IMPORTANCE OF A GOOD DISPOSITION Some people think, or some may even have said that a person is born with his disposition, whether good or bad. If it happens to be good—all right—but if it happens to be bad, it’s all wrong, for the simple fact, a person’s life is governed a great deal by his disposi¬ tion. I have met people who were not very pleas¬ ing to look upon but after a short acquain¬ tance, their dispositions proved to be such that they become beautiful. On the other hand, we have all seen people who were considered won¬ derful as far as looks went, yet their disposi¬ tions made them repulsive to every one. Thus, we find it not only necessary but very important to cultivate a good disposition. Don’t be over-sensitive, or think that every criticism is meant for you, whether it is good or bad. Don’t have the idea that the other fellow’s way isn’t just as good as your own. Learn to smile, even if you do not always feel like it. Don’t speak too quickly, for it is bet¬ ter to remain silent, and not show your high temper, than to run the risk of losing a friend. Harriet Spencer. GOOD MANNERS One of the first stepping stones to a happy life is what we call good manners, and they are within the reach of all. Now, a very few people can be rich, and have power, and they are not after all the hap¬ piest people when they have it. The better course is to win a way by attractiveness which comes naturally out of the heart, and the first step is good manners. Manners are the wisdom left from the ex¬ perience of generations. Their object is to tone down whatever might be objectionable to other people, and to make our living with one another smooth and agreeable. Good manners do not come out of books on etiquette that tell us how to behave, though there is a great deal of such knowledge, it is well we should have absorbed completely. True courtesy is born out of our own hearts. Good manners fix the habit of being hon¬ estly thoughtful in making others happy, and at ease in our presence, and of not thrusting ourselves carelessly or roughly or selfishly upon them. There is but one way to acquire really good manners, and that is to have the kind and considerate heart which suggests instinc¬ tively the kind and considerate act. Dr. Frank Crane said, Your manners are the printed page on which people read of what you are inside.” But, really good manners are the best of all starts in life, and they never wear out, but become ingrained in our lives. TRUTHFULNESS One of the most important things in our character, I think, is truthfulness. We must be truthful in every thing if we expect to suc¬ ceed in our undertakings. If we expect to win the friendship of our teachers and other pupils at school, we must be truthful. If once they learn that we have told a falsehood or have been untrue to them, they do not put any more confidence in us. In our every day life people are watching us and very often they are trying us to see if we can be trusted. I don’t care how poor a per¬ son is if he is truthful, he manages to get along some way, for the people learn that he is going to do the right thing and they will help him. My idea is that if a person is truthful, he will win where ever he goes. Bruce Anderson. BRAVERY Bravery is one of the most worthy char¬ acteristics a person can possess. There are times in life when only the brave can stand. There are many different types of bravery. Usually, when we hear the word used, we have a vision of a strong man rescuing a person from drowning, or dashing out in front of an auto¬ mobile to prevent a child from being run over. But there are other brave acts just as great. A frail mother will sit by a dying child alone all night. Often, a physically weak person will stand against a crowd and do what he or she knows to be right in spite of the public opin¬ ion. Sometimes, it requires a brave person to tell the truth when a lie would make things so much easier. A little child can be brave enough to do that. Animal mothers give a good demonstration of bravery in the way they defend their young. In time of danger they will never leave, even if they lose their lives. A truly brave man is one who can be a hero if necessary, one who never runs away from trouble or suffering, one who can bear his share of pain without complaining, and one who can stand up for truth and right in spite of public opinion. So we can clearly see that our char¬ acter is out of balance without bravery. R. T. Gleason.
