Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY)

 - Class of 1927

Page 1 of 104

 

Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) online collection, 1927 Edition, Cover
Cover



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Text from Pages 1 - 104 of the 1927 volume:

UnioeRsity of LouisoiLLe SchooL of Music LibRORjy Presented by DOROTHE GRUBER ROULSTON LOUISVILLE, KENTUCKY JUNE, 1927 Three Copyright 1 927 by Lessley Freeman T N accordance with the meaning of the word Crescendo we have tried to make this second issue just a little broader than the first. May it in turn be expanded, with the coming years, to the maximum degree. To John L. Gruber President, Louisville Conservatory of Music T O him who has so wisely and so patiently ad¬ vised and assisted us through our years of work and pleasure, we, the Class of 1927, dedicate this annual, hoping to have its many short-comings and imperfections passed over and pardoned. Six t Seven -—-- LESSLEY FREEMAN, -. Editor LOIS ELLISON, - - Business Manager OLETA ALBERTSON, - Advertising Manager HAZEL LOVE, - - - Circulation Manager Eight Page Views. g Faculty .13 Senior Class History .23 Class Will .36 Class Prophecy.38 Juniors . 41 Sophomores.43 Freshmen .45 Unclassified.46 Activities . 47 Miscellaneous .56 Advertising .82 Nine I his old building has been home to the Louisville Conservatory students since 1915 when in September of that yeai its friendly doors opened to receive the first students. What changes since then! When the fall term opens in 1927 it will not be in these familiar halls, dear to us by many memories, but in our new home at Brook and Jacob. We are proud of the growth which necessitates our moving into more ample quarters but the old stone house at 2t4 West Broadway will always have a place in our affections. Louisville Normal School Copyright Photo—Permission (iron tod Itv Canfhdd and Shook. Ten Dormitory Eleven Mrs. Margaret G. House Dean of Women Twelve f Thirteen Fourteen Florence Schoppenhorst, Piano John Re barer, Piano Alice Camp, Theory Charles Letzler, Violin Mary Grissom, Piano Thomas Stradley, Piano Fifteen Lawrence Cook, Organ Mary Stewart, Piano and Piano Normal Jay W. Fay, Orchestration Frank Harmon, Harmony Helen McBride Dean of Public School Music Department Sara Lee, Voice Sixteen in Sarah McConathy, Piano Margaret Hammerstien, Piano Mii.dred Harris, Dramatic Art Cora Cook Parmenter, Violin Hyde Conrad, Organ Nannye Anderson Packer, Piano Seventeen Pauline Summers, Violin Rosalie Pargny, French George Pi coot, Piano Matthias Oliver, Violin Eighteen 1 Bess Mustaine, Piano Jennie Staff Watkins, Piano Anita Meyer, Public School Art Minnie M. Kimball, Piano Nancy Collins, Psychology Mary M. Wyman, Science Elizabeth Robertson, English K1.1 .abet11 Breckinridge Nineteen Luigi Resta, Brass Jesse M. Beard, History Theodore Von Beust, Flute Ona Belle Demaree, Dramatic Art Theodore Richrourc, Piano Martha Frances Brantley Dramatic Art Twenty Laura Bowman, Piano Stella H. Carrico, Piano Selma Kranz, Methods Ruth Von Beust, Violin Mary Plummer Hunt, Piano Leona Young, Piano Twenl j-one How We Mr. Cowles—“It was perfectly thrilling.” Mr. Gruber—“Well, what’s on your mind?” Miss Robertson—“Oh! I think you girls are awful!” Miss Grissom—“Now what are you girls talking about:” Mr. Bill in—“You must have a mental concept.” Miss Collins—“Now let’s suppose we had a cat in a puzzle- box .” Miss McBride—“Now when you go out to teach.” Mr. Harmon—“Technically correct,—musically, not so good.” Miss Breckinridge—“Young ladies, take off your hats!” Miss Overstreet—“Give me a pupil with Brains ” Mr. Parmenter—“Yeh, I know, but that won’t get cha any¬ thing.” Mrs. Beard—“You girls are going to be minus a history credit if you don’t wake up.” Miss Crutchfield—“Their diction was impossible!” Miss Lee—“Open your throat.” Mr. Letzler—“Now you know better than that.” Miss Stewart—“All right, girls—let’s get down to work.” Mr. Piggott—“Hello Hon.” Miss Camp—“Now do you understand or will you have me explain in full” Miss Pargny—“Do you get that?” Mrs. Kimball—“ Aw g’wan.” Mr. Fay—“Bring it out—da, ta-ta-ta-tum-tum, turn, turn.” Miss Kranz—“Justaminutegirlsuntiligettheroll.” Harry Meyer—“Aw wight.” Mr. Cook—“I presume so.” (Cough, cough.) Madame—“Yes, but the idea is to make money.” Dr. Von Buest—“Well, shall we try this?” Mr. Rebarer—“Yes ? ? ? ? ?” Mr. Anderson—“If you don’t have every note fingered, I’ll send you home.” Twenty-two SENIORS History of the Senior Class “ T) RING back the past, bid time return,” for is not its every maze well J 3 known to us? But lest we forget, or our memory become dimmed bv rapidly passing years, we arc leaving as a legacy to ourselves, and not as a writing to amuse others, this history which we hope shall serve its purpose of keeping fresh our memories. It shall enable us to reflect our gaze down memory’s hallway and view again our friends of these good old days, laughing at the same old jokes, and struggling with the same old problems, then it shall have fulfilled its mission and granted to us the greatest measure of success to which such an article could aspire. With the close of this school year, one star of our educational ambition has set in a halo of splendor. Behind us lie the years of preparation and toil in school; before us lies our adventure with life. It remains to be seen if each member will hold up the dominant spirit of our class—“Still achieving, still pursuing.” It seems but a day since we came from the four corners of everywhere to congregate at dear old L. C. M. Truly it has been only a day for some ol us, for our class includes graduates in all departments, and consequently our sojourns have been of varied lengths. The true history of our class began as Junior; this was our beginning of class organization under our able President who was re-elected as a Senior. More than once she must have known the truth of that old adage: “Weary is the the head that wears the Crown,” for, with a loyal spirit, we placed the responsibility of our fights upon