Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY)

 - Class of 1926

Page 42 of 100

 

Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) online collection, 1926 Edition, Page 42 of 100
Page 42 of 100



Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) online collection, 1926 Edition, Page 41
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Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) online collection, 1926 Edition, Page 43
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Page 42 text:

Marian Nugent Bachelor of Music Marian Nugent, the first pupil of the L. C. M. to receive the Bachelor of Music Degree, has studied with Charles J. Letzler for the past four years. He prepared her for the Music Week Contest in 1923 of which she was the winner. The young violin¬ ist also received her diploma from the Conservatory at that time. Miss Nugent will continue her studies in New York next year. We sincerely hope she will bring more laurels to her Alma Mater and to her teacher—our beloved Mr. Letzler. k

Page 41 text:

Class Will By Grace Gover W E, the 31 surviving veterans of a class of 50, entered the Louisville Conservatory of Music some few years ago. being then of sound mind. Although we have been through long years of misery and distress in order to get together the properties we now possess, we find that we have accumulated many things which we can not take with us. The things you have set value upon we hereby bequeath to you, in this the last will and testament of the Class of ' 26. To our beloved teachers, who have so unceasingly assisted our flagging footsteps along the intricate paths of difficulty on the way to knowledge, we leave our tardy appreciation. To Mr. Cowles. Miss McBride, and Mr. Harmon, our faculty advisors and sponsor, we bequeath our good will and heartiest thanks. Our next nearest of kin is the Junior Class. To the members of this class we leave our Senior dignity. May they uphold it with all seriousness and endeavor to realize its importance, in spite of their natural light minded¬ ness. To the Sophomores we leave our school spirit. You don’t get any grades in this, but it certainly does dress up your reputation. And to the Freshmen we leave our heart-felt sympathy. Keep on. girls, and you’ll finally reach the goal. Lucile Baker leaves her gift of gab to Emily Carothers. Miller Bennett leaves her sweet disposition to Oleta Albertson. Evelyn Black wills her peroxide shampoo and supply of cosmetics to Nancy Mae Elliott. Helen Cook’s quiet ways have been left to Katherine Barnes. Kitty Dale wills her talent in securing engagement rings to Rose Klaftcr. Sara Dillon leaves her care-free and easy going ways to Louisa Bum- gardner. Mary Belle Garrett leaves her timidity to Katherine Wharton. Verna Holland leaves her naturally curly hair to Vera Eversole. Eula Howland leaves her matrimonial success to Wanda Howard. Beatrice Hughes wills her boyish bob to Lela Vincent. Jane Jeffreys leaves her good nature to Catherine Stum. Mildred Lambert bequeaths her talent for playing the Lohengrin Wedding March to Floyce Hubbard. But. Floycc, remember that this is not taken from the Bible and neither is ’’Paradise Lost”. Cecil Lehmann leaves her operatic aspirations to Minnie Selby. Alameda Litsey leaves her winning smile to Lois Ellison. Katherine McCartcn leaves her “Flea-Hop” to Lcsslcy Freeman. Mildred Henderson leaves her “Italian a’s” and “Dramatic Art pro¬ nunciations to Mr. Harmon. Mr. Harmon, remember please that now you have classes in the afternoon at the Conser’vat’ry. Kathryn Lewis leaves her perfect bob to Nancy Mae Elliott. Catherine Mathis, at the request of the Senior Class, leaves her ability of acting in the capacity of President to the President of the Junior Class. Lallah Frances Owsley leaves her success in letting her hair grow to Mr. Cowles. Belle Pace willingly gives her place at the Baptist Orphanage to Mary¬ land Calvert. Sara Pace leaves her southern brogue to Mr. Mason. Virginia Sapp leaves her diligence in attending Class Meetings to Chris¬ tine McClure. Pauline Summers leaves her “pull” with Harcourt salesmen to Catherine Schanz. Dorothy Schnaus leaves her sweet tempered disposition, or at least a part of it, to Sylvia Hubbard. Mrs. Taylor leaves her place as Editor-in-Chicf of the Quarter Notes” to Margaret Kimberlin. You ' ll have to hustle. Margaret, if you intend to do even half as well. Grace Thompson leaves her continued marcclte to Sylvia Button. Let’s try it. Sylvia, and see how it looks. Anita Yager leaves her abbreviated statue to Ruth Sitton. Mary Foote leaves her “baby talk” to Catherine Murphy. Joseph Henry leaves his absolute pitch to Katherine Barnes. Myrtle Abnia leaves her originality in class mottoes to the Junior Class. Grace Gover leaves to Miss McBride her parting advice— Never bob your hair.” To Charles we leave all of the rest of our property and belongings which may be found in the various corners to the Conservatory.