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LIKES 1. Frances Davidson likes good natured people. 2. Lillian Wright, Juliette Redd, Bruce Anderson, Mary Proffitt and Catherine Horsley like good sports. 3. Frances Ponton likes humor. 4. Tompkins Strother likes a person that plays fair. 5. Mabel Stevens likes a person who can take a joke. 6. Clay Wright, Malcolm Woodson, and Aubrey Con¬ nelly like honest people. 7. George Norvelle likes all out-door sports. 8. Genoa Parrish likes dark haired boys. 9. Ellen Johnson likes to play with dolls. 10. Raymond Harlow, Ruby Witt, Worth Roberts. Charlie Powell, Carro Gunter, and Catharyn Tyree like friendly people. 11. Harriet Spencer loves dangerous rhythm.” 12. Elizabeth Yuille likes truthfulness. 13. Cora Lynch likes good manners and good be¬ havior. 14. Marjorie Harris likes good manners. 15. Lois Puckett and Eileen Bryant like neatness. 16. Rebecca Spencer likes blondes. 17. Florrie Ewers likes red heads. 18. R. T. Gleason likes to make and keep friends. 19. Lee Farrar likes friendly, companionable people. 20. Louise Simpson likes people with a pleasing person¬ ality. 21. Pat Purvis likes people that are religious and have high ideals. DISLIKES 1. Ellen Johnson and Frances Davidson dislike conceit. 2. Lillian Wright dislikes boys. 3. Frances Ponton dislikes disobedience to parents. 4. Juliette Redd dislikes a fuss-maker. 5. Thompkins Strother dislikes a person with a bad disposition. 6. Genoa Parrish dislikes parking. 7. Rebecca Spencer dislikes kissing. 8. Mabel Stevens, Beatrice Simpson, Charlie Powell, and Aubrey Connelly dislike selfishness. 9. George Norvelle dislikes people who put on and try to be more than they really are. 10. Bruce Anderson dislikes dishonesty. 11. Mary Proffitt and Eileen Bryant dislike ill man¬ ners. 12. Raymond Harlow dislikes people with bad repu¬ tations. 13. Ruby Witt dislikes a frisky girl. 14. Harriet Spencer dislikes a falsehood. 15. Worth Roberts dislikes people who are rude or inconsiderate at religious gatherings. 16. Malcolm Woodson dislikes unfriendly people. 17. Clay Wright dislikes a bad disposition. 18. Elizabeth Yuille dislikes rude classmates. 19. Cora Lynch dislikes bad language and drinking. 20. Marjorie Harris dislikes sissy” boys. 21. Catherine Horsley dislikes profane language. 22. Lois Puckett dislikes cheating. 23. Louise Simpson and Florrie Ewers dislike deceit. 24. R. T. Gleason dislikes winter. 2 5. Lee Farrar dislikes people who talk too much. 26. Carro Gunter dislikes coming to school on Mon¬ day. 27. Pat Purvis dislikes hypocrites and idle minds. 28. Catharyn Tyree dislikes cruelty to dumb animals. Will Rogers is the Hero of Frances Davidson Ruby Witt Lee Farrar Eileen Bryant Carro Gunter Catharyn Tyree R. T. Gleason Charlie Powell Harriet Spencer Elizabeth Yuille Clay Wright Worth Roberts Julius Caesar is the hero of Katherine Florsley King Edward VIII is the hero of Tompkins Strother Abraham Lincoln is the hero of Lois Puckett HERO Col. Charles A. Lindbergh is the hero of Mabel Stevens Louise Simpson Malcolm Woodson Beatrice Simpson Lillian Wright Dick Powell is the hero of Rebecca Spencer President Roosevelt is the hero of Raymond Harlow George Washington is the hero of Marjorie Harris Clark Gable is the hero of Genoa Parrish Abraham Lincoln is the hero of Cora Lynch Bruno Richard Hauptman is the hero -of Aubrey Connelly Bing Crosby is the hero of Florrie Ewers HEROINE Amelia Earhart is the heroine of Lillian Wright Charlie Powell Katherine Horsley Harriet Spencer Cora Lynch Mrs. Franklin D. Roosevelt is the heroine of Raymond Harlow Eileen Bryant Marjorie Harris Mae West is the heroine of R. T. Gleason Mrs. Charles A. Lindbergh is the heroine of Beatrice Simpson Florence Nightingale is the heroine of Lois Puckett Ruth Bryan Owen is the heroine of Frances Davidson Ruby Keeler is the heroine of Rebecca Spencer Joan Crawford is the heroine of Genoa Parrish Mrs. Huey P. Long is the heroine of Aubrey Connelly Marion Davies is the heroine of Florrie Ewers
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