her shoulders. It was in this year that we won lor ourselves the title of the most congenial class. Last year our real work in the class-room began, too, with our entrance, as a school, in the National Association of Musical Colleges and our realization of what work for a B. M. Degree truly meant. We just could not sec the need of so much French and Acoustics in order to play the piano, and three years of Harmony were entirely too much in the study of voice. Perhaps our struggles were continued because we appreciated the significance of the old truism that “There is a tide in the affairs of men which taken at the flood leads on to fortune; omitted, all the voyage of their life is bound up in shallows and in miseries. And we must take the current when it serves, or lose our venture.” Many changes had taken place in our class when we organized as Seniors. Some ot our old members did not return for their last vear, some had gone other ways in life; but we found ourselves enriched by the entrance of new members whom we heartily welcomed. Our class has never been a large one, but we have come to believe as our Director said to us—“Do not measure yourselves in quantity but in quality.” There are two things that we have accomplished this year of which we are justly proud: first, at our opening business meeting we resolved to profit by observed mistakes ol others and steer clear of financial difficulties—our treasury is always a dollar to the good; second, we succeeded, under our regime, in persuading the faculty to put in a cut system, allowing us eight cuts a year. But we could never convince them that even national holidavs were due us; Christmas is all that is considered in our vacation schedule. However, this year has not been spent entirely in persuading the faculty to say to us, “A promising class, they are worth helping;” most of us are engaged in serious study (we can never forget how hard we worked in orchestrating the “Alabama Lullaby”), but a few are just—engaged. ' Phis has been our happiest and most successful year, for we are beginning to find that— “It is better yet to learn to think, And best to borrow from the great.” And now as we go out, “Watchman, what of the night for us?” We hope there are names in our class that will go down as among “the few, the immortal names that were not born to die.” The clas s of 1927 now passes into history, and in its passing bids a final farewell to L. C. M. and its faculty to whom it wishes many years of increasing prosperity in the future. And may we leave to you, as our most treasured achievement and possession, the CRESCENDO. L. E. B. is tor ion Twenty-three — : Twenty-four WORTHWHILE sponsor, teacher, and friend. What more could be embodied in so small a person as Sara Lee. Though laden with her own teaching burdens, she accepted gladly the responsibility of thirty seniors, and many is the load she has lightened. LESSLEY FREEMAN Presi DENT NANCY ELLIOT Treasurer. OLETA ALBERTSON Sec retary m ’ I C E R S Twenty-five Oleta R. Albertson Portsmouth, Ohio. A musician of rare worth, a friend and scholar too ” Public School Music Mu Phi Epsilon—Historian C rescendo—Ad ve rt i si ng M a n age r Secretary Louisville Symphony Quarter Notes Staff Chorus Saturday Afternoon Music Club. Katherine Barnes Somerset, Kentucky “I know a lady that loves talking incessantly. She won ' t (jive an echo fair play. Public School Music Phi Sigma Mu Crescendo Staff Quarter Notes Staff Violin Choir Chorus Jessie M. Beard Shelby vi 1 lc, Kentucky “To know her is to love her Public School Music Phi} Sigma Mu—Treasurer Mu Phi Epsilon—Patroness Chorus Arts Club Twenty-six Louisa Bumgardner Horse Cave, Kentucky “The lass with a delicate air” Piano Class Historian Sylvia Button Louisville, Kentucky “Bid me discourse, 1 will enchant thine ear ” Dramatic Art Drama Club Maryland Calvert Louisville, Kentucky “But now my task is smoothly done 1 can fly or I can run” Public School Music Town Club Delta Omicron Chorus Quarter Notes Staff Twcnty-seven Ruth Caldwell Irvington, Kentucky maiden never bold , a spirit still and quiet ' Piano Normal Sigma Alpha Iota Lucille Darden Centerville, Mississippi Nothing is impossible to one who tries” Piano Normal Sigma Alpha Iota Quarter Notes Stall Chorus Nancy May Elliott Somerset, Kentucky u Of honest worth, truly a friend On whom with safety one may depend” Public School Music Delta Omicron—Vice Regent Class Treasurer . Twenty-bight Lois Carey Ellison Williamsburg, Ky. “Learned, talented, wise, and good is she M Piano Mu Phi Eps’lon—Corresponding Secretary Crescendo Business Manager Chorus Thelma Finger Louisville, Ky. “Oh who will walk a mile with me, along life’s merry way, A comrade blithe and full of glee, who dares to laugh out loud and free” Public School Music Phi Sigma Mu Quarter Notes Staff Chorus Lessley Freeman Burgin, Ky. “Intelligence with beauty not always is combined, But just the proper mixture of the two in her we find” Public School Music Mu Phi Epsilon—Recording Secretary Phi Sigma Mu—Historian Class President Editor—Crescendo Quarter Notes Staff Chorus Twenty-nine Mary Mildred Hunt Henderson, Kentucky “A sport, a worker, and a friend, What more could he asked of anyone” Public School Music Mu Phi Epsilon Phi Sigma Mu Editor, Quarter Notes Crescendo Staff Chorus Floyce Hubbard CampbelIsviIle, Kentucky u Jolly and cheerful, faithful to her duty and responds to its call, whatever it may he” Piano Delta 0micron—Secretary Class Vice President Margaret Kim Berlin Springfield, Kentucky Oh, why should she worry when she is young and fair, and can win his love hy her winning air” Dramatic Art Drama Club Quarter Notes Staff Thirty Hazel Love Clay, Kentucky She is pretty to walk with, she is witty to talk with, and pleasant too, to think oj” Public School Music D elta Omicron Quarter Notes Staff Circulation Manager, Crescendo Chorus Christine McClure Somerset, Kentucky “Every inch an artist” Public School Music Phi Sigma Mu Art Editor—Crescendo Quarter Notes Staff Chorus Christine Naive Lexington, Kentucky “A good nature is a sign of a generous heart” Piano Normal Sigma Alpha Iota Thirty-one Sara Pace Anniston, Alabama “For nature made her as she is and made not another” Piano Normal Mary Duke Ritchey Sturgis, Kentucky “She is fair, sweet and friendly No one can deny this, she has not an enemy Piano Normal Mary E. Savage Louisville, Kentucky “Speak hut little and well if you would he esteemed and look ' d on as a woman of merit Public School Music Chorus Thirty-two ——- ' r- Minnie Selby Paducah, Kentucky “Her charming way, her friendly smile, make her friend¬ ship well worth while” Public School Music Mu Phi Epsilon Crescendo Staff Quarter Notes Staff Chorus Katherine Schanz Louisville, Kentucky “Castles in the air cost a vast deal to keep up” Public School Music Delta Omicron Quarter Notes Staff Town Club Chorus Mary Sullivan Gordonsville, Tennessee “Her air, her manner all who sec admire, all who know, love” Piano Delta Omicron Crescendo Staff Quarter Notes Staff Thirty-three Ruth D. Steueri.e Louisville, Kentucky “What shall I do to hr forever known - make the age to come, my own?” Public School Music Phi Sigma Mu Quarter Notes Staff Chorus Katherine Stum Madisonvillc, Kentucky “Merry of heart, keenly intelligent, she can command success ” Public School Music Delta Omicron Crescendo Staff Quarter Notes Staff Cho rus Mary Agnes Starks Louisville, Kentucky “Much wisdom often goeth with fewest words” Organ Quarter Notes Staff Thirty-four Grace Thompson Madisonvillc, Kentucky Let me be silent, for silence is the speech of love, the music of the spheres above” Piano Normal Delta Omicron Orchestra Margaret Wilson Williamsburg, Kentucky “I v:oke one morning and found myself famous” Piano Normal Mu Phi Epsilon Crescendo Staff Francis Wheeler Jamestown, Tennessee “Happy go lucky, fair and free There ' s nothing in the world that bothers me” Piano Normal Virginia Roach, whose picture is not included is a Senior in Dramatic Art. Thirty-five T E, the class of 1927, being poor, but hopeful of unsound body and mentally deficient do hereby bequeath, will and transfer all of our mental, moral, personal and spiritual possessions (?) to each of the undersigned, unfortunate encumbents. It must be distinctly, un¬ questionably understood and accepted as the truth, that this will rescinds, annuls, and voids all previous documents of like nature, and that each of the participants in the undermentioned, remains, covenants, and agrees to abide by the distribution of said mental, moral, personal and spiritual possessions (Do we have them?) as herein outlined and allotted. Whereas the faculty has been so conscienciously unscrupulous in making us walk the chalk line and in guiding us in the straight and narrow paths of musical knowledge and endeavor, we hereby devise to them our deepest gratitude and sincerest affections. Whereas our beloved Mr. Cowles and Mr. Gruber have always shown such a tremendous personal interest in our class activities and individual problems, we bequeath to them our continuous support in making our Alma Mater greater as the years come and go. Whereas our sponsor has co-operated so untiringly to make our class activities successful we convey to her, our lasting friendship and deep appreciation. Whereas the Junior Class has exhibited its wholehearted envy of our superiority and dignity, we leave to them both of the aforementioned qualities, together with all of our many senior privileges. (? ? ? ?) Whereas the Sophomores will soon be Juniors we will to them, the hope that they will be as magnificient in the glory of achievements, as Thirty-six we were. Whereas the Freshmen have a long, weary, tiresome, and arduous pilgrimage ahead of them before they reach our present state of blissful ignorance, we transfer to them our abundant superfluity of stickability, hoping that it will enable them to stick to the bitter end. 01 eta Albertson , leaves “Her dirty look ' ’ to Ruth Sitton. Minnie Selby , leaves her “effervescent spirits” to Katherine Murphv, Katherine Barnes leaves her book on “How to express yourself in the best English,” to Marguerite Murphy. Christine McClure , wills her private stock of “Anti-fat,” to Evelyn Allcnsworth. Nancy Mae Elliott leaves her “week end trips” to Isla Mae Payne. Hazel Love , leaves her “fluted notes” to Mary Lee Oglesby. Lois Ellison , leaves her pet expression, “Now, Honey,” to any one who feels they can use it as discreet ly as she did. Floyce Hubbard, leaves her ability to talk without taking breath to voice students, and her “Seventeen Wrecks”, to Cessna Stafford, Mary Mildred Hunt, wills “The Quarter Notes” to Belle Pace. Louisa Bumgardner, leaves her alibi “Well, Mr. Harmon 1 don’t see that,” to Vera Evcrsalc. Lessley Freeman , leaves her dignity and the task of collecting the faculty pictures for the annual to Esther Severn. Mary Sullivan y bequeaths her book of original composition melodies, to Mr. Harmon, with the hope that they will be of some benefit to the aforesaid, in correcting the compositions of next year. Class Will ( Continued ) Katherine Sc ianz , leaves her art of directing Chorus to Isabelle Moore. Maryland Calvert wills her original Harmony melodies to Lela Vincent. Thelma Finger , leaves her soft musical voice to Coleman Wallace. Katherine Stum leaves her Percy Goetchius Tone Relations, to Thelma Luette. Ruth Savage leaves her babv ways, to Beulah Mac Grimes. Margaret Kimherlin, leaves to those who follow after her, in the pursuit of knowledge of any kind, her book, “Best Jokes of all times;” always take this to your class and when cmbarasscd for the answer to a question, open said book, read joke number two, page six, in your best manner. Frances Wheeler , because of her size, leaves this motto, to Evelyn Allensworth. “Little drops of water Little grains of sand Make the mighty ocean And the mighty land.” Virginia Roach leaves her art of dramatizing to Helene Watson. Margaret Wilson , leaves her art of attracting medical students, to Trcssie Truax. Mrs . Beard leaves her alarm clock to Dorita Dickson and Crcssie