Loyola College - Review Yearbook (Montreal, Quebec Canada)

Page 30 text:

FRESHMAN Seated: J. MacDonell, M. Labelle, D. McDonald, J. Martin, G. Des- jardins, Vice-President, H. Seasons, President, T. Davis, Secretary, F. Higgins, R. Meagher, R. Schultz. 2nd row: C. Melangon, B. Légaré, F. Fonseca, W. Asselin, R. Audet, P. Curran, W. Niesluchowski, G. McGlynn, T. Cavanagh, W. Glatz- mayer, C. Lindsay, A. Sullivan, B. McQuillan, J. Colford, K. Kierans, J. McLaughlin, R. Blanchfield, R. Driscoll, G. Pooler. 3rd row: A. Larrea, E. O'Toole, J. McDougall, G. Byrne, R. Labelle, R. Curran, T. Glatzmayer, L. LaFléche, R. Hayes, D. Firlotte. SOPHOMORE Seated: H. Braceland, G. Massé, J. Warren, Vice-President, R. Brod- rick, President, D. Sutherland, Secretary, W. Weldon, D. Polan. 2nd row: G. Turgeon, F. Monahan, C. Gribbin, G. Beaton, P. Paré, R. Joyce, K. Russell, C. Audet. 3rd row: H. Caplan, P. Carten, E. Saylor, J. Mell, G. Moro, R. Mc- Keogh, K. Mulcair.

Page 29 text:

Page 13 SENIORS Ist row: N. Burke, J. Sullivan, M. McKeown, F. Kaine, L. Cardin, W. Shore, J. Brayley, J. Chandler. 2nd row: A. Bessette, R. Campbell, P. Barrett, J. Gagnon, Н. Allen, P. Moore, P. Desgroseilliers. 3rd row: T. Thompson, M. Kierans, M. Murphy, F. Hamill, V. Mit- chell, E. Gendron. 4th row: G. Murphy, Н. Fitzpatrick, L. Freeman, J. Costigan, P. Li- moges, G. Mulcair. JUNIORS 1st row: R. Weldon, J. Gratton, J. DiGaspari, Vice-President, A. Mel- lor, President, R. MacDonald, Secretary, G. Duffey, F. Mercier. 2nd row: L. Byrne, Н. Hebert, J. Gagné, R. Ryan, P. Kelly, D. Asselin, E. McKenna. 3rd row: I. Tomiuk, J. O'Heir, M. Murphy, L. Ferguson, T. McKenna, R. McGee. 4th row: H. Mahoney, M. Hebert, Y. Dufresne, R. Brousseau, J.-P. Cardinal, J. Doyle.

Page 31 text:

LOYOLA Page 15 COLLEGE | REVIEW raAamatics Ir WAS. on the evening of October the twenty-ninth that the Loyola Dramatic Society raised the curtain on its opening presentation of the 1940-41 season. From that evening onward, dramatics enjoyed a lengthy and busy stay at Loyola. It is evident, in reviewing the work of the past year, that great improvement in all phases of our dramatic work, has been accom- plished. However, conscious as we are of the accomplishment, we are not ignorant of the short-comings of our many productions. As we have benefited during the past season from the mistakes of past years, so in the future we will remember the errors as well as the successes of the 1940-41 season which has so lately closed. As we have mentioned, the season oe on October the 29th, when three one-act play were presented. Eugene O'Neill's Where The Cross Is Made . was the opening production. Frank Kaine, as the tragic old sea captain, Bartlett, and Keith Russell as his son, Nat, were the key characters of the play, and on the strength of their performances the story sustained interest throughout. Gerald Kelly in the difficult part of Sue Bartlett and Art Welbourne as Dr. Higgins were efficient in lesser parts. | “Dress Reversal'', the second offering of the evening reminded one of that old standby, ''It'll Be All Right on the Night . This was a play in which performances were of necessity light and playful, and a slight tendency on the part of the par- ticipants to overact did not detract from its success. Dave Asselin, as the worried coach, gave the play a strong characterization. Pete Shaughnessy, and Jack Mc- Eachern, as a butler and a prompter respectively were the comedy headliners. Bob Meagher, Edgar Burns, and James O'Connor, a trio of unladylike ladies, and Harvey Seasons, Rod Dungan and Jack O'Brien as three rather odious gentlemen came through with good performances. The last of the three plays, was The Hiding Place by Clemence Dane. Asa tale of mystery and international intrigue, videl failed to mystify quite as much as it might have, it introduced us to the gallant Captain Dallas, V.C., played by Frank Hamill. Hamill and Mark McKeown as a surprising taxi-driver, carried the main burden of the action. Dave Sutherland and Kev Kierans appeared as desperate foreign ques and Frank Higgins, as the butler Kysh, made ВВ Loyola debut and may well be typed for life. On December the 8th, sodality night, two more one-act plays were produced. “Yes means No, a tale of the big business man's son, enacted by Paul Paré who was forced to answer No to everyone and everything for a period of fifteen min- utes, was the opener. Paré's performance was well done, as were those of Bob Brodrick as his father, and Emmett McKenna as an exasperated industrialist. J. Vanier and Jimmy Fonseca, as secretary and love-interest respectively, performed well. The Case of Johnny Walker! followed as the second offering on Sodality Night. Bob Weldon, as the grafting head of a detective bureau and Bob Joyce, as