Louisville High School - Mirror Yearbook (Louisville, OH)

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TO ANOTHER: Item 44: Item 45: Item 46: Item 47: Item 48: Item 49: Item 50: Item 51: Item 52: Item 53: Item 54: Item 55: Item 56: Item 57: Item 58: Item 59: Item 60: Item 61: Item 62: Item 63: Item 64: Item 65: Item 66: Item 67: Item 68: Item 69: Item 70: Item 71: Item 72: Item 73: Item 74: Item 75: Item 76: Item 77: Item 78: Item 79: Item 80: Item 81: Item 82: Item 83: Item 84: Item 85: Item 86: Item 87: Item 88: Item 89: Item 90: Item 91: Item 92: Kenneth Meek's place in every girl's heart to Bob Wallace. Gilbert Frank's and Donald Haren's ability to ride horses bare- back to Ida Richardson and Etta Mohn. Bernard Zwick's contagious laugh to Betty Hess. Bill Taylor's violin to Rubinoff. Glenwood Sutton's and Dwight Schmucker's paradise for sixi' to Ralph Broemsen and Louis Lautzenheiser. Wilma Holdren's profile to Lois Davis. Dean Clark's dry wit to Kenneth Mulheim. Glenn Bircher's permanent wave to Edwin Jeffers. Mahlon Wallace's physique to Robert Roberts. Robert Swallen's saxophone to Joe Quilter. Eileen McDonald's dark eyes to Grace Blake. Donald Carper's radio broadcasts to Charles Casler. Robert Swinderman's wardrobe to Paul Kerchner. Della Miller's boy friends to the highest bidder. Dolores Wilgus's smile to Carol Bort. Goldie Sommers's and Blanche Seefong's boy friends to Norma Feller and Virginia Harbaugh. Quinton Darrah's shyness to Richard Immel. Grace Patterson's freckles to Audrey Gulling. Mary Scott's gum to Mary Katherine Kroft. Paul Menster's backfield position to Dick Snyder. Hattie Ferrell's curls to Joan Schrader. John Fritz's electron theory to Bob Cook. Bob Bentz's and Melvin Black's broadcasting ability to Wendell Bircher and Paul Clapper. Katherine Vogelhuber's nail polish to Lavera Lininger. George Stephan's preference for blonds to Bob Himes. Wanda Owen's primping to Helen Saunier. Isabel Fladung's lipstick to Marcella Sanderbeck. Shirley Cartwright's dancing feet to Betty Ruth Krabill. Jean Rayman's diamond to Betty Royer. Theodore Grisez's and Richard Herrick's slimness to Leo Mas- terson and Willis Raber. Sadie Rohrer's page boy to Arlene Vernier. Charles Nimereala's and Allister Phill1more's darkroom tech- nique to David Sommerville and James Sluss. Herma Hostetler's shorthand book to her brother, Marvin. Alice Clawson and Betty Grimsley's friendship to Margaret Peters and Kathryn Theiss. Leona Miller's glasses to Mary Schillig. Jennie Gravo's queenly stature to Elizabeth Larson. Harry Scott's poetry book to Melvin Allison. Herbert Van Horn's extra umph to Norvin Lautzenheiser. Richard Gulling's bashfulness to Paul Zwick. George Thomas's loud neckties to Bob Stitt. Tom Jones's worries to Royce Duncan. Doris Rupple's date book to Mary Katich. Dorothy Rosia's and Esther Royer's cosmetics to Virginia Shively and Twila Hoover. Margaret Miller's cheerful countenance to Hazel Phillimore. Vincent Hostetler's and Robert M iller's driving ability to Robert Cholley and Bob Pitts. Marjorie Pillot's figure to Virginia Wilgus. Helen Keszeg's and Elsie Lillie's dimples to Mary Louise Dun- lap and Dorothy McGinnis. Elaine Hite's carrot topi' to Ruth Sheatsley. Mildred Couts's and Mary Davis's acting ability to Mary Hamil- ton and Ruth Sluss. 25 1 4.41

