Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY)

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Quarter Notes Staff PIANO NOK! » ' ' M. Taylor T’aiilme Summers •tbrr.tte Ma-Wten .Kathryn I«cwi» Grace Tliuni|tM it • Anita Y»|frr h Itatriiv Much . Mnry KuUe ■Vmthy S. litmus it i it .M T«t» lur I I ' aulllii 1 Siiimii- rs The niendier. of Vrrn ItnlUiul Mnnnirrit.- Murpli. ' Mary .Sullivan Km lur mi- Mnol ' arl Flnyce Ilulihanl . T. M Taylor orga! Iiii tu(-I .. ’ it i 11 VII I ' ■ lii LiU rl, inil Aii li ' Prim to i ' .iim:ih’ | tlm fiml Ik. iiiif ..f f hi i H Wlu n tfu iiriui H limn I :ii t ' iiiu|i .iriiun n rvier mill l - ii i. ai|i ' ••rvntory • ! ' lit • .Jiord III It 1 mi • n il mill I nil ‘Inir-lt. ttll ' ii ' tl I Frvderie A. »V mIc., ’ll f’«iok. rlu eoiiyrntiilalcd ij A nIi- received from Hi -r at tin W former fraolirr werr I. tlmnitinli knnirlrdyn ill.I !»• rained from on pffucriKmi, Ik « K ii ■PTMudied violin in tin. mtv In VIUIIK |l |ll||ot Ilf |||. ' f.lliui ' .i. Ho In t.-turii. I. look iii irnfS lie In,. K n ,i iin ' j|il ' i ' „f Hi,. 1 siiur i|■■ f. ' iui liitimi. ' liVILLE. KtS ' TUCKY, DtCEVBEr, 1925 ristinaa Numb, i Sraurm 1 £125-1 iI2B play u the best ■jteM ' pIi ' il to uui jn . ins ntnl] Hint v ■ t y Aiit B vuiivs arotj St i ItnlimWh nut tliry di«u ht iii W Germany. due, but hlie, to-AjMb| iv v -oni arr tin- two here in Anterii-a and Mill further mul is ’marawersf si i n; • ■ r . ■ Mku .s|s«ki ' ii, Hod I spui ' ' , I cou H of vfllu. you. Iml oildM ilml that (Ids is nut altoW interest in von—future miuut in 11 s mnitteiJ BI th high stun. bt on inKpiratflvto ronkof In it not Av year rind draw BTt teaching Ability l t as it is theirs to lo iT willing to pier, and i or empty-handed. The srove thnt we may have P»y makes Jack a dull boy.” cnt£ ft a fine balance of work and uti Sit is. HU QT KTKR NOT I S I UK QL ARTER NOTES Published l.y the t’Us- of I ' 2 . leu • iij.i li.ssmil.siY or Mtvtc. I.s mtiu. Kv. No 1 frmn his assis .nt ||. ,. j. , x ,, hint immediately. Mon turner t ’ u M in • May . beyond our ur ' «t. it - ..« extent ability. if A mi ' s mi, I“‘»» r in t.uffff.h in the np|m.it, nut only In. own pun. r. but ii«evi,iry to ntvrmnte the effort wnit ' K dim lion If nny nuiolJ ti ' tliinit to In lp, he Is-.s,,!,’. a d « ; |’ •■arty, and the nruani attem loses ni.P • If litt ' b It pr j:r -«v inipiib-d by « ' h n all uf th iitiitdiers f a cl, iiitluird nih the spirit »f tIt. •h terminal that it -hall funition a lnss l at it» I -.—if anil make iif in the triii t s. r . i f f is the SJ I, llllt le.u Inn forulti f Hi Villi the . Micei tfully isillij ' letj thi plenta l«y tin »■ hunl i ' ■ mid the inlen .t in th. nvilid ioti.te.ition f|.»m lh l. ' i ' ii i il! . puhlie i d of lli - i ' Veelleut unrt i|, ' li |»V Mr jtuuiel ' hMii. ni. ittvd hy iIni French Uot i nteitl L tin n i n Mmlents, . dlrtl ult t. . n in ' iM It i e III • odor . in m . ( mi All. nl ' d l»y Kr.iii ' ii Moo r, of i atld tlii Idl lb . stud ents ill ' ll ' Killer Mr ' i N ' tl ' il i Mils i ' Thus, i ii.. mm evpe. ' t in jrn out hue. in Horry al.oit the |mv ilti|ity. open, if i. HUiiititu: us it we ore J utirsi lv.-o thnroiiyhlv III fl Th l ' e ierotioii nf Music l ii. irlists eune. ' lt . Olid till . of uni •otiei ' rl work ha .- uw.iituu; n. tlnsl • iv ' iiw ..uppurt and opportunity sohvt niidt ■)( . Tin uir. s th.it our ntvn Mnry I’ruduutrs ' hue lu vith .iluiip tin- t o all. S£y 1 ■ t mir ■ i ' tno.t lull we i!0. ily a brief sk ' leh of the entlm-daMn for the year itnd il iKmibilitira. lot fail in tin face of nil thnt exiets n le loved fi ' llOol. C.VTIIKRISE M 11 Ills. L DEPARTMENT Vrite About “Me” -n tt so verv nnieh. iJitorl nn l 1ml: wlmt “All Modem cdii ' 1

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Marian Nugent Bachelor of Music Marian Nugent, the first pupil of the L. C. M. to receive the Bachelor of Music Degree, has studied with Charles J. Letzler for the past four years. He prepared her for the Music Week Contest in 1923 of which she was the winner. The young violin¬ ist also received her diploma from the Conservatory at that time. Miss Nugent will continue her studies in New York next year. We sincerely hope she will bring more laurels to her Alma Mater and to her teacher—our beloved Mr. Letzler. k

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The Origin of the Quarter Notes T HE first Quarter Note was issued by the worthy class of ' 24. It was a shaky note, struck tremul¬ ously at first, and then as the idea grew, it be¬ came more sustained: but alas, for the class of ’24, not self-sustaining. However, it was our duty to Posterity to set the Note” sounding Molto Crescendo, broad¬ casting the growth of L. C. M. in quantity, quality and harmonious school spirit. The very appropriate name “Quarter Notes” was the result of a spontaneous combustion of thought between Leland Brock, ’24, and George Piggott, ’24. It ought to be some kind of a note,” mused Leland. A quarterly hmmm, why not “Quarter Notes?” George spontaneously combusted. And that was that—and it is still that. Mr. Brock became the editor of the one and only issue of the paper in ’24, issued May 1st. The news of a year was crowded into its seven generous pages and the space now filled with advertisements was occupied by columns headed: Can You Imagine”; “Favorite Expressions”, Have You Ever Noticed”, “Grunts and Giggles,” the contents of which can be readily guessed. Then there was Mary’s Metrical Musings” which dwelt on certain dignified notables around the school with no reference whatsoever to their dignity or nota¬ bility. This was the first Quarter Note,” humorous yet half sad as departing Seniors cast one longing look backward ere they- parted. May there be many more measures of Quarter Notes” and may the cadence never be heard. Howard L. Koch, Class ’24.