Lee Nelson—They will find it quite useful when attempting to get to class on time—It goes off. Louise Sallee , leaves this wise council to John,Sutcliffe, “Let no rib come nigh unto thee.” Ruth Steurle, leaves her special “Public School Methods Notebook” entitled, “Problems That Make You Just a Little Bit Think,” to Christine Burford. Lucille Darden and Christine Naive leave their crush on their piano teacher, to Veronica Marks. Sara Pace , leaves her permanent wave, to Sylvia Hubbard. Mary Agnes Starks, leaves her camel walk to Rebecca Ivopel. Mary Duke Ritchey wills her dimple and her sweet smile, to Elizabeth Smith. Ruth Caldwell , leaves her baton to Camille Swan. It is to be distinctly understood that, in the event any of the recipients of our benefactions do not care to receive our inunificicnt gilts, said gifts shall become the nucleus of a fund to help found a home for the “Hopeless, Howling Hyenas,” of the Vocalizing lionesses. Witness our hand and seal this, the 2 ist day of June, Annin Dominus 1927, in Louisville, Kentucky, county of Jefferson by the 1926-27 Senior Class of the Louisville Conservatory of Music, by Minnie Rodman Selby, Testator Thirty-seven T EAR old L. C. M. days of 1927. How vivid the mem- -L ' ories of all the scenes and faces that were so familiar then. Ten years would bring about a change, yes, and it has. As I remember it, there were only two phones in the dormitory. Push, scramble, yell, pell-mell, we usually suc¬ ceeded in answering a few calls. Ah, how plebian it all seems since we have our newest invention. Radios in those days were in the embryonic stage, but to-day they have taken the place of telephones. Instead of just being able to talk over them, one is able to see the person to whom he is talking. There is no longer a WHAS, because each radio has its own individual broadcasting device. WHAS . . Hum-hum. Wonder what response it would bring from the old class? Well, there’s one way of finding out,—I’ll tune in and see. “Station WHAS, Krausgill Piano Company Extension Studio, Louisville, Kentucky, April 1, 1937. The program this evening will be furnished by the Senior class of the Louisville Conservatory of Music.” (Faces appear from all parts of the globe.) Whew-—One at a time. I can’t remember half those faces they came so thick and fast. I’ll try a different scheme this time. “WHAS broadcasting. The next 45 minutes will be de¬ voted to receiving messages from the class of ’27. At the end of that time, they will all be read aloud.” (45 minutes later ) “WHAS speaking. I will proceed to repeat the messages and give the picture of each person who broadcasted.” Mary Agnes Starks, Daytona Beach, Florida. “Well and happy. Enjoying a good business diving after lost Thirty-eight jewels.” Mary Agnes was dressed in a red bathing suit and sent the message from Lew Cody’s yacht. Louisa Bumgardner, Little Rock, Arkansas. “Wish you’d give me more time. I have to give this old woman a turkish bath now. I hold the record for curing rheumatism.” Louisa looked very efficient in her white uniform. irginia Roach, Tunis, Algiers. “Am teaching dramatic art to the African natives, and am doing a great pioneer work.” She wore the native costume and was very brown from sunburn. The Misses Schanz and Barnes, Harlan, Kentucky. “En¬ joying life. Have established a beauty parlor, and are bring¬ ing joy to the hearts of many.” 1 hey were dressed in man¬ darin robes of purple and green. branees Wheeler, Wheeling, West Virginia. “Have made a fortune traveling as the midget drummer with Barnum and Bailey.” She looked very fetching in her suit of blue with its rows of brass buttons. She still hooks her hair over her ears. Sara Pace, Liberty, Missouri. “1 am directing a huge harmonica band. Will tour Europe next year.” She has adopted mannish dress and even carries a cane. Catherine Stum, Annapolis, Maryland. “Have estab¬ lished a home called ‘The Port of Missing Men,’ and 1 take care of all lost sailors.” Miss Stum looked extremely tall in her gray and white striped gown. Mary McArn, Mt. Pleasant, Tennessee. “Doug and I send best wishes to everyone. We are sailing for the Canary Islands in May.” I hey are living in the manse adjoining the church and seem to be supremely happy. Minnie Selby, New York City. “Am starring in the hollies this year. My latest suit for alimony gave me much publicity, and a small fortune.” She was speaking from the smoking room at the Ritz. Ruth Steuerle, St. Louis, Missouri. “Have taken up photography and charge only ten cents per photo. I have cameras located on all important corners in the city.” Her attire resembled that of the Salvation Army lass. Margaret Cottrell, Berlin, Germany. “Jack and I are running a rooming house for students, and Jack will be gaduated from the Berlin Academy for Barbers next month.” Margaret was all smiles and 1 know she was very happy. Christine Naive, Chicago, Illinois. “I am directing an orchestra at the Edge water Beach Hotel. We play for all meals, and for dancing in the evening.” She looked very spiffy. Christine McClure, New York City. “Have recently signed a contract to design all posters for Ringling Bros. Circus.” She looked her part well in a smock, tie, and tarn. Hazal Love, Peewee Valley, Kentucky. “I have attained success at last. I am flutist wth the Pewee Valley Symphony, and we give weekly concerts at Lakeland and the Old Sol¬ diers 5 Home. 55 She is the same little person—a few pounds heavier. Floyce Hubbard and Lois Ellison, Seattle, Washington. “Our conservatory has recently been admitted to the Associ¬ ation, and we are entertaining Mr. Cowles and Mr. Dam- rosch next week when they come to inspect the school. 55 They seemed to be very happy in speaking to their old class¬ mates, but their extreme dignity and reserve prevented a lengthier message. Thelma Finger, Dublin, Ireland. “I am with you in spirit, but my work keeps me here. I am Chief of Police, but I manage to retain my feminine dignity. 