ETHIER (Arts) Fourth Row А. GALARDO (Arts) R. GARDNER (Arts) С. GAUVIN (Science) G. GILBERT (Arts) С. E, GRIFFIN (Science) J. Guy (Arts) Fifth Row E. HowARD (Arts) T. HUDSON (Science) К. КЕНОЕ (Science) W. LECLERC (Science) R. LEONARD (Arts) Р. LEVASSEUR (Science) Sixth Row К. MacDouGa tt (Arts) B. MADIGAN (Arts) F. MaGuIRE (Science) С. МССЕЕ (Science) C. McIlroy (Science) P. MITCHELL (Arts) Seventh Row E. MONAGHAN (Arts) G. MORGAN (Arts) Е. MURPHY (Arts) J. Paquin (Science) H. PETTAPIECE (Science) D. Рпом (Science) Eighth Row T. POPIEL (Science) P. RENAUD (Arts) G. SHERIDAN (Science) Н. TALBOT (Arts) B. TIFFIN (Arts) L. TOUPIN (Science) Missing: A. CAPPELLI (Arts) W. Cowan (Science) L. FISCHER (Science) H. KELLY (Science) M. KRAML (Science) А. LAVERTY (Science) C. Момоок (Science) T. O'FARRELL (Science) D. PATTERSON (Arts) Z. SOSNKOWSKI (Science) Nintb Row R. WICKHAM (Arts) I. YACHNIN (Science) А. ZAMBON (Science)

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H 134 d 4 am simt as UHR STARN a 2 „чанти а”. XUN eee. IT Ge - Ия Va. DAN PES RI | tv m E A 2 7 рия, TU 1. undi 2 и 2 E ` Ф KÉ? + It is in the inspiring grace and delicacy of the College Chapel constructed in 1932 that the spirit of Loyola is embodied. If any one building on the campus combines the finest features of Tudor and early Renaissance type of English Gothic architecture, the Chapel does, and more. It is a tribute to the spirituality that has marked Loyola's physical growth in the past fifty-four years. The Chapel's spire reaching heavenward is an acknowledgment and an affirmation of the age old maxim “Not by bread alone does man live. From the broad sweeping front steps of the Chapel, Loyola students look upward to the stained glass windows, the panels of which enshrine the heroic efforts of the Canadian Jesuit Martyrs. It is this exemplar of spirit that Loyola cherishes. Christianity, its culture and its principles captured and enshrined in Art. Within the Chapel where the H oly Sacrifice of the Mass is celebrated daily, the Loyola students in their worship of God have found the solace and the balm for the trials that beset their way in life. With the construction of the Chapel and the modern Auditorium beneath it, the Loyola Dramatic Society at long last had a place in which to present its productions. The first attempt at Dramatics was in 1908 when The Striped Sweater” was presented in a rented hall. The Monument National in the following year saw the College thespians presenting the King's Secret on its stage. In the succeeding years Loyola actors continued to use borrowed theatres. In 1919 Gilbert Sullivan's Pinafore , was staged at the Monument National. The Merchant of Venice was given at the Princess theatre in 1927, It Pays to Advertise and The Bat” at Victoria Hall in 1931 and 1932 respectively. A war play Journey's Епа” marked the initiation of the new Auditorium in 1934, and from 1937 on there was an unbroken succession of plays presented annually on the Loyola stage. The Dramatic Society has won many new friends for Loyola. Its members have ventured far afield and their sweeping successes in the Inter-Varsity Drama Festivals of 1949 and 1950 have further added to their already high reputation. The Montreal critics in their reviews of recent pre- sentations are unanimous in the decision that Loyola students have always, despite their lack of years, been able to bring out the character of the personages portrayed in the yearly plays. The presentations of the Dramatic Society have been greatly enhanced by the Loyola Orchestra, since it first emerged in the 1919 performance of Pinafore . The Orchestra has fulfilled its role with continued excellence and the majority of the social events of the College have found its members on hand to add to the proceedings with their extensive repertoire. (continued on page 65) As

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Ninth Row G. KUBECK (Arts) L. LAFONTAINE (Science) J. LANE (Arts) From left to right, starting with upper left corner: First Row E. ANGLE (Arts) J. AZAR (Arts) R. BAROLET (Science) R. BENARD (Commerce) K BERTRAND (Arts) К. Вокоем (Arts) Second Row I. Bossy (Commerce) С. BOUDRIAU (Science) R. BOURGEOIS (Science) C. BRODEN (Arts) J: BURKE (Science) J. BURNS (Arts) Third Row H. CARNEIRO (Science) Р. CASTONGUAY (Commerce) G. CONLON (Commerce) Е. CRAWFORD (Arts) W. CROWE (Commerce) Z. CsANK (Science) Fourth Row М. Cuppiny (Arts) J. DADA (Science) І DELICAET (Science) P. Dr CorLt (Arts) J. DESJARDINS (Arts) J. DONALDSON (Science) Fifth Row V. Doray (Arts) G. DROLET (Arts) R. DUDINSKY (Science) P. DUFRESNE (Science) С. Dumais (Arts) G. DuNN (Commerce) Sixtb Row D. FITZSIMONS (Commerce) K. FITZSIMONS (Commerce) W. FORBES (Arts) A. FROGET (Arts) J. GAFENEY (Commerce) J. GALIPEAU (Science) Seventh Row A. GILBERT (Science) N. GILLON (Science) W. GREEN (Arts) R. GRENIER (Science) T. GRIDLEY (Science) G. T. GRIFFIN (Arts) Eighth Row W. HABERL (Commerce) А. HANNOUCH (Commerce) С. Kasper (Commerce) T. KELLY (Commerce) S. KONDZIOLKA (Science) G. Козплк (Science)