Louisville High School - Mirror Yearbook (Louisville, OH)

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Lg. FROM ONE GOB We, the senior class of 1939, having safely passed the requirements of the custom's house, have just received an S. O. S. that shore leave has been granted to us 3 and before We mount our sea horses for a brisk gallop with Neptune o'er the bounty Waves, we wish to make public this, our last Will and testament 5 to wit: 1 Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Item Harry Adams's athletic ability to Billy Moore. Anne Blanchard's and Margaret Skelley's love of the opposite sex to Mary Callan and Mary Sickles. Otis Emerson's nonchalance to Kenneth Weisend. Alberta Hayes's Latin to Edward Lazear. Elsie Kell'er's brother, Jerry, to Marguerite Kandel in hopes that he'll get good care. Marguerite Metzger's blond tresses to Florence Fink. La Vere Rebillot's style to Lillian Luatzenheiser. Hermona Thoman's classical beauty to Joan Metzger. Henry Zielask0's saunter to Clarence Harter. Don Marker's build to John Paul Henning. Marjorie LaFlamboy's aloofness to Jim Ritchie. Dan Krumlauf's debating to Mary Cree Riddle. Ray Faverty's hands to Jerry Paumier. Bernard Heffelbower's and Irvin Hoffman's arguments to Olen Sluss and Carlton Stoddard. Helen Kauth's love to Work to Betty Schott. Elizabeth Meleg's, Eleanor Moulin's, and Betty Mehl's passion for Benny Goodman to Elsie Pochubay, Violet Farber, and Mary Ann Stimmel. John Metzger's antics and capers to Forrest Masterson. Helen Thorn's eyes to Pauline Wilson. Ruth Allan's secret dates to Irene Sabo. Donna Jean Dunlap's and Dorothy Gordon's culinary art C?J to Betty Sheets and Dorothy Besselman. Regina Zwick's and Mary Herrick's dark eyes and hair to Betty Nydahl and Marjorie Bair. Fred Schwall's and Bill Rhodes's bicycles to Harold Snyder and Jack Ault. Bob Phillimore's and Bob Naegeli's personality to Tim McDon- ald and Earl Burger. Don Kindler's unruffled temper to Victoria Bardash. Venola Dimmerling's Willie to her sister, Velma. Margaret Bachtel's rambling Ford to Eleanor Shoemaker. Clara Blasiman's, Martha Grim's, and Martha Jane Theiss's A's to Lester Opp, Thelma Tallent, and Robert McIntee. Dorothy Kinemond's and Annabelle Moushey's attentive atti- tudes to Estella Snyder and Nadine Dillman. Harold Mohn's feet to Gerald Sluss. Kenneth Garman's typing ability to Don Voltz. Gretchen Beauchat's, Alwilda Baker's, and Zola Miller's quiet ways to Inge Starck, June Benner, and Ruby Blandford. Lynette Zachman's filling station to Wilma McGinnis. Rudolph Bette's toughness to Francis Downs. Bernice Brison's jewelry to Ethel Snyder. Verla Starkey's passion for late hours to Ruth Chenot. Vivian Newacheck's piano ability to Ruth Rice. June Th0mpson's gymnastics to Mary Bishop. Ralph Kandel's grin to Ruth Rebillot. Vivian Hess's petite form to Opal Eshelman. Geraldine Bircher's love of Minerva HJ to Shirley Trew. Eileen Rhodes's position in the 5 and 10c store to Doris Grunder. Robert Hirst's editorship to Robert Kandel. Ida Zielasko's blush to Helen Ickes. 24

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INTO THE FUTURE After completing their studies, Martha Grim and Ruth Allan have become teachers of dramatics and history, respectively. Robert Swinderman has achieved fame as one of the .best lawyers in the country. Richard Gulling, a great scientist, has recently discovered a new planet. When the county fair was held, many, people won prizes for their ex- cellency in foods and needlework. Among these were Goldie Sommers re- ceiving nrst prize for her canned foods, Herma Hostetler, for her jelly, Leona Miller, for her pastries, Della lVIiller, for her fancy-work, Mary Davis, for her china-painting, and Zola Miller, for her hooked rugs. In the agricultural building prizes went to Dwight Schmucker for the largest corn in the county, Otis Emerson, for the biggest and best pota- toes, and Donald Haren and Vincent Hostetler, two of the leading farm- ers, received prizes for their wheat. Jennie Gravo and Marjorie Pillot have gone into business together as beautitians. They receive most of the Hollywood trade. Also in this line of work is Alwilda Baker, an excellent face-lifter. A great dancing team appearing in New York at the present time seems familiar, Helen Kauth and Bernard Zwick. Remember them? With a new president, naturally we would expect new private secre- taries, and these honors go to Elaine Hite and Wanda Owens. Ida Zielasko took first prize in a national beauty contest. This is the third consecutive time she has been honored in this way. Mary Scott, a great singing teacher, is 'teaching Anna Blanchard, Eliza- beth Meleg, and Elsie Lillie to warble. If you look in the N ew York Timesi' you will find an interesting edi- torial by William Hoffman. Ted Grisez, Quinton Darrah, and Ray Faverty are also on the staff of this well-known paper. Also featured in this paper are the daily columns of Richard Herrick and Kenneth Garman. Marjorie La Flamboy and Margaret Miller are among the more dis- tinguished' designers. As I glance up from my book, I spy a very artistic magazine cover which I find was painted by Harry Scott with Eileen McDonald as the model. John Metzger has taken over his father's business. His employees are Ralph Kandel, and Bernard Heffelbower, with Hattie Ferrell as his secretary. Jean Rayman, Verla Starkey, Margaret Skelley, and Blanche Seefong are traveling with an all-girl orchestra. Ervin Hoffman, William Rhodes, Glenwood Sutton, and George Thomas are in the army now. Mahlon Wallace and Robert Miller find that people are still moving around, so they bought a moving van and are transporting furniture. Eileen Rhodes, Wilma Royer, and Sadie Rohrer are accomplished hat designers. In the dressmaking business, Esther Royer, June Thompson and Doris Rupple use much thread and break many needles. ' Therefore, having found all my classmates of the year 1939, I close the book wondering what another twenty years will bring. 23 ,, ....ud

