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Page 33 text:
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LEFT, CHOIR, Row 1 — Janet Milton, Beatrice Mangin, Robert Dickens, Carol Zimmer; Row 2 — Betty Danielson, Carol Luedtke, Ann Ferguson, Priscilla Uetzmann. Ab- sent when picture was taken was Bette Ohlhues Audience in Tears HE PEOPLE, citizens of Grover’s Corners, were typical of those you might have seen if you had lived in the early nineteen hundreds. The three acts illustrated three phases of life: youth, love and marriage, and death. The cast was one of the largest ever to ap- pear on Lincoln's stage. The long tedious hours they practiced paid off to make their perform- ance truly wonderful. An all-out campaign was ABOVE — Romantic interest was supplied by Calvin Mahnke and Barbara Hidde carried out by the publicity committee. This BELOW, WEBB FAMILY, seated — Barbara Hidde proved successful for it drew more people than as Emily Webb, James Schleis ie Wally Webb; ] j tl Credit a wieder i CHS standing — Roger Franke as Editor Webb, Elaine plays given recently. Credit was gi Tieiifa ve Wes, Weeds stage crew for skillful handling of the lights. BELOW — Howard Oestreich and Robert Wel- netz, who portrays the town drunk, Simon Stimson, get together Spring Play.. 29
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Page 32 text:
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ABOVE — Howard “Skip” Oestreich portrays the nonchalant stage manager. ABOVE RIGHT, GIBBS FAMILY, seated — Lois Gieschen as Rebecca Gibbs, Calvin Mahnke as George Gibbs; standing — Gerald Strebel as Dr. Gibbs, Mary Weber as Mrs. Gibbs 28 ..Spring Play ‘Our Town’ Leaves INCOLN'S DRAMATICS students presented the Pulitzer prize winning play, “Our Town”, April 4 and 6. The spring play, under the direc- tion of Mr. George Kanzelberger, was a differ- ent type of production from those given in the past. For the first time in a Lincoln play, no scenery was used. The setting was left to the imagination of the audience. The stage manager, Howard Oestreich, cre- ated a setting for the characters with words, explaining the play to the audience as it pro- gressed. The production exemplified typical life in a town which, although imaginary, could be any town in the United States. LEFT, Row 1 — Bev- erly Trombla, Carol Burns, Emily Hagen, Italo Giovannoni Row 2 — Jon Einber- ger, Robert Dickens, Frank Birch, Daniel Hodge, Brian Eisner, Charles Komosa. Ab- sent when picture was taken were Jack Madson, Alan Boeldt, Karen Wensing and Jack Kabat
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Page 34 text:
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— Lincoln Enjoyed ‘Th RIGHT, left to right — James Grilf- fin, Carol Burns, Earl Kreisa, Jack Madson, Brian Eisner BELOW, left to right — Janet Shimon as Musette, a gypsy fortune teller, and James Griffin, Sandor, a gypsy musician HE VOICES of the first chorus, music from orchestra, and the colorful set all blendec gether to produce Victor Herbert's operetta, Fortune Teller’ Nov. 29 and Dec. 1] in the auditor Six members of the orchestra made up the s ensemble which played for soloists and small v groups. In addition to the principal roles, dar were portrayed by Georgia Kenny, Nancy N Bette Ohlhues, Susan Park, Elaine Traurig, and C Zimmer. Special agents of the Count were Cerkas, James Chermak and Allen King. The operetta was under the direction of Mr. liam Jones, music department head; Mr. Ge Kanzelberger and Mr. Frank Novitski, dran directors; .Mr. Karl Miller, orchestra director; George Kanzelberger, technical director; } Weber, director's assistant; Charles Komosa, s manager; Susan Park, dance director; and Mr. F: Novitski, costumes and makeup. During the abs: of the business manager, John M. V. Stever student business managers, Judith Schoening Karen Wensing, took charge of tickets, progr publicity, ushers and all other operetta busine ae 30.. Operetta
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