55 She was on traffic duty at a buy street corner, and I could scarcely hear her above the shrillness of her whistle. Ruth Caldwell, Davenport, Iowa. “1 am the local im- pressario. Our concert to-night is a two piano program given by Misses Lucille Darden and Maryland Calvert, who have vied with Maier and Pattison for the last flve years. 55 She spoke from the concert hall and all three sent their best wishes. Sylvia Button, Dayton, Ohio. “1 am in the Air Mail Service, and my route is a private one between Nashville, Tenn., and Somerset, Ky.” Her leather uniform was stun¬ ning, and 1 suspect she was preparing for her daliy trip. Mrs. Jessie Beard, Washington, 1 ). C. “1 am at present in the genealogical department of the I). A. R., but will very likely be transferred to the Travelers 5 Aid.” She was speak¬ ing from her private office and on her desk was a picture of the History II class of 1927. Oleta Albertson, Mammoth Cave, Ky. “I am playing the piano in the hotel cafeteria here. My salary isn’t so good but I love the work. Orchestral conducting was too hard for me.” Miss Albertson is wearing glasses now, but otherwise she looked about the same. Mary Mildred Hunt, Johns Hopkins Sanatorium, Office of the Nerve Specialist. “My new nerve tonic is working wonders. Lessley Freeman, my latest patient, is convalescing now and will soon be out again”. Mary Mil has dyed her hair black and you would never recognize her. WHAS signing off. Will be silent until next April 1, T 947- rty-nine GOOD NIGHT. Katherine Stum, Prophet Credits to 152,7 Seniors I7 ' E have been called the most congenial class in the history of L. C. M. With such congenaility how could we help but make progress? The Quarter Notes, our school publication with Mary Mil Hunt as editor, has become a rival of real magazines. An exchange department has been established with the out¬ standing Conservatories in the Association. We boast of the first four students to receive degrees in piano and one in organ. We have three seniors who are taking the special course in Art and expect to teach it. Our Valentine bridge party was a success both socially and financially. One of our prospective supervisors attended the Southern Conference for Supervisors. The whole class orchestrated “Alabama Lullaby.” Seniors graded the State Music Memory Contest papers in Frankfort. We have given numerous radio programs from the Krausgill Extension of WITAS. Pageantry class writes songs for State and National Parent Teachers Association. These are just a few of the marks we have tried to make. nHisaS! . • X ' . . • I Alice Camp, Faculty Adv ser Ruth Sit ton, President , Sylvia Hubbard Mildred Blake Thelma Luctte Edna Hcrrod Mary Louise Bachman Martha Donaldson Mary Lee Oglesby Trcssic Truax Katherine Murphy Marguerite Murphy Naomi Gracf Mary Dunbar Francis Miller r Beulah Mac Grimes Elenor Kurfces Coleman Wallace Isabelle Moore I§la Mas Payne Dorothy Schnaus Cessna Stafford Evelyn Allcnsworth Lillian Colvin Christine Bufford Forty-one i A GOOD looting bunch of girls, this Junior Class, you’ll have to adnit. Yes, and these are not all. All the presi¬ dent’s efforts cculd not get more than twenty-four of the members. The others are being saved as the surprise for next year’s annual. This Seniorclass has boasted so much and filled so much space that on a tiny page like this we cannot even compare with them. We too havt given radio programs. On May 2 members of the Junior Class gave a May festival program for child health week. Here’s another bit of news too: Our President, Ruth Sitton, played on one of the Seniors programs. I don’t be¬ lieve it was announced. Last year the Juniors lost one of their members in the Matrimonial Sea. Thus far our school ties have proved in¬ vincible and we are hoping the dragon may be held at bay another year. Probably by this time next year we will be ready to speak more freely about ourselves. SOPHOMORES nwniiiiir v ir u n rninn nrmfuiifpruunf fu ' SENIOR JUNIOR OPHONORE FRESHMEN .£a Theo. M. Taylor, Veronica Marks, Elizabeth Smith Helene Watson, Rebecca Kopcl, Mary Lang Keith, Emma Alice Pate. Forty-three - - T F quantity amoi lIlts f° r much, we are, to use the Algebraic expression, X. Back of the jaunty air these faces are wearing there is really a degree of worry. Where are the rest of our mem¬ bers? After thinking) though that this is the first year a sopho¬ more class has eve 1 existed we are proud of these seven. We never fuss at class meetings because we have none. Why should we thor We have no president, but if we had a president we would have no business to transact. Thus our nonchalant air. We have one member already anchored in the matrimon¬ ial sea and just between the two of us we’d just as soon cast a few more anchors. Forty-[our V Mikanna Clark, Gertrude DeMo-s, Crcssic Lee Nelson, Charlotte Ham, Dorita Dickson Camille Swan, Sara Rowe, Carolyn Frankc, Jewel Ford, Helen Avery Fortif-five Unclassified Children’s Group Forty-six Sigma Alpha Iota Sigma Nu Chapter Musical Sorority ACTIVE MEMBERS Pii, ST Row—Martha Nellc Flint, Louise Moss, Gertrude DcMoss, Ollie Price Millet, Helen Awry, Annie Lmclle Mutts. Second Row—Theo M. Taylor, Lucille Darden, Virginia Hadfiehl (President). Cessna Stafford, Timm Row _Christine Naive Martha F. Brantlev, Evelyn Moser, Lillian Gaddie, Lucie A. Herget, Ruth Cnlu ell. . . OxuKit Mkxwkus— Elise Brach’ Mary Grisson, Thelma Winter Fahrenberg, Helen Krhger, Julia Strickler, Catherine Goodman, Helen Leigh, Stout. Dorothy McQuiddy Trunnel, Esther Forty-seven Delta Omicron ZETA CHAPTER National Honorary Musical Sorority—Installed L. C.M., 1918 ACTIVE MEMBERS Fihst Row—Catherine Schanz, Evelyn Allensworth, Angeline McCrocklin (regent) Mary Sullivan, Maryland Calvert. Second Row —Nancy Mae Elliott, Mary Dunbar, Catherine Slum, Isabelle Moore, Katherine McCarten, Floycc Hubbard. Timti) Row—Lillian Colvin, Hazel Love, Ruth Sitton, Sylvia Hubbard, Marguerite Davis, Marion Campbell, I’ledge. Othku Memiieiis —Grace Thompson, Lucille Klapheke. Sorority Mother —Mrs. Harry Roy. ForLy-eiylit ACTIVE MEMBERS Fihst How —Eleanor Lawrence, Elizabeth Smith, Alameda