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Lg. FROM ONE GOB We, the senior class of 1939, having safely passed the requirements of the custom's house, have just received an S. O. S. that shore leave has been granted to us 3 and before We mount our sea horses for a brisk gallop with Neptune o'er the bounty Waves, we wish to make public this, our last Will and testament 5 to wit: 1 Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Harry Adams's athletic ability to Billy Moore. Anne Blanchard's and Margaret Skelley's love of the opposite sex to Mary Callan and Mary Sickles. Otis Emerson's nonchalance to Kenneth Weisend. Alberta Hayes's Latin to Edward Lazear. Elsie Kell'er's brother, Jerry, to Marguerite Kandel in hopes that he'll get good care. Marguerite Metzger's blond tresses to Florence Fink. La Vere Rebillot's style to Lillian Luatzenheiser. Hermona Thoman's classical beauty to Joan Metzger. Henry Zielask0's saunter to Clarence Harter. Don Marker's build to John Paul Henning. Marjorie LaFlamboy's aloofness to Jim Ritchie. Dan Krumlauf's debating to Mary Cree Riddle. Ray Faverty's hands to Jerry Paumier. Bernard Heffelbower's and Irvin Hoffman's arguments to Olen Sluss and Carlton Stoddard. Helen Kauth's love to Work to Betty Schott. Elizabeth Meleg's, Eleanor Moulin's, and Betty Mehl's passion for Benny Goodman to Elsie Pochubay, Violet Farber, and Mary Ann Stimmel. John Metzger's antics and capers to Forrest Masterson. Helen Thorn's eyes to Pauline Wilson. Ruth Allan's secret dates to Irene Sabo. Donna Jean Dunlap's and Dorothy Gordon's culinary art C?J to Betty Sheets and Dorothy Besselman. Regina Zwick's and Mary Herrick's dark eyes and hair to Betty Nydahl and Marjorie Bair. Fred Schwall's and Bill Rhodes's bicycles to Harold Snyder and Jack Ault. Bob Phillimore's and Bob Naegeli's personality to Tim McDon- ald and Earl Burger. Don Kindler's unruffled temper to Victoria Bardash. Venola Dimmerling's Willie to her sister, Velma. Margaret Bachtel's rambling Ford to Eleanor Shoemaker. Clara Blasiman's, Martha Grim's, and Martha Jane Theiss's A's to Lester Opp, Thelma Tallent, and Robert McIntee. Dorothy Kinemond's and Annabelle Moushey's attentive atti- tudes to Estella Snyder and Nadine Dillman. Harold Mohn's feet to Gerald Sluss. Kenneth Garman's typing ability to Don Voltz. Gretchen Beauchat's, Alwilda Baker's, and Zola Miller's quiet ways to Inge Starck, June Benner, and Ruby Blandford. Lynette Zachman's filling station to Wilma McGinnis. Rudolph Bette's toughness to Francis Downs. Bernice Brison's jewelry to Ethel Snyder. Verla Starkey's passion for late hours to Ruth Chenot. Vivian Newacheck's piano ability to Ruth Rice. June Th0mpson's gymnastics to Mary Bishop. Ralph Kandel's grin to Ruth Rebillot. Vivian Hess's petite form to Opal Eshelman. Geraldine Bircher's love of Minerva HJ to Shirley Trew. Eileen Rhodes's position in the 5 and 10c store to Doris Grunder. Robert Hirst's editorship to Robert Kandel. Ida Zielasko's blush to Helen Ickes. 24

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2- LI.. 4 -1 K SN rd: X 'SS ,I - T' argl' .,..i' -L f is tg:-L 55, ,.. -:E .EJ- :ju ix L1 I Q I-NI! Tjilxilj' Ig M if Ywliclv I Y' LJ 4' 1 l ,, ff x5 L., L, Y 1 l HONOR ROLL Bachtel, Margaret Blasiman, Clara Clawson, Alice Jane Fritz, John Gordon, Dorothy Grim, Martha Grisez, Theodore Gulling, Richard Hirst, Robert Hite, Elaine Hostetler, Herma Keller, Elsie Kinemond, Dorothy Lillie, Elsie Moulin, Eleanor Sommers, Goldie This is tentative list of students who have an average 1 I 1 NJ W Qc oils hx, of 90, but may be changed by the last semester's grades 3 X X k , -, .J K .2 ,-ff - '14 J gg?-14 -'f , , m In taking such a long cruise, we are always conscious of those who furnish us thrilling moments because of their athletic prowess, or those who entertain us with song, speech, and dramatic act, or those who are always occupied in doing something about the ship, but often we fail to notice those who, because of constant application, earnest effort, and care- ful attention, have become especially well-versed in the art of seamanship. In manning a vessel, understanding its workings, controlling its opera- tions, these individuals in the opinion of the officers have rated highest in their four years of cruising on the good ship Louisville, In addition to being capable and efficient seamen, most of them are so well developed along other lines that they will be able to operate successfully the various ships that they choose to sail after they leave the L. H. S. Line. We congratulate these individuals and hope that they may continue to put forth their best efforts in everything they undertake to do. 26