Loyola Academy - Yearbook (Wilmette, IL)

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Wafching as Sieve Johnson re- laTes The sTory of Grover Ma- lone: RusTy Magner, Mike Gille- spie, Brian Travers, Paul lacono, and Dan Baldino culTivaTe Rambler spiriT in Shane Baldino and Mark Moran. Photo by Dave Williams T- . in. My yi, ,l FT TWU T Ty l TTTTWWTTTTTTTTTTTTTT i 'Thr' They praofioeoi and They Sweafeoi, only To find ouT Thaf Boys Wear Makeup ho ever said There is no such Thing as a Time machine? Perhaps There isn'T, buT The magic and aura of The casT of The Third annual Follies gave The effecTs of one as They led The audience Through eighi decades of comic and dramaTic hisTory. Under The producfion of Lawrence ReuTer, S.J., The direcTion of The English De- parTmenT's James Kucienski, and The choreography of Peggy Reynolds, casT mem- bers represenTing Regina, Marillac, Woodlands, and The Academy enTerTained Three TheaTers full of family and friends, The Follies' TiTle, The Spirif of '75 , reflecTed The life and spiriT of The Academy Through iTs seyenTy-five years of rich hisTory. The pro- ducfion began in 49041 wiTh Fafher Dumbach's energeTic plea To Archbishop Quigley for Loyola's esTablishmenT in 24 Follies The NorTh Shore. Before The audience knew iT They were wiTnessing a 4984 senior, RusTy Magner, Take Two pro- specfive freshmen, Mark Moran and Shane Baldino, on a guided Tour of The Ada- demy on Open House nighT. Upon viewing The picfure of The four members of The firsT graduafing class, circa 4944 and FaTher Barlow, S.J., Their senior English Teacher, The Three modern day sTudenTs wiTnessed The rebirTh of The members of The picfure as They sTepped ouT of The phoTo and broke inTo a song. Soon The four 4944 seniors along wiTh FaTher Barlow revealed To The audi- ence ThaT They represenTed The spiriT of Loyola. Through- ouT The play, prospecTive freshman Moran remained opTimisTic abouf The Acade- my, while his peer Baldino re- mained cynical concerning his success aT Loyola. AT The onseT of The journey Through The decades, The audience found iTself in The midsT of World War l. To The Tune of Over There , The scene depicTed The emo- Tional seTTing as The dough- boys were leaving To go off and fighT in The war. Jusf as The audience was being drawn inTo The sad- ness of The war, scenes quickly change and iT found iTself in The flamboyance of The roaring TwenTies. The scene Took place aT Ann O'Day's MalT Shop, a popu- lar hangouf for Loyola sTu- denTs of The era. EnTerTain- menT was provided by flap- pers Debby BurdeTTe, Maura Whalen, KaThy Naninni, Col- leen McCarThy, Angela Cril- ly, KaThy Lee, and Julie Gold- berg, wlTh Their rendiTion of The Charlesfon. To illusTraTe The facf ThaT There was a depression sweeping The counTry, Two solos were performed Thaf Qconfinued on page 265 - T T A T if , L. T

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From leff, John Quigley. Rich O'Dwyer, James O'Connor, Bill Lackowskl, Tim Quigley, John KuTsch, The members of The El- derly group. Confldlng his cards, one of The elderly of Pembriclge seeks consulTaTion from senior Pal Pip er in o game of poker. Photos by James 0'Connor. Check Mare, Rich O'Dwyer and Peter Blaumueller conlemplole Their nexT move againsT The In- famous Slanley aT Pembridges Tuesday Bachelor Night Volunleer 23

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Teosfhg the crowd Hopper Debbie Burdette nosds me cucu- ence's attention. Photo by Dave Williams. Saying their last goodbyes, Scot! Dawson, Annie Mocclor- oli, John Metre, and Meg Mor- shali wait for the call to service. pl' vs Q ! p s X X RA t H ,