Litsey, Margaret Wilson, Annice Meadows, Mai Hill Bartlett. Second How- —Minnie M. Kimball, Maty Mildred Hunt, Lois Ellison. Jane Hoone (President), Emma Alice Pate, Oleia Albertson, Camille Swan, Timcn How—Marguerite Murphy, Katherine Murphy, Wilma Cassidy, Lcssley Freeman, Sara Lee, Rebecca Kopcl. Other Memiieks —Minnie Selby, Jane H. Stokes, Ruth Blakey. ms ■ ) Forty-nino er i Sisma Mu National Musical Fraternity Fifty Founded Ohio Wesleyan College, December 13, 1925 Installed L. C. M., May 1926 Actiyi: Mi:m ni:u$ Alice Linkenberg, President Jesse M. Beard, Treasurer Dorothy Schnaus, l ' ire President Mary Mildred Hunt Ruth Hampton, Corresponding Secy. Margaret Carson, Recording Secretary Lessley Freeman Ruth Steuerle Katherine Barnes Kathryn McBride Thelma Finger Pj ' KbCSES Christine McClure I si a Mae Payne Mary Louise Bachman Naomi Gracf Honorary Member —Caroline B. Bourgard A ssociate M ember —M a rga re t Smith Alumnae —Jane Jefferies, Mildred Lambert • M.I.SDAU (M I o i Kins Yg ... ll M M ' i . |.l| |!l .1 l t, . I.% J i _ft i i V ISSISTANT v — © Editor IWel Love • li.mil ory i « • ‘ 1,1 |l ii. M. n Catherine V Schanz: Vwlm iir« m New York 1 00 1 . . 11 , 0 . ,l,| U ' Morrow .Mill r, mil l.oilM • i.ill my iris. M m ill Niijjeiit, Ko l. r. Oil iflll llll.I leliyimi i.iM ii Business Manager from II,, , • l onlv lllll Ml ll . Will I loll lf ll I ill l.iloio. | 1J II • Uyllllllll; ' I l.f ,!«. 10 , 1 1 .on - t ■ 1,,.. in |„ 11 , 1 , 1(1 - i ,. I, ml 1 to Iiioltl for u .1 I lllll o! rultllli anil r III nh lit Prom tlictn «• ptiti on in pir it un nliicli will • irn it o i llial Hark mot of liurii work, w rmu mini nt r i I ion. mill f rtf | i« nil . le |.air In tin- yr it if my i.i iy!il of n iiiii it nl lu ' iitioii. Such mi iilileation not mil print ti,, «i nu|i ot culture oil mil li . ‘iirroiiinU u III nlnml iioMiei.ilioii . .uni !u tills • «l -.ir« lot I In liiyycr, yr, ,it T tiling , in life, lint it yi e ii .in m |iii iiion l,.,l, .ii utile it to eiijov full tin ,- ■ . 1 ■ i .Mr. Amli r nti up|H.ir«il Nov. 2, mill will lie Inmil December. Former I.. M lmlii «liiilviiit; I lii mmmiii mv M Marinn Nugent. .leiniie Morrow .Mill r. mi,I l n iie ltnv ter. i i si i; mi tist i.ms ll uml.l It on i I i in mill t nm till, n,|„no Tin tiioii H N • i, - ( Imnlni Mnno v 1 II, II I’lo II M. .l.w Mon Mi ' it, I vil.ki , 1,1 y lllll t .oil, ; nr | m M III nli . ..i ., i tin pri il« o, of lieu ring the It typ of Folk mnl Heliyii.u mu Fifty oho Fifty-two — .HI IUW.AJ Editor-in-Chief .. Circulation Manager Assistant Circulation Manager . . Lessley Freeman .Hazel Love Catherine Schanz Business Manager . Advertising Manager . . . Art Editor . .Lois Ellison . . Oi.eta Albertson Christine McClure Katherine Barnes Lousia Bumcardner Catherine Stum Mary Mildred Hunt Helen Mary Sullivan Minnie Selby Coleman Wallace Helene Watson Avery Fifty-throe Cora Cook Parmentei ' — Conductor. VIOLIN CHOIR Katherine Murphy— Accomiuuiist. First Violins- .John Coaklev, Rosalie Schulinan, Urscl Homes, Anna Lucy Howes, William Montgomery, Nonoarle Argenbritc. Second Violins —Marion Morgan, Irvine Oerstle, Alma Hogmeen, Mildred Westcrfleld, Manuel Munsey, Murray Pedigo. Timm Violins— Mary L. Coakley, Mandel Speeklor, Annette Linker, Orville Fox, Henry Schulinan, Rilev Dobbins, Harry Siblev, Patty Hastings, Charles Fritelmer, Vincent Lombardo. Fourth Violins —Anna L. Knight, Alice Carver, Margaret Morgan, Henry Carpenter, Sylvia Shapero, James Jvosden, Morton Steineau, Raymond Conrad, Marshall Ashley. Fifty-four Jay W. Fay, Conductor Fifty-five C« imz Social Calendar fot Sept. 9th—Public School Music hike to Jacob ' s park. Sept. 10th—Phi Sigma Mu Sorority tea for Public School Music Department. Sept. 27th—Delta Omicron Sorority garden party at Lucilc Klaphekc’s home in Audubon Park. Sept. 30th—Public School Music “Kid party” at the Conservatory. Oct. 18th—Dance given at the dormitory. Oct. 23rd—Mu Phi tea at the home of Mrs. J. Herbert Bartlett at “Bonny cot,” Anchorage. Oct. 27th—Delta Omicron reception at the home of Mrs. E. H. Bcssires in Cherokee Park. Nov. 13th—Mu Phi Founder ' s day banquet at the Brown Hotel. Nov. 20th—Phi Sigma Mu subscription bridge at the dormitory. Dec. 13th—Delta Omicron Founders day banquet at the Brown Hotel. Dec. 18th—Farewell Christmas party at the dormitory. Dec. 19th—Sigma Alpha Iota subscription bridge at the home of Gertrude De Moss. Dec. 2ist-Jan. 3rd—Christmas Vacation. Jan 10th—Reception at dormitory at 3 A. M. in honor of Sir Thomas of Bacon. Jan. 14th—Sausage reception in honor of second iloor given in Mary Sullivan’s and Elizabeth Smith ' s room. Feb. 14th—Candy feast at the dormitory. Candy donated by the opposite sex society. Feb. 15th—Senior Class subscription bridge. Feb. 17th—Dance at the dormitory. Feb. 18th—Cheese and cracker bullet supper in honor of Nancy Jane Birch in Nancy Mae Elliott and Oleta Albertson ' s room. March 17th—Delta Omicron’s St. Patrick dance at the Audubon Country Club. March 18th—Birth of “Leaping Lena.” March 20th—Sigma Alpha Iota Tea at dormitory to benefit Scholarship fund. March 22nd—Delta Omicron surprise party in honor of Mrs. Sidney Vega Homer former Delta Omicron Regent. March 8th—Mu Phi Epsilon tea at Benedicts, afterwards week end house party at Mrs. L. I. Boone’s. March 1 ith—Mu Phi Epsilon Musical at the home of Mrs. Kimball. April 30th—Mu Phi Epsilon cabaret dance at the Y. H. M. A. ' Fifty-six — ■g — Senior Sayings Nancy Mae—“If there’s a special delivery at the dorm, for me will you bring it over?” Floyce—“Oh! I’m seventeen wrecks!” Lois—“Now, honey.” Hazel—“Where’s Emma? ” Mary Mil—“O o o o o I’m so excited.” Oleta—“Now the Universal Series. Mary—“Is Doug here yet?” Lucille—“I’m going by the seminary now.” Thelma—“Woody! Take my books.” Ruth—“No, let’s don’t do that.” Kat Stum—“Oh he’s my secret crush.” Grace—“Pharmacy is so interesting.” Kat Barnes—“Oh Lord! Gimme time!” Mrs. Beard—“I was just petrified.” Maryland—“Yes, Miss McBride, I’ll go to the Con vention.” Lessley—Can’t do it! Have to work on the annual.” Christine—“Please give me doh again.” Louisa—“But Mr. Harmon —” Margaret K.