Lipscomb University - Backlog Yearbook (Nashville, TN)

Page 31 text:

BROKEN ENGAGEMENTS and the ensuing tears and confusion are no excuse for breaking the old custom of tea in the afternoon; proving that the British are British. “I STILL believe that people are good,” were memorable words of a twelve year old Jewish girl. Benja Holt played this moving role, showing the fears and tortures forced on people by their fellowman in times of national upheaval.

Page 30 text:

PETER, DISCOURAGED by two years of hiding in an at- tic, finds himself falling in love with youthful Anne Frank. CHAOS SEEMS to reign as Chuck Bollinger prepares the house where George Washington slept for its new tenants. Excellence and Variety Form Theatrical Playbill TEA CAKES served with a liberal helping of sarcasm by the host Lights, glue, and skill unequaled in directing made for an evening with The Importance of Being Earnest. combined to create the drama which is a feature part of the college life at Lipscomb. The Drama is the result and a miracle of unified achievement through a collective effort. Actor, director, and light men are faced with the task of taking an in- animate script and with it create a living, exciting drama which transports the audience into the world of the drama and the theatre. Success does not come easily; pages or lines must be cut to fit into the life of Lipscomb; days or weeks drag on before it is ready for casting; and finally the big day arrives and the drama is given to the public for their pleasure or displeasure, depend- ing on their mood and fickleness. Theatre at Lipscomb is still alive. Jerry Hen- derson’s freshness and sense of sensitivity bring to each play a necessary degree of ‘something’ neces- sary for a quality drama production. Student grades are almost forgotten as night- long rehearsals begin, as actors retire to the silent stillness of an auditorium. Rewards come with a curtain call and it is all over until tryouts again.

Page 32 text:

Magically After Five the Campus Becomes Alive When darkness comes many things change or have their appearance altered; the dirt and filth of a city are covered by the blanket of night and only the flicker- ing lights show; shadows seem to be elongated from overhead lights providing a place for a moment’s rest; or darkness provides the backdrop for the warmth of a bonfire unthawing the frost-bitten fans of Greek foot- ball. It seems as though the campus forgets the more serious academic thoughts, at least for the moment, as would-be scholars enter the non-academic world of McQuiddy for a time of fun and support of our favorite team, the romping Bison Herd. Walks to the library for that study date often take considerably longer than expected and the final footnote for that English paper must be made-up, or “faked” and handed in with a prayer. Dreams are built and lives are committed in a few precious moments stolen in walks around Alumni. Tuesday nights the campus is usually deserted; Crisman is gradually losing its scholars to the student center and hamburgers as the curfew of ten again rears its head. The Dean arrives and wraps his coat closer about him as the wind blows and walks to the steps of Alumni and gradually the students begin to filter out; a solitary girl comes from the lighted porch of Fanning and a pack of boys emerge from Elam’s depths; the student center almost forceably closes its doors forcing a choice of dorm or devotionals. Peace, perfect peace almost becomes a reality as voices of not too melodious qualities combine, creating worship to our God through a brief quarter hour’s contact with His wonders. This is the magic hour when the campus really is alive—the lingering moments in the cafeteria over un- touched food, and the walks to the drugstore in the warm breeze of springtime or the cold, biting wind of snow. This is the magic of life on campus after five. LEAPING FLAMES signify the opening of another football season as students gather around its warmth on the brisk, cooling fall nights. 26