Page 43 text:

Quarter Notes Staff PIANO NOK! » ' ' M. Taylor T’aiilme Summers •tbrr.tte Ma-Wten .Kathryn I«cwi» Grace Tliuni|tM it • Anita Y»|frr h Itatriiv Much . Mnry KuUe ■Vmthy S. litmus it i it .M T«t» lur I I ' aulllii 1 Siiimii- rs The niendier. of Vrrn ItnlUiul Mnnnirrit.- Murpli. ' Mary .Sullivan Km lur mi- Mnol ' arl Flnyce Ilulihanl . T. M Taylor orga! Iiii tu(-I .. ’ it i 11 VII I ' ■ lii LiU rl, inil Aii li ' Prim to i ' .iim:ih’ | tlm fiml Ik. iiiif ..f f hi i H Wlu n tfu iiriui H limn I :ii t ' iiiu|i .iriiun n rvier mill l - ii i. ai|i ' ••rvntory • ! ' lit • .Jiord III It 1 mi • n il mill I nil ‘Inir-lt. ttll ' ii ' tl I Frvderie A. »V mIc., ’ll f’«iok. rlu eoiiyrntiilalcd ij A nIi- received from Hi -r at tin W former fraolirr werr I. tlmnitinli knnirlrdyn ill.I !»• rained from on pffucriKmi, Ik « K ii ■PTMudied violin in tin. mtv In VIUIIK |l |ll||ot Ilf |||. ' f.lliui ' .i. Ho In t.-turii. I. look iii irnfS lie In,. K n ,i iin ' j|il ' i ' „f Hi,. 1 siiur i|■■ f. ' iui liitimi. ' liVILLE. KtS ' TUCKY, DtCEVBEr, 1925 ristinaa Numb, i Sraurm 1 £125-1 iI2B play u the best ■jteM ' pIi ' il to uui jn . ins ntnl] Hint v ■ t y Aiit B vuiivs arotj St i ItnlimWh nut tliry di«u ht iii W Germany. due, but hlie, to-AjMb| iv v -oni arr tin- two here in Anterii-a and Mill further mul is ’marawersf si i n; • ■ r . ■ Mku .s|s«ki ' ii, Hod I spui ' ' , I cou H of vfllu. you. Iml oildM ilml that (Ids is nut altoW interest in von—future miuut in 11 s mnitteiJ BI th high stun. bt on inKpiratflvto ronkof In it not Av year rind draw BTt teaching Ability l t as it is theirs to lo iT willing to pier, and i or empty-handed. The srove thnt we may have P»y makes Jack a dull boy.” cnt£ ft a fine balance of work and uti Sit is. HU QT KTKR NOT I S I UK QL ARTER NOTES Published l.y the t’Us- of I ' 2 . leu • iij.i li.ssmil.siY or Mtvtc. I.s mtiu. Kv. No 1 frmn his assis .nt ||. ,. j. , x ,, hint immediately. Mon turner t ’ u M in • May . beyond our ur ' «t. it - ..« extent ability. if A mi ' s mi, I“‘»» r in t.uffff.h in the np|m.it, nut only In. own pun. r. but ii«evi,iry to ntvrmnte the effort wnit ' K dim lion If nny nuiolJ ti ' tliinit to In lp, he Is-.s,,!,’. a d « ; |’ •■arty, and the nruani attem loses ni.P • If litt ' b It pr j:r -«v inipiib-d by « ' h n all uf th iitiitdiers f a cl, iiitluird nih the spirit »f tIt. •h terminal that it -hall funition a lnss l at it» I -.—if anil make iif in the triii t s. r . i f f is the SJ I, llllt le.u Inn forulti f Hi Villi the . Micei tfully isillij ' letj thi plenta l«y tin »■ hunl i ' ■ mid the inlen .t in th. nvilid ioti.te.ition f|.»m lh l. ' i ' ii i il! . puhlie i d of lli - i ' Veelleut unrt i|, ' li |»V Mr jtuuiel ' hMii. ni. ittvd hy iIni French Uot i nteitl L tin n i n Mmlents, . dlrtl ult t. . n in ' iM It i e III • odor . in m . ( mi All. nl ' d l»y Kr.iii ' ii Moo r, of i atld tlii Idl lb . stud ents ill ' ll ' Killer Mr ' i N ' tl ' il i Mils i ' Thus, i ii.. mm evpe. ' t in jrn out hue. in Horry al.oit the |mv ilti|ity. open, if i. HUiiititu: us it we ore J utirsi lv.-o thnroiiyhlv III fl Th l ' e ierotioii nf Music l ii. irlists eune. ' lt . Olid till . of uni •otiei ' rl work ha .- uw.iituu; n. tlnsl • iv ' iiw ..uppurt and opportunity sohvt niidt ■)( . Tin uir. s th.it our ntvn Mnry I’ruduutrs ' hue lu vith .iluiip tin- t o all. S£y 1 ■ t mir ■ i ' tno.t lull we i!0. ily a brief sk ' leh of the entlm-daMn for the year itnd il iKmibilitira. lot fail in tin face of nil thnt exiets n le loved fi ' llOol. C.VTIIKRISE M 11 Ills. L DEPARTMENT Vrite About “Me” -n tt so verv nnieh. iJitorl nn l 1ml: wlmt “All Modem cdii ' 1

Suggestions in the Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) collection:

Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) online collection, 1925 Edition, Page 1

1925

Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) online collection, 1927 Edition, Page 1

1927

Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) online collection, 1926 Edition, Page 78

1926, pg 78

Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) online collection, 1926 Edition, Page 46

1926, pg 46

Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) online collection, 1926 Edition, Page 5

1926, pg 5

Louisville Conservatory of Music - Crescendo Yearbook (Louisville, KY) online collection, 1926 Edition, Page 51

1926, pg 51


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