Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY)

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Graduates CLAS S OF 1925 Mildred Zuline Alexander Frances Lewis Allen Anna Blye Blakey Elise Ada Brach Martha Frances Brantley Virginia Lee Brightwell Goldie Leah Christopher Jewel C. Claxton Doris Cochran Ona Belle Demaree Gladys Dunn Mary Page Gaines Carrie Elizabeth Grissom Verna Holland Elizabeth Brents Holman Elsie L. Husman Agnes Kastner Lelia Laefoon Kathryn Lewis Alameda Litsey Amy Catherine Lutes Catherine Carr Malkemus Inez Menah Jennie Morrow Miller Hazel H. McClellan Angeline McCrocklin Clara Nunnelley Hildegard Nussbaum Katherine Wingate Parrish Mary Ernest Poore Sara Hill Richardson Anne Aileene Rubarts Virginia Sapp Margaret L. Schanzen- bacher Florence Gray Schoppen- horst Louise Jane Searcy Esther Sesmer Clo Era Sewell Isabel Spalding Smith Ellen Cathryn Trautman Susie Mae Walker CLASS OF 1926 Myrtle Abnia Francis Lucilf. Baker Miller Bennett Evelyn Black Helen Cook Mima Kitty Dale Sara Dillon Mary Foote Mary Bell Garrett Grace Mildred Gover Mildred Irene Henderson Joseph Wheeler Henry Verna Holland Eula Smith Howland Beatrice Hughes Jane Jeffreys Mildred Mason Lambert Cecil Lehmann Kathryn Lewis Alameda W. Litsey Catherine Mathis Katherine McCarten Lallah Frances Owsley Belle Pace Sara Pace Virginia Sapp Pauline Summers Dorothy Schnaus Grace Arnon Thompson Anita Yager Theo M. Taylor BACHELOR OF MUSIC DEGREE Marian Nugent

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Graduates CLASS OF 1923 Dorothy Adams Mary Adams Katherine Bell Margaret Bickel Helen Board Marie Bornwasser Mary Louise Bottorff Margaret Buckner Charlie Bynum Alice Camp Stella Carrico Margaret Carson Lou Ella Carvill Zelma Conrad Cora Cook Iva Dagley Grace Deppe Helen Eichenberger Emily Garnett Sarah Gayle Agnes Graves Frieda Gruenwald Ruth Hampton Patti Harwell Ruth Headrick Ruth Hinton Ruth Huffer Annie Laurie Hughes Helen Page Jackson Evelyn Kaiser Ada Kephart Sara King Ruth Lain Lorraine Lyons Geraldine McNeely Bettie Maris ZOERAYDA MEERS Mabel Morrison Marian Nugent Catherine Ohligschlager Katherine Pedigo Sallif. Pennington Sarah Riley Elizabeth Roberts Jane Russell Mary Scudder Margaret Sellers Ruth Sharp Elizabeth Shelton Bessie Sonner Irene Squires Mildred Strahler Clarice Thompson Robert Thompson Mildred Toler Francis Tuncil Bess Valentine Augusta Vann Dixie Wade Mary Waechter Elizabeth Way Annette Wearen Marie Whiteside Mae Wright CLASS OF 1924 Emaline T. Archer Lucille Bennett Eula Bennett Emily Grace Benton Ruby Bethany Helen Board Leland Brock Edith Carter Chessie Harris Compton Sara Christine DeLaet Mildred Farrish Geneva Fowler Nelson Goldsborough Alice A. Griffin Carrie Grissom Ollie Jay Hagin Gwendolyn Haynes Mary Wheeler Henry Lucile Herget Lucille Hikes Esther Kachler Howard Lee Koch Eleanor Lawrence Madge Terry Lewis Kathryn McBride Dorothy McQuiddy Valeria Medford Jennie Morrow Miller Thelma J. Minter Allene Montgomery Mona Lee Morgan Evelyn Ann Moser Mary Gladys Nanney Mary Lois Osborne Ruth Owen Lallah Frances Owsley Mildred Parkhurst Billie Nash Perry George T. Piggott GWENDOLYN POE Lillian N. Pumphrey Sara Hill Richardson Bernice Lorene Royster Marie Sachse Mildred E. Schirmer Mildred Amelia Schloss Ethel Slote Katherine Smith Helen Elizabeth Sprague Mary Agnes Stark Eloise Stoki-ioff Estelle Stone Esther Stout Thomas M. Stradley Julia Strickler Gordon Switzer Ellen Cathryn Trautman Lottie Van Arsdale Louise Landon Wells Grace Marie Winstead

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Symphony Sarcasm (JUST IN FUN) ' Tis a Symphony orchestra so they say, The best that ever tried to play, With Mr. Parmenter at the bat, Always to tell us where we re at. He’s forever singin’ out his score, And a-countin’ three and a-countin’ four; And tellin’ us how to play just so And then to draw a long full bow. And when the cornets all get out, You ought to hear him rave and shout; He stamps his foot, Oh hear him say, Gimme-Gimme-Gimme-A!!’’ And Morris is always playin’ wrong. Sometimes holdin’ notes too long, But tho’ he tries with all his might, It seems he just can’t play ’em right. Now Howard thinks he is the best Musician that ever wuz”, But if you wish to know the rest, Just listen how he docs. O! Fannie always wants to know If Otto’s cornin’,—Yes or no? For when he’s there it s plain to sec She plays a sweeter melody. Evelyn is always missin’ her car, And cornin’ in “kinda late; But. listen my dear for the lacts are, She was out with her handsome date. Now Ruth keeps on the beat, By pattin’ of her feet, But Fred Jaehne gets by, With the winkin’ of his eye. Yes, Catherine can play high trills, And put in all the frills, But I’m glad I don’t sit near, For such things hurt the ear. Of course we have other folks Just as bum as these But guess I’ll end my jokes, And leave you at your ease. Orchestra pals ' twas just in fun, So please don’t be offended, But tho’ I’ve just begun, This “Symphonism’’ must be ended. Paulink Summers