—“Answer the phone for me please.” Francis—“I’ve been up since the bust o’ dawn.” Cat Shanz—“I’ll play it on the violin for you.” Christine Naive—“I’m going home this week end.” St Fifty-seven FifI j-c yht -T Sixty Sixty-one Lois Ellison—“What’s a good remedy for corns?” Floyce—“I don’t know lunatic, I’m studying French, not Agriculture. ' Photographer—“Look pleasant, please.” Lesslcy—“I can’t. I ' m editor of the annual.’ Miss Robertson—“Which is correct, A herd of camels, or a drove of camels?” Beulah Mae—“I always thought they came in packs.” Visitor—“You have a peculiar faculty for—” Senior—“Sh! I know it, but we can’t help ourselves. They were thrust upon us.” Mr. Oliver (entering Teacher’s Music Co)—“I want an E String, please,” he remarked to Harry. Harry—“I’m sawhy sir, but would you mind picking one out for yourself? 1 hardly know the ’es from the shes. Mr. Rebarer—“1 hear that the fashion for men this year is to wear clothes the color of the hair.” Mr. Richbourg—“Great Scotts, what will I do.” Cat Coil (seriously to Annabcllc)—“If you’re ‘pinched’ don’t give your right name.” “Who was the Freshman who asked for a key to Keyboard Harmony?” “Cheer up Freshie, you will learn.” Cessna—“Did you ever read ‘Kant’?” Camille—“No, but I have read ‘Don’ts for Young Girls’.” Sixty-tioo Teacher—“What is a guillotine?” Sylva Hubbard—“The dormitory’s Sunday desert. 1 “Oleta who was Hamlet?” Oleta ‘Aren’t you ashamed of such ignorance at your age? Bring me a Bible and I’ll show you who Hamlet was.” A salesman was showing Annabelle Kise the virtues of the car he was selling. He made many turns and at the proper time extended his arm as the turning signal. Annabelle watched the proceeding for sometime. Then she craned her neck and looked at the sky. Mister, she said sternly tapping h:m on the shoulder, “you just tend to your driving. It don’t look like rain no how, but if it should I’ll let you know.” Christine McClure—“That Conservatory turns out some great musicians.” House—“When did you graduate?” C. M.—“I didn’t graduate, I was turned out.” Wilma Cassidy—“Here comes the grocery wagon with our groceries for dinner.” Elizabeth Smith—“Hooray! I ' ll run and get in my stall.” Lucille Darden—“And how is everything with you?” Cessna Stafford—“Oh everything is lovely and the goose hangs high.” Lucille—You shouldn’t talk like that. You should say: “All things have assumed a rosy cast and the fowl whose cackling was the salvation of Rome is suspended at an altitude hitherto unknown to me.” A singer just finished “My Old Kentucky Home.” The Hostess seeing one of her guests weeping, went to him and inquired in a sympathetic voice: “Are you a Kentuckian?” The answer came quickly—“No madam, I’m a Musician.” Sixty-three Cressie Lee—“Been to Theory Dorito?” Dorita—“Do my clothes look as though they had been slept in? 1 Veronica Marks—“Lend me a n.ckel Becky, and I’ll be everlastingly in¬ debted to you.’’ Becky—“Yes, that’s what I’m afraid of.” The only man she knew who lisped Called her on the phone and said— “Ith thith you, Ruth? Gueth who thith ith?” He—“If you weren’t in a canoe, I’d kiss you. She—“Sir, I demand to be taken ashore immediately.” Sweet Young Thing (in parlor)—“Mrs. House! Mrs. House! Come here and make him quit teasing me!” Mrs House—“What is he doing, dear?” S. Y. T.—“He’s sitting at the other end of the sofa.” Dormitory Flapper—“Will you give me something for my head?” Druggist—“I wouldn’t take it as a gift.” The sign read: “Dinner 50 cents, with chicken 75c. “Let’s go in here Kat” said Pat, “they make a reduction for two.” Miss Crutchfield to Harry—“Tonight you will play the part of a Duke.” Harry—“Then give me 20c for a shave.” Miss Crutchfield—“On second thought you will play the part of a Bolshevik.” Mr. Cowles—“I am happy to see all these shining faces before me this morning.” (Sudden application of thirty-seven powder puffs). Doorkeeper of Picture Show—“You say you want to see a man inside, eh? Who is it?” Mr. Rebarer—“(Confidentially) me!” Sixty-four STARR PIANOS “The Difference is in the Tone” Stvle 39-Mahogany Width 4 feet, 9 inches Depth 4 feet, 10 inches S TARR Pianos in their excellence represent the achievement of over a half century’s devotion to line piano building, a period which has but maintained and strengthened a standard of craftsmanship endowing all instruments of Starr origin with highest possible quality. Over a thousand schools, colleges and universities and other educational institutions consider none other but a Starr-Made Piano because there are few requirements of a musical equipment which in the severity of demand approach that of college use. Starr Pianos retain year after year the qualities for which they are celebrated. The little Star School and Apartment Upright—only 3 feet Sj 3 inches high—is a revelation in tonal brilliance and beauty of contour and aptly portrays the artistry of all Starr-Made Pianos. Send for Literature THE STARR PIANO COMPANY Established 1872 Factories: Richmond, Indiana Branches in New York, Chicago, Boston, Detroit, Cleveland, Dayton, Cincinnati, Indianapolis, Kansas City, Nashville, Birmingham, Los Angeles, San Francicco, Portland. Sixty-five CHOOSE YOUR PIANO AS THE ARTISTS D0 F OR its enduring purity and resonance, for its perfect concord of tone and action, 1 lie BALDWIN is the choice of exacting musicians the world over—on the concert stage and for the home. In any BALDWIN you will find a new revelation of your musical dreams Our book, How Artists Choose Their Pianos” will help you in selecting the instrument for your home. We will be glad to send you a copy free. The BALDWIN is made in Uprights, Grands, and Reproducing Pianos (Welte-Mignon, Licensee, action), in Period and Modern designs. A comprehensive selection ol these most remarkable instruments is on display in our salesrooms and we invite you to see, hear and play them. (Jotupmtij Third and Broadwav Incorporated South 800 Weissinger- Gaulbert Bldg. Sixty-six Tell the