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TO ANOTHER: Item 44: Item 45: Item 46: Item 47: Item 48: Item 49: Item 50: Item 51: Item 52: Item 53: Item 54: Item 55: Item 56: Item 57: Item 58: Item 59: Item 60: Item 61: Item 62: Item 63: Item 64: Item 65: Item 66: Item 67: Item 68: Item 69: Item 70: Item 71: Item 72: Item 73: Item 74: Item 75: Item 76: Item 77: Item 78: Item 79: Item 80: Item 81: Item 82: Item 83: Item 84: Item 85: Item 86: Item 87: Item 88: Item 89: Item 90: Item 91: Item 92: Kenneth Meek's place in every girl's heart to Bob Wallace. Gilbert Frank's and Donald Haren's ability to ride horses bare- back to Ida Richardson and Etta Mohn. Bernard Zwick's contagious laugh to Betty Hess. Bill Taylor's violin to Rubinoff. Glenwood Sutton's and Dwight Schmucker's paradise for sixi' to Ralph Broemsen and Louis Lautzenheiser. Wilma Holdren's profile to Lois Davis. Dean Clark's dry wit to Kenneth Mulheim. Glenn Bircher's permanent wave to Edwin Jeffers. Mahlon Wallace's physique to Robert Roberts. Robert Swallen's saxophone to Joe Quilter. Eileen McDonald's dark eyes to Grace Blake. Donald Carper's radio broadcasts to Charles Casler. Robert Swinderman's wardrobe to Paul Kerchner. Della Miller's boy friends to the highest bidder. Dolores Wilgus's smile to Carol Bort. Goldie Sommers's and Blanche Seefong's boy friends to Norma Feller and Virginia Harbaugh. Quinton Darrah's shyness to Richard Immel. Grace Patterson's freckles to Audrey Gulling. Mary Scott's gum to Mary Katherine Kroft. Paul Menster's backfield position to Dick Snyder. Hattie Ferrell's curls to Joan Schrader. John Fritz's electron theory to Bob Cook. Bob Bentz's and Melvin Black's broadcasting ability to Wendell Bircher and Paul Clapper. Katherine Vogelhuber's nail polish to Lavera Lininger. George Stephan's preference for blonds to Bob Himes. Wanda Owen's primping to Helen Saunier. Isabel Fladung's lipstick to Marcella Sanderbeck. Shirley Cartwright's dancing feet to Betty Ruth Krabill. Jean Rayman's diamond to Betty Royer. Theodore Grisez's and Richard Herrick's slimness to Leo Mas- terson and Willis Raber. Sadie Rohrer's page boy to Arlene Vernier. Charles Nimereala's and Allister Phill1more's darkroom tech- nique to David Sommerville and James Sluss. Herma Hostetler's shorthand book to her brother, Marvin. Alice Clawson and Betty Grimsley's friendship to Margaret Peters and Kathryn Theiss. Leona Miller's glasses to Mary Schillig. Jennie Gravo's queenly stature to Elizabeth Larson. Harry Scott's poetry book to Melvin Allison. Herbert Van Horn's extra umph to Norvin Lautzenheiser. Richard Gulling's bashfulness to Paul Zwick. George Thomas's loud neckties to Bob Stitt. Tom Jones's worries to Royce Duncan. Doris Rupple's date book to Mary Katich. Dorothy Rosia's and Esther Royer's cosmetics to Virginia Shively and Twila Hoover. Margaret Miller's cheerful countenance to Hazel Phillimore. Vincent Hostetler's and Robert M iller's driving ability to Robert Cholley and Bob Pitts. Marjorie Pillot's figure to Virginia Wilgus. Helen Keszeg's and Elsie Lillie's dimples to Mary Louise Dun- lap and Dorothy McGinnis. Elaine Hite's carrot topi' to Ruth Sheatsley. Mildred Couts's and Mary Davis's acting ability to Mary Hamil- ton and Ruth Sluss. 25 1 4.41