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Page 29 text:
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walter, Carol Motheral, Karen Henke, JoAnn Lidderdnlc, Kathy Hurlehy, Patrice Goebel, Zelma Sutherland, Paula Weaver. Row 4: Jeff Harris, Mike Ritchey, Phil Ross, Darrel Kohler, David Dodge, Tom Nader, Edwin Thatcher, Mike Roberts, Earl Anderson, Ed Masters, Randy Gotschall, Steve Amerson, Tom Blackburn, Don Perks, Kevin Gotschall, Harold Booker, Tony Gucrrieri, Eu' gene Harris, Bill Cotopolis, Row 5: Rick Pennell, Todd Kendle, Steve Mnrtin, .loc McGovern, Don Deremer, Dennis Stroud, Gary Siegfried, Larry Bennett, Daniel Eckerd, Ned Lowe, Phil Budervic, Jeff Tucker, John Singer, Chic Weaver, Joddy Allen, Ken Bower, Rick Anderson, Larry Smith, Steve Perry, Rick Whitehouse, Paul Wagner. In Giving We Receivev and love conveyed by the excellence of the performance. After a concert, there are always numerous comments ex- changed of the tremendous fatigue experienced by every- one, but also, although it often remains unspoken, there is joy expressed in every face. Every person has given to the audience a part of himself by his interpretation of the music and has received a feeling that is difficult to name. The most appropriate phrase is In Giving We Receive. Gathered around the piano, the choir officers are pictured in a familiar location in the choir room.
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Page 28 text:
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A Cappella Choir: Row 1: Shelley Bamberger, Peggy Plastow, Karen Mottice, Sue Wilson, Debbie Barbour, Ginger Stewart, Bonnie Goldbourn, Brenda Cech, Sara Wilson, Chris Santilli, Sandi Laws renee, Pam Martin, Celeste Kautsch, Lynda Brogan, Stephanie Xenos, Pam Booker, Jean Voltz, Joan Voltz, Toni Bodway, Kim Miller. Row 2: Karen Starcher, Lydja Ann Dawson, Marcie Clere, Cathie Volk, Pattie Hubbard, Susie Schoenomun, Penny Dailey, Michelle Guerra, Barb Pocock, Pam Gun' saullus, Jenny Harris, Kathy Notaro, Diane Brainerd, Diane Lones, Denise Trott, Cindy Koliek, Cheryl Heinemann, Debbie Brokaw, Robyn Crider, Suzy Mirides, Row 3: Cheryl Wright, Karen Perry, Fontella Crislip, Lelia Evans, Cindy Rex, Jackie Edwards, Linda Barrett, Sue Barber, Elaine Franks, Sandra Piacente, JoAnne Fresher, Tom Kendle, Steve Oberlin, David Early, LuAnn Lichten- Love and Friendshm Blend In Music The Lincoln A Cappella Choir began its musical year by learning new music and reviewing traditional Lincoln numbers. Soon the tones were removed from the musical staff and transferred to the stage of the Palace theatre for the United Fund Kick-Off Rally. Later, music reached out from the Lincoln stage during the musical, Brigadoon, the Christmas Concert, and the Spring Sing. The choir also participated in the All-City Choral Concert and once again earned two superior ratings at District Contest in March, and at State Contest in April. In addition to these tangible accomplishments, the choir gained something much more abstract and harder to iden- tify, but that was very definitely present. For when some- one sings with such an organization, he learns to love and know not only music, but the intent and meaning of the words set to that music. One no longer sees 103 singers and a director, but hears and sees a beautiful creation that for- merly, to most listeners, was only sheet music. When music is thus transformed, the people performing it cannot remain unchanged. The audience felt the warmth
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Page 30 text:
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Keyllotes: Row 1: Diane Brainerd, Cindy Koliek, Linda Barrett, Sue Wil' son. Row 2: LuAnn Liehtenwnlter, Jackie Edwards, Sandra Piacente, Sandi Lawrence, Lelia Evans. Lyrics: Row 1: Marci Clere, Peggy Plastow, Michelle Guerra, Pam Book, er. Row 2: Toni Bodway, Cheryl Wright, Barb Pocock, Penny Dailey, Stephanie Xenos. 26 1' Madrigals: Row 1: Shelley Bambergcr, Pam Gunsaullus, Zelma Suthere land, Suzy Mirides. Row 2: Rick Pennell, Mike Roberts, Paul Wagner, Steve Amerson. Girls' Ensemble: Row 1: Karen Mottice, Linda Brogan, Karen Starcher, Lydja Dawson, Row 2: Patrice Goebel, Paula Weaver, Sue Barber, Denise Trott.
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