Lincoln High School - Best of Lincoln Yearbook (Stockton, CA)

 - Class of 1980

Page 244 of 280

 

Lincoln High School - Best of Lincoln Yearbook (Stockton, CA) online collection, 1980 Edition, Page 244 of 280
Page 244 of 280



Lincoln High School - Best of Lincoln Yearbook (Stockton, CA) online collection, 1980 Edition, Page 243
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Lincoln High School - Best of Lincoln Yearbook (Stockton, CA) online collection, 1980 Edition, Page 245
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Page 244 text:

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Page 243 text:

Runners gain speed Victories over Edison and Tokay in league meets led the way to a successful season for the Lincoln tracksters. Though defeated by Tracy, Ermon Skip Harris high- lighted the meet for the Trojans by winning the 100 yard dash in 10.2 seconds. This year, said Gretchen Yorke, a real team effort was put forth. This team effort was evident as the Trojans beat Edison 76-59. John Rasmussen won the mile in 4248.7 while Chris Lizarraga captured first in the two mile with a time of 10: 19.7. Gus Spanos vaulted 12 feet 6 inches to take a first in the pole vault, and Dave Mintun leaped 5 feet 7 inches for a first in the high jump. Ernie Almandarez, setting a school record, won the triple jump with a leap of 42 feet 10 inches. Tracy Dryden won the 880 with a time of 2:07.8. Also placing first was Lamont Hilliard with a toss of 146 feet 9 inches in the discus. We won that meet with depth, pure depth, said Coach Jim Frost. Hilliard ,won the discus and the shot-put to lead Lincoln to a 90-46 victory over Tokay with distances of 166 feet 2 inches and 49 feet 9 inches respectively. Stuart Bowers also placed first in the 330 low hurdles. The girls' team brought home victories against Tracy, Edison, and Tokay in league competition with continuous first place performances by Gretchen Volz, Jill Perry, Julie Rasmussen, Janet Sullivan, Anne Day, and Kelly Hunt. Lincoln placed second behind Edison in the All-City Track Meet with wins by Spanos and Dryden. The girls' team easily took first with strong performances by Perry, Rasmussen, Volz, and Christy Frields. DOWN TO THE WIRE--Pressing forward for a Lincoln victory, Skip Harris, lleftl, finishes the 100 Yard 15650- ' BOYS' TEAM PICTURE--ibelowl, front row:Dan Roman, Jeff New- bury, Mike Welsh, Greg Greenwood, Bill Cambell, Rene Romero, Scott Duns, Mark Gibson, Roman Butterfield, Ken Johnson, Clarence Garrido, Ed Moore, Lawrence Lew, Jon Williams, Gary Downs, Second row:Jerry Wiebe, Jim Trotter, Steve Cossey, Tony Del Porto, John Musgrove, Per Aberg, Dave Mintun, John Wiebe, Brian Love, John Crespi, Lance Vetesy, Cornell Yip, Brian Caneoa. Simon Wong, Frank Guerra, Jon Rasmussen, Tracy Dryden, Steve Overgardd, Sean Wagnon, Third row:Eric Pennington, Joe Nichols Lyndley Wadly, Robert Ford, Lelo Sanchez, Kevin Clift, Craig Osborn, Phil Serra, Ernie Bullock, Yorick Hempstead, Chris Lizarraga, Doug Thomas, Grant Nason, Stuart Bowers, David Foster, Greg Rea, Gus Spanos, Ken Grogan, Greg Rhines, Roy Harrison, Ernie Almandarez, Mitchel Jang, Gary Robertson, Collis Galloway, Don Latimer, Mike Velez, Ed Horning, Lamont Hilliard, Deron Jaffe, Frank Silva, Coach Roger Brautigan, Dave Olson, Coach Jim Frost, Coach Jim Rubiales. 'WX



Page 245 text:

13 fzfkg.. . mfg.. '- . r l p Wes. 1 Q r .sr .. . l Music and record industries thrive on publicity. Sales of records are stimulated by the use of a TOD artist's name or portrait on an album jacket. The use of an artist's name or likeness on printed music editions is a valuable marketing device. Television and ra- dio commercials often utilize an artist's name in advertising his product. lVler- chandise such as T-shirts, buttons, and pos- ' ters featuring the recording artist's likeness are a valuable tie-in with his record sales. Artists, in their negotiations with record com- panies may seek promotional and tour support. They may ask that there be a minimum amount of advertising of their releases and concerts in trade papers, on radio, or other media. Artists may request that if they go on performance tours of sta- diums, festivals, music halls, or theaters, the record company may contribute a fixed amount toward the expense of the tour. Typical expenses are for trans- portation, hotels, food, and equipment rentals. Ar- tists urge that the tours are necessary to expose the performer and build up his popularity. The record business continues to be a costly, as well as risky business. The risks are indicated by the fact that most records fail to break even financially, ac- cording to industry sources. The backers, promoters and publicity help to alleviate some of the expenses. The expansion of the music industry remains a highly viable one, where fortunes are rapidly built and lost. There are many annual dropouts from the ranks of publishers, record companies, managers, and per- formers. Teenagers are heavy supporters of the record in- dustry, frequenting local record outlets and ster- eo stores. Students also patronize other Stock- ton merchants and promoters listed on the following pages. INF LUENCIAL PROIVIOTER---Nlr. Fritz Grupe, addresses the crowd at the Lincoln Student Store groundbreaking in February. Grupe donated funds to build the facility. Ads. Division

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