Folks at Home how well We serve you The Way DRY CLEANING and DYEING We You tV ant WOODSIDE-LEEDS Insure It Your When You 131 West Breckenridge Street Gar¬ Want Louisville, Kentucky ments It Tom h. woodside, Mgr. We Solicit Out-of-Town Business Sixty-seven A Card of Thanks and Appreciation From LEON ABRAHAM Pharmacist FIRST AND BROADWAY I wish you much success, and am always glad to see you. When In Doubt Ask Miss Rhea Kentucky’s Leading Studio The Standiford Studio Now Located At 425 WEST CHESTNUT STREET Daily Growing in Favor With All Truly Progressive Teachers THE MUSIC STUDENTS PIANO COURSE As the standard textbook for training in MUSICIANSHIP AT THE PIANO Because it is the Most Elastic y Most Prac¬ tical y Most Compact y Lowest iti Pricey Great¬ est in Educational Value y Systematically T r a i n s EarSy Fingers and Mind and can be bought of any Dealer anywhere . EDITED BY Clarence G. Hamilton, A. M. Professor of Music, Wellesley College John P. Marshall Professor of Music, Boston University Percy Goctschius, Mus. Doc. Professor of Theory. Institute of Musical Art, New York Will Ear hart Director of Music, Public Schools Pittsburg, Pa. William Arms Fisher Boston, Managing Editor A Five Year Course. (Grades I, II, III IV, and V.) Each Year consists of four Quarters or Books. Each Quarter or Book contains nine lessons, together with supplemen¬ tary music, that if purchased in sheet form, would cost more than the book itself. The Teacher ' s Manuals , covering every lesson, arc issued for first and second year combined, and for the third, fourth and fifth year separately. Prices: Each Quarter or Book of the Course, $1.00, Net; each Manual, 25 cents, Net. The Teachers ' Manuals explain every doubtful point and give additional exercises and lists of supplementary material. OLIVER DITSON COMPANY 179 Tremont St., Boston, Mass. CHAS. II. DITSON CO. 10 East 34th St., New York, N. Y. ORDER OF YOUR LOCAL DEALER Sixty-eight KURTZMANN! Pianos are the worlds finest values and when compared with any other make prove to you that they are musically supreme. HOLTON! AMERICA’S GREATEST BAND INSTRUMENTS Saxophones, Trumpets, Trombones, that are built to a standard that musicians enjoy. ORTHOPHONIC! Victrolas, Electrolas, Radiolas are without question the greatest ac- coustical invention of the age. Hear them today! ALSO! A full line of Sheet Music, Teaching Material, Player Rolls, String Instruments and Musical Accessories. When You Want Good Music Remember KRAUSGILL PIANO CO. Incorporated 309-311 WEST WALNUT Louisville, Kentucky The Home of the KURTZMANN Piano A fat man had been stepping on Katherine McCarten’s feet. Said he, “It certainly is nice of you to dance with me, the worst dancer in the room.” Said she, “Oh, how can you say that? Why you scarcely touch the floor!” Margaret K.—“You swore your love for him would be like the ocean.” Frances W.—“Well, so ’tis. It’s at low tide now.” ESTABLISHED 1888 Clayton F. Summy Co. Publishers of Standard Music 429 South Wabash Ave. Chicago, 111 . GENERAL DEALERS IN MUSIC OF THE BETTER CLASS, BOTH AMERICAN AND FOREIGN A Music House from which prompt and dependable Service can be relied upon. Publishers of HARMONIC MATERIAL AND ITS USES By Adolf Wcidig. Price, $3.00, plus postage. ‘‘It is a big book, big in size and big in content, and any student who gets through it with understanding and ability to apply what is set forth between its covers, will be classed with the advanced pro¬ fessional composers of our land.” (Frank Patterson, Musical Courier). Drop us a card mentioning the branch of Music in which ' you are most interested and we will send you from time to time helpful suggestions and information. Sixty-nine Frederic A. Cowles John L. Gruber Teachers Music Company We wish to thank you for your loyal support, and hope you will remember us with kindest thoughts GOOD TEACHING MATERIAL 214 West Broadway FORESMAN ' S BOOKS OF SONGS Edited by Robert Foresman (A BOOK FOR EACH GRADE. THIRD TO EIGHTH INCLUSIVE) Insure the development of genuine musical appreciation and musical growth at every stage of the child’s progress. These books provide the richest and most beautiful examples of care¬ fully selected and graded folk songs, and the melodies of the world’s masters of music, which have stood the test of time. American Book Compai Incorporated NEW YORK CINCINNATI CHICAGO 300 PIKE STREET L. N. STEVENS FINE SHOE REPAIRING Shoes Repaired As They Should Be 115 WEST BROADWAY LOUISVILLE, KENTUCKY Seventy ■ Jr- ■ f- f- Jr- Jr- Jr- Jr- Jr- Jr- r- Jr- Jr- Jr- “ y ty ty ty ty tv ty ty ty ty ty ty ty ty ty Ty ty ty Ty Better Printing means Fetter Printing H E is a clever man, my printer whom I discovered several years ago and whom I have insisted upon sticking to ever since. % They say he is a little dean er. “Well,” I answer “ought he not to be, being considerable better .”—Caryle Moral: Let Fetter Do It Better. GEORGE G. FETTER COMPANY INCORPORATED 410414 West Main Street Louisville, Ky. A. A. A A A. A. A. A A. A. A. A. A A A. A. A. A. A. A. A, A. A, T ® 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 raphs went j-three


Suggestions in the Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) collection:

Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) online collection, 1925 Edition, Page 1

1925

Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) online collection, 1926 Edition, Page 1

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Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) online collection, 1927 Edition, Page 100

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Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) online collection, 1927 Edition, Page 95

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Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) online collection, 1927 Edition, Page 9

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Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) online collection, 1927 Edition, Page 79

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