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Page 7 text:
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Louisville Conservatory of Music September 8, 1925-- Novembcr 17, 1925 .... December 25, 1925--U January 2, 1926 .... February 2, 1926 ..,. April 13, 1926 .... June 21, 1926--- June 22, 1926--- August 2, 1926 ---- ,- CALENDAR 1925-1926 ------ .. .- . . . - -Academic year begins - - - - - -I - - -Second term - ---- - Christmas Holidays - Lessons and classes resumed .-- ------- Third term -- ,----- Fourth term - --Academic year ends - - -Summer school begins ----. ,- .. .- - ,- - - - ,--- -Summer school ends Students may enter the Conservatory at any time during a term and tuition will be charged only from the date of the first lesson. No students, however, will bc accepted for less than a term of twenty lessons. Calendar -.-- Certificates ....- . Choir Training --.. Composition. -. . - Counterpoint ..-- Credits ...-- . -- Diplomas .-...- Dormitory---, -- --- Dramatic Art . .. .. . . Ear Training ----------- - Ensemble .-.-- , ----.--. Entrance Requirements - ---- . Examinations.. ----. - . . -- Expression .. . - . . Faculty .--.--- .. - - Form Analysis --...-. General Summary .... . Graduation.. ..------ - Harmonic Analysis -..- . Harmony ..-------- History of Music.--.. Languages ..-.--.-. SCHOOL COLOR: PURPLE TAB LIC OF CON'l'l'lN'l'S P1130 Page 7 Orchestral Instruments- -- 1 26 I3 Orchestras --..---. ,, -- - 22 I8 Orchestration- .--- -, - 33 33 Organ Department--..- - I8 34 Outline of Courses .--. - I3 29 Piano Department-.-, , I5 I3 Piano Normal -.----- W 35 45 Public Appearances ., - - 22 42 Public School Music .-.- ,. 37 3I Recitals and Plays-H - 45 26 Regulations- ----, - ,-, - 47 I I Scholarships- ---- , 48 II School Year--,,.- - 9 42 Sight Singing----U .. 3I 8 Special Students-..-. 9 3I Teachers Training-- - - 35 9 Terms of Tuition----.. A 48 II Theory ------,.---- -, , - 33 34 Violin Department--. .. ., - - 23 30 Violoncello Department ., 26 34 Voice Department . - , - , .. .. I9 29 pllgc BBVGII
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Page 6 text:
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Arthur W. Mason james Wg McClain ' john L. Gruber
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Page 8 text:
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Louisville Conservatory of Nluszc FACULTY PIANOFORTE CORNEILLE OVICRSTREET -JOHN REBARER ARTHUR W. MASON FREDERIC A. COWLES MINNIFI MURDOFR ICIMBALI. FLORENCE SOHOI-I'ENI-IORST W. LAWRENCE COOK -JENNIE VVATKINS MARY STEWART ALIOE CAMP SARAH MCCONATHY THOMAS STRADLEY FRANK HARMON LELAND BROCK MAYME HUNT BESSIE PERRY THEODORE IIICHBOURG MARIE FRANK NANNYE ILUDY ANDERSON MARGARET HAMMERSTEIN BESS MUSTAINE LAURA BOWMAN IWARY A. GRISSOM VOICE CULTURE AND THE ART OF SINGING ' RICGINALD W. BILLIN CAROLYN CHRISMAN CARA SAPIN SARA LEE JOHN SAMPLE HARP NIARRET SAVERNE VIOLIN ROBEIIT PARMENTER CHARLES J. LETZLER MARION NUGl'1NT CORA COOK PARMENTER ORGAN AND CHOIR TRAINING VIOLONCELLO W. LAWRENCE COOK' ICARI. SCIIMIDT ORCHESTRAL INSTRUMENTS LUIGI 1iES'1'A THEODORE VON BUEST THEORY, HARMONY, COUNTERPOINT AND COMPOSITION FRANK HARMON ARTHUR W. MASON SARAH MCCONIKTHY THEODORE RICHBOURG ALICE CAMP FLORENCE SCHOPPENHORST EAR AND EYE TRAINING ARTHUR W. IVIASON FRANK HARMON . ALICE CAMP PEDAGOGY AND PSYCHOLOGY BYRON W. I'IAR'I'I.I-:Y ELIZABETH BRECKINRIDOE PIANO NORMAL COURSE PUBLIC SCHOOL ART MARY STEWART LENA HILLERICLI PUBLIC SCHOOL MUSIC IIELEN MCHRIDE SELMA ICRANZ JAY W. FAY X LANGUAGES HISTORY OF MUSIC ROSALIE PARONY ARTHUR W- MASON H FLORENCE SCHOPPENHORBT ' DEPARTMENT OF DRAMATIC ART AND EXPRESSION -FLOYD cjRU'1'CHFIEI,D - MARTHA FRANCES BRANTLEY page f-ight BII.I.'IE NASH PERRY
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